Jewish Historical Museum

 

 

BEST DOCUMENTARY AWARD goes to the film "Exodus - a journey to the mountain of God" by Alon Bar & Eitan Bin-Noun. The 52-minute-long documentary film tells about the journey of an expedition of scientists towards Mt. Sinai, on the path of the Biblical Exodus. It is a scientific and archeological trip, but, at the same time, it tells the story of a human spirit, of the passage from slavery in Egypt to freedom, and to the Promised Land. The young directors Alon Bar and Eitan Bin-Noun carried out the shooting with natural, emotional participation and great scientific preparation, producing a film that is not only centered on the archaeology of objects and rock art, but also on anthropological elements, which underlines the psychology and living habits of the desert people". 

 

Allaird Pierson museum Amsterdam

>The Allard Pierson Museum is the archaeological museum of the University of Amsterdam. It is situated at the Oude Turfmarkt 127 in Amsterdam, the Netherlands. Artifacts from the ancient civilizations of ancient Egypt, the Near East, the Greek World, Etruria, and the Roman Empire are curated and exhibited in this museum. The name of the Allard Pierson Museum derives from the first professor of classical archaeology at the University of Amsterdam, Allard Pierson (1831–1896). This former clergyman was invited in 1877 to occupy the chair of Aesthetics, Art History, and Modern Languages at the newly founded university. His passion for antiquity, fuelled by his travels to the Mediterranean area, led to his assembling a collection of plaster casts from 1877 to 1895. 

 

 

Colonial history

 

 

Colonialism has existed since ancient times. In the modern period, the concept is most strongly associated with the European and Japanese empires, starting in the 15th century and extending to the mid-1900s. At first, conquest followed policies of mercantilism, aiming to strengthen the home-country economy, so agreements usually restricted the colony to trading only with the metropole (mother country). The impacts of colonisation are immense and pervasive Various effects, both immediate and protracted, include the spread of virulent diseases, unequal social relations, detribalization, exploitation, enslavement, medical advances, the creation of new institutions, abolitionism, improved infrastructure, and technological progress. Colonial practices also spur the spread of conquerers' languages, literature and cultural institutions, while endangering or obliterating those of native peoples. The native cultures of the colonised peoples can also have a powerful influence on the imperial country.

 

Werner Herzog 's ambition

 

 

The film had a troubled production, chronicled in the documentary Burden of Dreams (1982). Herzog had his crew attempt to manually haul the 320-ton steamship up a steep hill, leading to three injuries. The film's original star Jason Robards became sick halfway through filming, so Herzog hired Kinski, with whom he had previously clashed violently Their fourth collaboration fared no better. When shooting was nearly complete, the chief of the Machiguenga tribe, whose members were used extensively as extras, asked Herzog if they should kill Kinski for him. Herzog declined. 

 

 

The story of film

 

 

Conventions toward a general cinematic language also developed, with editing camera movements and other cinematic techniques contributing specific roles in the narrative of films. Popular new media, including television (mainstream since the 1950s), home video (mainstream since the 1980s), and the internet (mainstream since the 1990s), influenced the distribution and consumption of films. Film production usually responded with content to fit the new media, and with technical innovations (including widescreen (mainstream since the 1950s), 3D, and 4D film) and more spectacular films to keep theatrical screenings attractive. Systems that were cheaper and more easily handled (including 8mm film, video, and smartphone cameras) allowed for an increasing number of people to create films of varying qualities, for any purpose (including home movies and video art). The technical quality was usually lower than that of professional movies, but improved with digital video and affordable, high-quality digital cameras. 

 

 

Civilisation: festivities

 

A costume designer is a person who designs costumes for a film, stage production or television show. The role of the costume designer is to create the characters' outfits or costumes and balance the scenes with texture and colour, etc. The costume designer works alongside the director, scenic, lighting designer, sound designer, and other creative personnel. The costume designer may also collaborate with a hair stylist, wig master, or makeup artist. In European theatre, the role is different, as the theatre designer usually designs both costume and scenic elements. 

Art in Amsterdam

 

 

Digital recording and reproduction converts the analog sound signal picked up by the microphone to a digital form by the process of sampling. This lets the audio data be stored and transmitted by a wider variety of media. Digital recording stores audio as a series of binary numbers (zeros and ones) representing samples of the amplitude of the audio signal at equal time intervals, at a sample rate high enough to convey all sounds capable of being heard. A digital audio signal must be reconverted to analog form during playback before it is amplified and connected to a loudspeaker to produce sound. Prior to the development of sound recording, there were mechanical systems, such as wind-up music boxes and, later, player pianos, for encoding and reproducing instrumental music. 

 

 

 

Slavery commemoration

 

Martial arts films are a subgenre of action films that feature martial arts combat between characters. These combats are usually the films' primary appeal and entertainment value, and often are a method of storytelling and character expression and development. Martial arts are frequently featured in training scenes and other sequences in addition to fights. Martial arts films commonly include hand-to-hand combat along with other types of action, such as stuntwork, chases, and gunfights.[1][2][3] Sub-genres of martial arts films include kung fu films, wuxia, karate films, and martial arts action comedy films, while related genres include gun fu, jidaigeki and samurai films. 

 

 

 

Plastic crush

 

 

The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution, and actors. Though the expense involved in making films almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve. 

 

City Street Scenes

 

 

 A scene is a part of a film, as well as an act, a sequence (longer or shorter than a scene), and a setting (usually shorter than a scene). While the terms refer to a set sequence and continuity of observation, resulting from the handling of the camera or by the editor, the term "scene" refers to the continuity of the observed action: an association of time, place, or characters. The term may refer to the division of the film from the screenplay, from the finished film, or it may only occur in the mind of the spectator who is trying to close on a logic of action. For example, parts of an action film at the same location, that play at different times can also consist of several scenes. Likewise, there can be parallel action scenes at different locations usually in separate scenes, except that they would be connected by media such as telephone, video, etc. 

 

Broek in Waterland

 

 

A point of view shot (also known as POV shot, first-person shot or subjective camera) is a film scene—usually a short one—that is shot as if through the eyes of a character (the subject). The camera shows what the subject's eyes would see. It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The POV technique is one of the foundations of film editing.

Van der Pek quarter

 

 

Mise-en-scène has been called film criticism's "grand undefined term. It has been criticized for its focus on the dramatic design aspects rather than the plot itself, as those who utilize mise-en-scène tend to look at what is "put before the camera" rather than the story. The use of mise-en-scène is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene. Mise-en-scène allows the director to not only convey their message but also to implement their aesthetic. With that, each director has their own sort of mise-en-scène that is unique to that one person. Mise-en-scène refers to everything in front of the camera, including the set design, lighting, and actors, and the ultimate way that this influences how scene comes together for the audience. 

 

 

Dageraad architecture

 

Museum De Dageraad Behind the wave-shaped facade of the famous working-class housing complex De Dageraad, you will find information about the art and architecture of the Amsterdam School. At the beginning of the last century, H.P. Berlage designed the now famous Plan Zuid. He introduced a new way of urban planning, in which there was room for wide streets, atmospheric squares and green parks. The characteristic architecture of the many Amsterdam School artists still adorns the street plan. The expressionistic facades and beautiful ornaments are recognizable throughout the neighborhood.

Residential complex De Dageraad is the Amsterdam School in its purest form. Architects Michel de Klerk and Piet Kramer were commissioned to design all facets of the streetscape. 

 

Edam village

 

 

A basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots may look like a jump cut, which could jar the audience and take them out of the story by causing them to focus on the film technique rather than the narrative itself

 

Oriental Diva's

>Diva is the Latin word for a goddess. It has often been used to refer to a celebrated woman of outstanding talent in the world of opera, theatre, cinema, fashion and popular music. If referring to an actress, the meaning of diva is closely related to that of prima donna. Diva can also refer to a person, especially one in show business, with a reputation for being temperamental or demanding. The 1940s, 1950s and the 1960s are generally considered the golden age of Egyptian cinema. In the 1950s, Egypt's cinema industry was the world's third largest.As in the West, films responded to the popular imagination, with most falling into predictable genres (happy endings being the norm), and many actors making careers out of playing strongly typed parts.

 

Amstelveen

 

 

Bridging shot A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling calendar pages, railroad wheels, newspaper headlines and seasonal changes. Bridge shots are also used to avoid jump cuts when inserting a pick-up.

 

On the way in Amsterdam

 

 

Many web sites include videos. Although not necessarily produced online, many video production tools allow the production of videos without actually using a physical camera. An example of this is using the YouTube video editor to create a video using pre-existing video content that is held on the platform under Creative Commons license. Video content is being used in an ever-growing range of contexts, including testimonial videos, web presenter videos, help section videos, interviews, parodies, product demonstrations, training videos, and thank you videos. 

 

 

Tarkovsky exhibition

 

All kinds of Amsterdam

 

 

 There are many different types of video production. The most common include film and TV production, television commercials, internet commercials, corporate videos, product videos, customer testimonial videos, marketing videos, event videos, wedding videos. The term "Video Production" is reserved only for content creation that is taken through all phases of production (Pre-production, Production, and Post-production) and created with a specific audience in mind. A person filming a concert, or their child's band recital with a smartphone or video camera for the sole purpose of capturing the memory would fall under the category of "home movies" not video production.

Indonesia for sale

 

 

Media activism is a broad category of activism that utilizes media and communication technologies for social and political movements. Methods of media activism include publishing news on websites, creating video and audio investigations, spreading information about protests, or organizing campaigns relating to media and communications policies. Social media is often used as a form of media activism. Because of the interactive features and widespread adoption, users can quickly disseminate information and rally supporters.[8] Platforms like Facebook and Twitter can reach a much larger audience than traditional media. Although often only a small percentage of people who express interest in a cause online are willing to commit to offline action, social media interaction is viewed as "the first step in a ladder of engagement".

Tarkovsky: filming fire

 

 

Cinematic style In a 1962 interview, Tarkovsky argued: "All art, of course, is intellectual, but for me, all the arts, and cinema even more so, must above all be emotional and act upon the heart." His films are characterized by metaphysical themes, extremely long takes, and images often considered by critics to be of exceptional beauty. Recurring motifs are dreams, memory, childhood, running water accompanied by fire, rain indoors, reflections, levitation, and characters re-appearing in the foreground of long panning movements of the camera.

Tarkovsky developed a theory of cinema that he called "sculpting in time". By this he meant that the unique characteristic of cinema as a medium was to take our experience of time and alter it. Unedited movie footage transcribes time in real time. By using long takes and few cuts in his films, he aimed to give the viewers a sense of time passing, time lost, and the relationship of one moment in time to another.

Mad Nest

 

 

Mad Nest is the second Parisian film by Tajiri. It is a collage-like film in which Tajiri uses different techniques and image material. A large part of the film consists of images that were created by drawing or scratching directly on the film material; these were techniques that were increasingly popular within the pre-war avant-garde.Tajiri contrasts these animation techniques with live action images: his own home movie-like recordings and found footage images. He also manipulates this footage, by colouring it, showing it in reverse or upside down, or by playing it backwards.

Filming water: Tarkovsky way

 

 

 In filmmaking, a long take (also called a continuous take, continuous shot, or oner) is shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how many film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take.

 

Openheimer film music

 

 

Film scores encompass an enormous variety of styles of music, depending on the nature of the films they accompany. While the majority of scores are orchestral works rooted in Western classical music, many scores are also influenced by jazz, rock, pop, blues, new-age and ambient music, and a wide range of ethnic and world music styles. Since the 1950s, a growing number of scores have also included electronic elements as part of the score, and many scores written today feature a hybrid of orchestral and electronic instruments. Since the invention of digital technology and audio sampling, many modern films have been able to rely on digital samples to imitate the sound of acoustic instruments, and many scores are created and performed wholly by the composers themselves, by using music composition software, synthesizers, samplers, and MIDI controllers. 

 

Fishing Village on Madeira

 

 

Excellent. Probably using Kodachrome film (because the colors are natural). Many people don't realize this, but film quality went back a long way when people stopped using Super 8 and started using VHS-C. It took more than 20 years for digital film quality to catch up to where Super 8 was in the 1970s. And maybe you could say that Super 8 still beats modern video in low light filming performance, and detail in shadows, and in natural look of the film . 

 

IMAX according to Hoyte

 

 

 I have to say I love big format. I always loved medium format photography for instance. It's exposing a bigger negative. It's not only that the definition and color rendering is beautiful but also, it creates this very beautiful short depth of field. So it's the most pristine format you can have but at the same time it's so textured because of the way the lens is rendered on a negative that big. The sharpness and the clarity and the depth of the image is unparalleled. The headline, for me, is by shooting on IMAX 70mm film, you’re really letting the screen disappear. You’re getting a feeling of 3D without the glasses. You’ve got a huge screen and you’re filling the peripheral vision of the audience. You’re immersing them in the world of the film. 

I have to say I love film above all. I have the most affinity with celluloid and I feel most comfortable shooting that. But the whole thing about film versus digital, I mean the biggest mistake with it is that it's always presented as film versus digital. I don't think that one thing rules out the other and I don't think that one thing is better than the other.

Willemstad (NB)

 

 

Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach. When discussed in reference to classical Hollywood cinema, it may also be referred to as classical continuity. 

 

Assisi

 

 

Tracking shots are where the camera follows or moves with a character. This usually means having the camera off the tripod, with the camera operator holding the camera. The camera can track a character by following them from behind, or the camera operator can walk backward and film a character as they walk forwards. Some things to remember about tracking shots is you want the camera to still move smoothly and not shake and needs to keep the subject of the shot in focus. Also if you're camera operator is walking backwards to get a forward-facing tracking shot, someone should help them not trip over anything! 

 

 

Crossing the line on sea

 

 

In filmmaking, the 180-degree rule[1] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. 

 

The Foley-artist (2)

 

 

What is now called Foley originated as adding sounds to live broadcasts of radio drama from radio studios around the world in the early 1920s. Phonograph recordings of the era were not of sufficient quality or flexibility to faithfully reproduce most sound effects on cue, so a sound effects person had to create all sounds for radio plays live. Jack Donovan Foley[4] started working with Universal Studios in 1914 during the silent movie era.

Expose

 

 

A roadshow theatrical release or reserved seat engagement is the practice of opening a film in a limited number of theaters in major cities for a specific period of time before the wide release of the film. Roadshows would generally mimic a live theatre production, with an upscale atmosphere as well as somewhat higher prices than during a wide release. They were commonly used to promote major films from the 1920s–60s and build excitement. 

 

Nipper the famous dog

 

 

His Master's Voice (HMV) was the name of a major British record label created in 1901 by The Gramophone Co. Ltd. The phrase was coined in the late 1890s from the title of a painting by English artist Francis Barraud, which depicted a dog named Nipper listening to a wind-up disc gramophone and tilting his head. In the original, unmodified 1898 painting, the dog was listening to a cylinder phonograph. The painting was also famously used as the trademark and logo of the Victor Talking Machine Company, later known as RCA Victor. 

The painting was originally offered to James Hough, manager of Edison-Bell in London, but he declined, saying "dogs don't listen to phonographs". Barraud subsequently visited The Gramophone Co. of Maiden Lane in London where the manager William Barry Owen offered to purchase the painting if it were revised to depict their latest Improved Gramophone model. Barraud obliged, and Owen bought the painting from Barraud for £100. 

Design: Piet-Hein Eek

 

 

The applied arts are all the arts that apply design and decoration to everyday and essentially practical objects in order to make them aesthetically pleasing.[1] The term is used in distinction to the fine arts, which are those that produce objects with no practical use, whose only purpose is to be beautiful or stimulate the intellect in some way. In practice, the two often overlap. Applied arts largely overlap with decorative arts, and the modern making of applied art is usually called design.

 

Agricultural colonies: "pauper paradise"

 

These cultural landscapes demonstrate an innovative, highly influential 19th-century model of pauper relief and of settler colonialism, which today is known as an agricultural domestic colony. The property encompasses Colonies of Benevolence in three component parts: Frederiksoord-Wilhelminaoord and Veenhuizen in the Netherlands. Together they bear witness to a 19th century experiment in social reform, an effort to alleviate urban poverty by establishing agricultural colonies in remote locations. Established in 1818, Frederiksoord (the Netherlands) is the earliest of these Colonies and home to the original headquarters of the Society of Benevolence, an association which aimed to reduce poverty at the national level. The other component parts were constructed between 1820 and 1823. In Frederiksoord-Wilhelminaoord, small farms along planted avenues were built for families and this Colony was referred to as ‘free’. In Veenhuizen large dormitory structures and larger centralized farms along planted avenues were built for orphans, beggars and vagrants that worked under the supervision of guards. This colony was called ‘unfree’. Each component part has a distinctive spatial character, connected to the target group for which it was built, and a specific organization of the work, with either family farms or institutions with working farms for groups of individuals. At their peak in the mid-19th century, over 11,000 people lived in such Colonies in the Netherlands.

Korean Mix

 

 

The cinema of South Korea refers to the film industry of South Korea from 1945 to present. South Korean films have been heavily influenced by such events and forces as the Japanese occupation of Korea, the Korean War, government censorship, the business sector, globalization, and the democratization of South Korea. Though filmmakers were still subject to government censorship, South Korea experienced a golden age of cinema, mostly consisting of melodramas, starting in the mid-1950s. The number of films made in South Korea increased from only 15 in 1954 to 111 in 1959.

 

Fantasy movie

 

 

While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films. 

 

Dance show

 

 

Dance has become a popular form of content across many social media platforms, including TikTok. During 2020, TikTok dances offered the opportunity for isolated individuals to interact and connect with one another through a virtual format. Since its debut in 2017, the app has also attracted a small but growing audience of professional dancers in their early 20s to 30s. While the majority of this demographic is more accustomed to performing onstage, this app introduced a new means to generate professional exposure. 

 

 

Visit to Sweden

 

As early as 1906, various film entrepreneurs began to discuss the potential of home viewing of films, and in 1912, both Edison and Pathé started selling film projectors for home use. Because making release prints was (and still is) very expensive early home projector owners rented films by mail from the projector manufacturer. Edison's business model was fundamentally flawed because the company had started with phonographs and did not understand that home viewing is fundamentally different from home listening. Edison ended its home viewing business in 1914, while Pathé remained somewhat longer, but exited at some point during World War.

Capital of Sweden

 

 

The Swedish Film Institute was founded in 1963 to support and develop the Swedish film industry. It supports Swedish filmmakings and allocates grants for production, distribution and public showing of Swedish films in their native country. It also promotes Swedish cinema internationally. Furthermore, the Institute organizes the annual Guldbagge Awards. Through the Swedish Film Agreement, between the Swedish state and the film and media industry, the Government of Sweden, the TV companies which are party to the agreement, and Sweden's cinema owners jointly fund the Film Institute and thus, indirectly, Swedish filmmaking. The agreement usually runs for five years, and due for renewal from 1 January of the next year after expiration. 

At a rate of about 20 films a year the Swedish film industry is on par with other comparable North European countries. In Trollhättan Municipality there is a film production facility known as Trollywood; movies shot there include Show Me Love, Dancer in the Dark and Dogville. The movie studio Film i Väst centered here produces about half of Sweden's full-length films.

Veronica :pirate radio ship

 

Transmission of radio and television programs from a radio or television station to home receivers by radio waves is referred to as "over the air" (OTA) or terrestrial broadcasting and in most countries requires a broadcasting license. Transmissions using a wire or cable, like cable television (which also retransmits OTA stations with their consent), are also considered broadcasts but do not necessarily require a license (though in some countries, a license is required). In the 2000s, transmissions of television and radio programs via streaming digital technology have increasingly been referred to as broadcasting as well.

 

Gif movies movements

 

 

GIFs are suitable for sharp-edged line art with a limited number of colors, such as logos. This takes advantage of the format's lossless compression, which favors flat areas of uniform color with well defined edges.,They can also be used to store low-color sprite data for games. GIFs can be used for small animations and low-resolution video clips, or as reactions in online messaging used to convey emotion and feelings instead of using words. They are popular on social media platforms such as Tumblr, Facebook and Twitter. Videos resolve many issues that GIFs present through common usage on the web. They include drastically smaller file sizes, the ability to surpass the 8-bit color restriction, and better frame-handling and compression through codecs. Virtually universal support for the GIF format in web browsers and a lack of official support for video in the HTML standard caused GIF to rise to prominence for the purpose of displaying short video-like files on the web. 

 

ALIVE

 

 

 Live action (or live-action) is a form of cinematography or videography that uses photography instead of animation. Some works combine live-action with animation to create a live-action animated film. Live-action is used to define film, video games or similar visual media. 

Livestreaming is streaming media simultaneously recorded and broadcast over the internet in real-time or near real-time. It is often referred to simply as streaming. Non-live media such as video-on-demand, vlogs, and YouTube videos are technically streamed, but not live-streamed.

Handmade cheese

 

 

Open Archief is a multifaceted, collaborative research project that explores the beauty and innovation that can be inspired by making archival material accessible to artists for creative reuse. Brought forward by three Dutch heritage institutions: Het Nieuwe Instituut, Sound & Vision, and the International Institute of Social History

Graphic design in film

 

 

In recent years, the role of graphic design in film has become more established, with more and more directors recognising the importance visual artists play in bringing their visions to life. That said, graphic design in film still remains, for some reason, an underrated and unpopular career path. But why is that? Is it too competitive? Too reliant on connections? Impossible to find a way in?  To be honest, creating graphic design in film or television is a thankless one. It’s great for producers and directors to have graphic designers around because sourcing and using real products from actual brands would be a logistical nightmare (not to mention expensive), but if a designer is doing his/her job well, the average viewer won’t be able to tell that a job was done at all, or that it was done several times over

 

Timber building material

 

 

A flashforward (also spelled flash-forward, and more formally known as prolepsis) is a scene that temporarily takes the narrative forward in time from the current point of the story in literature, film, television and other media. Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail. It is similar to foreshadowing, in which future events are not shown but rather implicitly hinted at. It is also similar to an ellipsis, which takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a postmodern narrative device, named by analogy to the more traditional flashback, which reveals events that occurred in the past. 

 

Pastorale

 

Melodrama films are a subgenre of drama films characterized by plots that appeal to the heightened emotions of the audience. Melodramatic films commonly use plots that involve crises of human emotion, failed romance or friendship, strained familial situations, tragedy, illness, neuroses, or emotional and physical hardship. The stock characters present in melodrama films include victims, couples, virtuous and heroic characters, and suffering protagonists (usually heroines). These characters are faced with tremendous social pressures, threats, repression, fears, improbable events or difficulties with friends, community, work, lovers, or family. Following the typical melodramatic format, the characters work through their difficulties and surmount the problems. A common point of plot tension sees characters feeling trapped by the typical melodramatic settings of the domestic sphere of the home or small town. Filmmakers often add flashbacks to expand the otherwise constant settings of melodramatic films.

Recollected amateurfilms

 

 

The film Paradise Recollected is compiled out of archive material from The International Institute for the Conservation, Archiving and Distribution of Other people’s Memories. This archive consists mainly of found 8mm films, sourced from flea markets and garage sales. These are amateur films, travelogues and family documents whose main purpose is to remember certain occasions.

Living Building Materials

 

 

Live action (or live-action) is a form of cinematography or videography that uses photography instead of animation. Some works combine live-action with animation to create a live-action animated film. Live-action is used to define film, video games or similar visual media. Photorealistic animation, particularly modern computer animation, is sometimes erroneously described as "live-action" In producing a movie, both live-action and animation present their own pros and cons. Unlike animation, live-action involves the photography of actors and actresses, as well as sets and props making the movie seem personal and as close to reality as possible. The only drawback is one's budget. On the other hand, animation works well in conveying abstract ideas but it generally takes much longer to produce

 

 

 

Hypocrites

 

Organizations sometimes seek publicity by staging newsworthy events that attract media coverage. They can be in the form of groundbreakings, world record attempts, dedications, press conferences, or organized protests. By staging and managing these types of events, the organizations attempt to gain some form of control over what is reported in the media. Successful publicity stunts have news value, offer photo, video, and sound bite opportunities, and are arranged primarily for media coverage.