Mise-en-scène has been called film criticism's "grand undefined term. It has been criticized for its focus on the dramatic design aspects rather than the plot itself, as those who utilize mise-en-scène tend to look at what is "put before the camera" rather than the story. The use of mise-en-scène is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene. Mise-en-scène allows the director to not only convey their message but also to implement their aesthetic. With that, each director has their own sort of mise-en-scène that is unique to that one person. Mise-en-scène refers to everything in front of the camera, including the set design, lighting, and actors, and the ultimate way that this influences how scene comes together for the audience.
Geen opmerkingen:
Een reactie posten