Mad Nest is the second Parisian film by Tajiri. It is a collage-like film in which Tajiri uses different techniques and image material. A large part of the film consists of images that were created by drawing or scratching directly on the film material; these were techniques that were increasingly popular within the pre-war avant-garde.Tajiri contrasts these animation techniques with live action images: his own home movie-like recordings and found footage images. He also manipulates this footage, by colouring it, showing it in reverse or upside down, or by playing it backwards.
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