Across the Sont

 

 

In film, a match cut is a cut from one shot to another where the composition of the two shots are matched by the action or subject and subject matter. For example, in a duel a shot can go from a long shot on both contestants via a cut to a medium closeup shot of one of the duellists. The cut matches the two shots and is consistent with the logic of the action. This is a standard practice in film-making, to produce a seamless reality-effect. 

 

 

Around Copenhagen

 

 

 

Multimedia is a form of communication that combines different content forms such as text, audio, images, animations, or video into a single presentation, in contrast to traditional mass media, such as printed material or audio recordings. Popular examples of multimedia include video podcasts, audio slideshows, animated shows, and movies. Multimedia can be recorded for playback on computers, laptops, smartphones, and other electronic devices, either on demand or in real time (streaming). In the early years of multimedia, the term "rich media" was synonymous with interactive multimedia. Over time, hypermedia extensions brought multimedia to the World Wide Web.

Blue Whale Requiem

I had to watch this short film more than once before I could lift my jaw from the floor.  Directed by Sil van der Woerd and Rutger Hauer (who also stars), Requiem 2019 takes the last remaining blue whale and takes it eye to eye with its nemesis – us.  What can a single individual say to the last surviving member of a species which has been around for millions of years? Requiem 2019 is a melancholy demand that we take individual responsibility for preserving the largest animal to have ever lived.

Despite restrictions in hunting it still continues. In the Antarctic it is estimated that the population of blue whales is at one percent of its pre-hunting levels. What would become of human kind as a species if 99% of us were wiped of the face of the earth is, of course, conjecture: I sometimes wonder if we should even be classified as a species – virus seems a more appropriate term!

Ferry to Goteburg

In motion picture film production, cinematography and video production, a reaction shot is a shot which cuts away from the main scene in order to show the reaction of a character to it, a basic unit of film grammar.

A reaction shot usually implies the display of some sort of emotion on the face of the actor being shown, and is thus most commonly a close-up shot (although a group of actors may be shown reacting together). A reaction shot is also generally bereft of dialogue, though this is not an absolute rule. Its main purpose is to show an emotional response to the immediately preceding action or words of another character in the scene, or to an event in the immediately preceding scene which may or may not involve another actor (e.g., an explosion, monster, empty room, etc.)

Jutland

 

 

  

Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, though electronic image stabilization can also compensate for rotation. It is used in image-stabilized binoculars, still and video cameras, astronomical telescopes, and also smartphones, mainly the high-end. With still cameras, camera shake is a particular problem at slow shutter speeds or with long focal length (telephoto or zoom) lenses. With video cameras, camera shake causes visible frame-to-frame jitter in the recorded video. In astronomy, the problem of lens-shake is amplified by variation in the atmosphere, which changes the apparent positions of objects over time.

Legoland again

The Dogme 95 Collective caught the attention of the international film world with its strict "vows of chastity" or rules for filmmakers that force filmmakers to concentrate on purity of story and the actors' performances rather than special effects and other cinematic devices.

The first Dogme 95 film, The Celebration (Festen), directed by Thomas Vinterberg, received many awards on the international film festival circuit and was named by both the Los Angeles Film Critics Association and the New York Film Critics Circle as the best foreign-language film of the year.

The members of the Dogme 95 Collective were von Trier, Vinterberg, Kristian Levring, and Søren Kragh-Jacobsen. Although the Dogme 95 movement originated in Denmark, filmmakers around the world soon experimented with the rigid guidelines and sought certification for their films as Dogme. 

 

Tivoli

Horror is also a genre of film and fiction that relies on horrifying images or situations to tell stories and prompt reactions in their audiences. In these films the moment of horrifying revelation is usually preceded by a terrifying build up, often using the medium of scary music.

Cinema: The Danish

Nordiskfilm.
The company's eye-opening economic results lead to the development of a number of rival firms. It was one of these firms, the small company Fotorama, based in Aarhus, the country's second largest city, that in 1910 released the melodrama The White Slave Trade (Den Hvide Slavehandel), a remarkable film; it was three reels long (around forty minutes) at a time when a maximum of one reel was the norm. Nordisk Film immediately went about plagiarizing the film, releasing their version four months later. It was at this point that Nordisk Film, as the first company in the world, gambled on lengthier films. It marked the beginning of the short golden age for Danish film, which in the following years stood out in the international market.

Aalborg Hymnen

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In motion pictures the manipulation of time and space is a considerable contributing factor to the narrative storytelling tools. Film editing plays a much stronger role in this manipulation, but frame rate selection in the photography of the original action is also a contributing factor to altering time. For example, Charlie Chaplin's Modern Times was shot at "silent speed" (18 fps) but projected at "sound speed" (24 fps), which makes the slapstick action appear even more frenetic.

 

Legoland Billund

Legoland Billund, the original Legoland park, opened on June 7, 1968 in Billund, Denmark. The park is located next to the original Lego factory and Denmark's second busiest airport Billund Airport. Over 1.9 million guests visited the park in 2011 and since the opening more than 50 million guests have visited the park. This makes Legoland the largest tourist attraction in Denmark outside of Copenhagen. The Legoland parks that have since been built are modelled upon Legoland Billund, most noticeably the Miniland area which is made up of millions of Lego bricks.

Western Denmark snapshots

Denmark has been producing films since 1897 and since the 1980s has maintained a steady stream of product due largely to funding by the state-supported Danish Film Institute. Historically, Danish films have been noted for their realism, religious and moral themes, sexual frankness and technical innovation.

Shutting down airports

'Shutting Down Airports' by The Flints. Recorded at Halamusic in Toronto, 2008. Videos are 'Mother and daughter', 'Nostalgia winter 78', and 'His master's choice' by antonwithagen, published under a Creative Commons Attribution-Noncommercial 3.0 Netherlands license.

Mother and daughter

The 30° rule is a basic film editing guideline that states the camera should move at least 30° between shots of the same subject. This change of perspective makes the shots different enough to avoid a jump cut. Too much movement around the subject may violate the 180° rule.Following this rule may soften the effect of changing shot distance, such as changing from a medium shot to a close-up. Some consider this rule to be outdated.A jump cut is a cut in film editing where the middle section of a continuous shot is removed, and the beginning and end of the shot are then joined together. The technique breaks continuity in time and produces a startling effect. Any moving objects in the shot will appear to jump to a new position.A cut from shot one to shot two, abruptly jarring the audience. In classical continuity editing, jump cuts are considered a technical flaw. Most cuts in that editing style occur between dissimilar scenes or significantly different views of the same scene to avoid the appearance of a jump. Every effort is made to make cuts invisible, unobtrusive.

Danish green

CUTAWAYS
In a cutaway, you simply leave the main action for a brief scene to film something else that's related to your movie. In the preceding example, we mentioned a close-up of the dog falling asleep. This is a good cutaway. The camera left the fishing itself and concentrated on the sleeping dog as Dad waited for a bite. Cutaways like this, or of excited crowd reaction and other sidelights at a sporting event, add interest and variety to the main action.SEQUENCESTo enrich the continuity of your movie story, make sequences of related action. In a movie sequence you film a series of scenes of the action instead of just one scene. The moviemaker can film various aspects of the action from several different camera angles and filming distances to help tell part of the movie story

Arhus the old city

Super 8 mm film (often simply called Super 8) is a motion picture film format released in 1965 by Eastman Kodak as an improvement of the older "Double" or "Regular" 8 mm home movie format.

The film is nominally 8 mm wide, exactly the same as the older standard 8 mm film, and also has perforations on only one side. However, the dimensions of the perforations are smaller than those on older 8 mm film, which allowed the exposed area to be made larger. The Super 8 standard also specifically allocates the rebate opposite the perforations for an oxide stripe upon which sound can be magnetically recorded.

There are several different varieties of the film system used for shooting, but the final film in each case has the same dimensions. By far the most popular system was the Kodak system.

Amateur usage of Super 8 has been largely replaced by video, but the format is often used by professionals in music videos, TV commercials, and special sequences for television and feature film projects, as well as by many visual artists. For a professional cinematographer, Super 8 is another tool to use alongside larger formats.