To night in Town

 

Generative artificial intelligence, also known as generative AI or GenAI, is a subfield of artificial intelligence that uses generative models to generate text, images, videos, audio, software code or other forms of data. These models learn the underlying patterns and structures of their training data, and use them to generate new data in response to input, which often takes the form of natural language prompts.

The prevalence of generative AI tools has increased significantly since the AI boom in the 2020s. This boom was made possible by improvements in deep neural networks, particularly large language models (LLMs), which are based on the transformer architecture.

Dreamtime

 

 

 The human dream experience and what to make of it has undergone sizable shifts over the course of history. Long ago, according to writings from Mesopotamia and Ancient Egypt, dreams dictated post-dream behaviors to an extent that was sharply reduced in later millennia.These ancient writings about dreams highlight visitation dreams, where a dream figure, usually a deity or a prominent forebear, commands the dreamer to take specific actions, and which may predict future events

Most beautiful shots in film

 

 

 Cinema, as an artistic language defined by a distortion of perception and fabrication of reality, was a natural attraction for the avant-garde art of the 20th century. Inspired by early Dada experimental films and the feverish works of German Expressionism, film allowed the surrealists to create pure, tangible dreams. Though there aren’t that many de facto surrealist films, surrealism was formative to cinema history when the medium was still quite young. Denying logic, narrative, and even meaning, surrealist cinema opened pathways as to what a movie could be and pushed the audiovisual language to its farther boundaries. We’re going to look at a few of these bold surrealist films, as well as some movies that were influenced by surrealism over the last one hundred years.

A.I. filmillutions

 

 

 An illusion is an apparent reality or a misinterpretation of reality. The image that a person has of reality is based on his perceptions through the senses and processing of these signals in the brain. Illusions are therefore based on erroneous perceptions of real external stimuli, as opposed to hallucinations. Illusions cannot exist without sensory perception, they are a wrong interpretation of them. Dreams and hallucinations are perceptions without an external stimulus underlying them. They are only apparently coming from a sense. Drugs can also cause hallucinations. A dream is actually a kind of processing of visual images by the brain

Crime in Photography

 

 

 Before the emergence of digital photography, photographs that utilized film had to be developed to produce negatives or projectable slides, and negatives had to be printed as positive images, usually in enlarged form. This was typically done by photographic laboratories, but many amateur photographers, students, and photographic artists did their own processing.

Cinema concert

 

 

 Film scores encompass an enormous variety of styles of music depending on the nature of the films they accompany. While the majority of scores are orchestral works rooted in Western classical music, many scores are also influenced by jazz, rock, pop, blues, new-age and ambient music, and a wide range of ethnic and world music styles. Since the 1950s, a growing number of scores have also included electronic elements, and many scores written today feature a hybrid of orchestral and electronic instruments. Since the invention of digital technology and audio sampling, many modern films have been able to rely on digital samples to imitate the sound of acoustic instruments, and some scores are created and performed wholly by the composers themselves, by using music composition software, synthesizers, samplers, and MIDI controllers.

AI scenery

Many AI applications are not perceived as AI: "A lot of cutting edge AI has filtered into general applications, often without being called AI because once something becomes useful enough and common enough it's not labeled AI anymore

Happy 2026

 

 

Mans' world

 

 

 Match cut A type of cut from one shot to another where the composition of each shot is matched to the other by the action or subject matter depicted; e.g. in a scene depicting a duel, a long shot showing both of the duellists might cut to a close-up shot of one of the duellists in the midst of the action. Match cuts are precisely timed and coordinated so as to produce a seamless transition that is consistent with the logic of the action.

Greenhouse effect

 

 

 Paul de Nooijer (Eindhoven, June 15, 1943 – Baarsdorp, December 12, 2025) was a Dutch photographer and filmmaker. De Nooijer worked in the fields of surrealism, magical realism, and fantasy art. His eclectic approach, absurdist humor, and mockery of conventional perception made him a forerunner and inspiration for Dutch staged photography of the 1980s.  He is one of the Dutch pioneers of staged photography, in which the photographer stages everything in advance rather than spontaneously capturing a moment. De Nooijer was known for his humorous and surrealist style. He experimented early on with animations and video clips. 

Sports

 

 

 Several sub-categories of sports films can be identified, although the delineations between these subgenres, much as in live action, are somewhat fluid. The most common sports subgenres depicted in movies are sports drama and sports comedy. Both categories typically employ playground settings, match, game creatures and other elements commonly associated with biological stories. Sports films tend to feature a more richly developed sport world, and may also be more player-oriented or thematically complex. 

Gen Z

 

 

 Gen Z, or Generation Z, is the group of people born between about 1997 and 2012, and they are also called 'digital natives' because they grew up with technology such as smartphones and the internet. This generation is characterized by their digital skills, attention to social issues such as sustainability and diversity, and a pragmatic attitude. They are flexible, visually oriented and attach great importance to inclusivity and authenticity.

Composition in Movies

 

 

 The term composition means "putting together". It can be thought of as the organization of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context. In graphic design for press and desktop publishing, composition is commonly referred to as page layout.

 

History of the car

 

 

 The first company to focus exclusively on the production of cars was the French Panhard et Levassor in 1889. They were quickly followed by Peugeot 2 years later. In the United States, Duryea was the first in 1892. The Benz Velo and the Duryea Motor Wagon are seen as the first standardized cars. This gave birth to the car industry. In a few years, hundreds of producers were founded to build steam cars, electric cars and fuel cars. Around the turn of the century, there were more than a thousand factories in the Alsace region alone, between Germany and France, engaged in the production of cars.

 

Colorfilm collage

 

🎞️

Technicolor is a family of color motion picture processes. The first version, Process 1, was introduced in 1916, and improved versions followed over several decades.

Definitive Technicolor movies using three black-and-white films running through a special camera (Three-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s, when the three-strip camera was replaced by a standard camera loaded with single-strip "monopack" color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black-and-white matrices from the Eastmancolor negative (Process 5).

Time travel

 

 

 Time travel is the hypothetical activity of traveling into the past or future. Time travel is a concept in philosophy and fiction, particularly science fiction. In fiction, time travel is typically achieved through the use of a device known as a time machine. The idea of a time machine was popularized by H. G. Wells's 1895 novel The Time Machine. It is uncertain whether time travel to the past would be physically possible. Such travel, if at all feasible, may give rise to questions of causality. Forward time travel, outside the usual sense of the perception of time, is an extensively observed phenomenon and is well understood within the framework of special relativity and general relativity. As for backward time travel, it is possible to find solutions in general relativity that allow for it, such as a rotating black hole. Traveling to an arbitrary point in spacetime has very limited support in theoretical physics, and is usually connected only with quantum mechanics or wormholes.

ASMR movie

 

An ASMR video

The most popular source of stimuli reported by subjects to be effective in triggering ASMR is video. Videos reported being effective in triggering ASMR generally fall into two categories: intentional and unintentional. 

Intentional media is created by those known as "ASMRtists" to deliberately trigger ASMR in viewers and listeners. 

Unintentional media is that made for other reasons, often before attention was drawn to the phenomenon in 2007, but which some subjects discover to be effective in triggering ASMR. 

New horizons

 

 

 Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films.

Projection at the time

 

 

 The main precursor to the movie projector was the magic lantern. In its most common setup it had a concave mirror behind a light source to help direct as much light as possible through a painted glass picture slide and a lens, out of the lantern onto a screen. Simple mechanics to have the painted images moving were probably implemented since Christiaan Huygens introduced the apparatus around 1659. Initially, candles and oil lamps were used, but other light sources, such as the argand lamp and limelight were usually adopted soon after their introduction. Magic lantern presentations may often have had relatively small audiences, but the very popular phantasmagoria and dissolving views shows were usually performed in proper theatres, large tents or especially converted spaces with plenty seats.

Poster art

 

 

 Film posters have been used since the earliest public exhibitions of film. They began as outside placards listing the programme of (short) films to be shown inside the hall or movie theater. By the early 1900s, they began to feature illustrations of a film scene or an array of overlaid images from several scenes. Other posters have used artistic interpretations of a scene or even the theme of the film, represented in a wide variety of artistic styles. Film posters have become increasingly coveted by art collectors in recent years due to their known relative rarity, condition, artist, and art historical significance.