The Dutch Wadden Sea, one of the most beautiful landscapes of Europe, and one of its ecologically most important nature reserves, a UNESCO World Heritage site in its entirety. Here life is at every level. Millions upon millions of migratory birds, with many populations depending on these feeding grounds for their survival. From a tiny hermit crab to the system itself, alive as it breaths, as it flows, floods and settles and forms – forms the most beautiful art of nature, only to redraw it all the very next day. Land is taken here, and land is formed. On those ridges that are dry long enough for the wind to catch the sand tiny dunes are formed – kept in place by marram grass, one of the bravest little plants of our planet, collecting fresh water from the rain and making a soil from nothing but sand. Furthest from the gullies clay is deposited in salt marshes, adding greens to a landscape of greys, browns, ochers, blues and white – and offering a shelter and spawning ground to many types of fish. In other words, the Wadden Sea is vibrant – it is wild, it is strong, and it is very much alive.
Film producer Michael Todd, the husband of film actress Elizabeth Taylor, asked Philips in 1954 to develop a film projector for his Todd-AO widescreen film. Jan Kotte, head constructor of the Philips Cinemagroep, went to work with his team and developed the DP70. This film projector was suitable for both the normal 35mm and the 70mm widescreen films. "The projector became legendary because of its ingenious construction, ease of operation and image quality," says curator Sergio Derks. "The projector remained in use for decades at cinemas around the world. Because of the great success, the DP70 quickly got the nickname 'Dollar Princess'. The Oscar was the crowning achievement at work. "
Observational documentaries attempt to simply and spontaneously observe lived life with a minimum of intervention. Filmmakers who worked in this subgenre often saw the poetic mode as too abstract and the expository mode as too didactic. The first observational docs date back to the 1960s; the technological developments which made them possible include mobile lightweight cameras and portable sound recording equipment for synchronized sound. Often, this mode of film eschewed voice-over commentary, post-synchronized dialogue and music, or re-enactments. The films aimed for immediacy, intimacy, and revelation of individual human character in ordinary life situations.
An uncluttered background helps focus attention on the subject. By filming from a low angle and using the sky as a background, or by shooting from a high angle toward the ground or water, you keep a lot of distracting elements out of your backgrounds. This is especially effective with close-ups of people.
A drive-in theater or drive-in cinema is a form of cinema structure consisting of a large outdoor movie screen, a projection booth, a concession stand and a large parking area for automobiles. Within this enclosed area, customers can view movies from the privacy and comfort of their cars. Some drive-ins have small playgrounds for children and a few picnic tables or benches.
The screen can be as simple as a wall that is painted white, or it can be a steel truss structure with a complex finish. Originally, the movie's sound was provided by speakers on the screen and later by individual speakers hung from the window of each car, which were attached by wire. These systems were superseded by the more economical and easier to maintain method of broadcasting the soundtrack at a low output power on AM or FM radio to be picked up by a car radio. This also allows the soundtrack to be picked up in stereo by the audience on an in-car stereo system which is typically higher quality and fidelity than the simple speakers used in the old systems.
