Nigerians

 

 

 Filmmaking in Colonial Nigeria generally refers to an era in Nigerian cinema, usually spanning the 1900s through to the 1950s, when film production and exhibition or distribution were controlled by the British colonial Government. The history of cinema in Nigeria dates back to as early as the history of film itself; notably in the late 19th century, with the use of peephole viewing of motion picture devices. These were soon replaced in the early 20th century with improved motion picture exhibition devices, with the first set of films screened at the Glover Memorial Hall in Lagos from 12 to 22 August 1903.

 

Blood Rider

 

 

This production by Jon Kasbe/The New Yorkeris an example of an audiovisual narrative in which the filmmaker was embedded with the hospital to cover this story. Through its immersive approach, the viewer gets to know, not only motorcyclist Joseph, but also the mother he is trying to save: Deborah. A blood-shortage crisis and standstill traffic most hours of the day in Nigeria means that it can take over 24 hours to transport blood to patients in critical need. Joseph, one of the city’s motorcycle ‘blood riders’ can deliver blood to hospitals in under an hour. For mothers in labor, like Deborah, this is often the difference between life and death. Blood Rider is a tribute to the delivery people who work tirelessly to make a vital impact. 

 

The Women Of Nollywood

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there's the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.