Artist Vrellis was inspired by the movement of the clouds that Van Gogh tried to capture in the well-known work. The Greek made an interactive version of the painting using openFrameworks – an open source package that can be used to design creative applications for computers and mobile phones. Users can make the clouds move in the animation itself and also affect the sound used in the animation.
With the spread of global high-speed internet, video clips have become very popular online. By mid-2006 there were tens of millions of video clips available online, with new websites springing up focusing entirely on offering free video clips to users and many established and corporate sites adding the use of video clipping content to their websites. Whereas most of this content is non-exclusive and available on competing sites, some companies produce all their own videos and do not need to rely on the work of outside companies or amateurs
Narrative film, fictional film or fiction film is a motion picture that tells a fictional or fictionalized story, event or narrative. Commercial narrative films with running times of over an hour are often referred to as feature films, or feature-length films. The earliest narrative films, around the turn of the 20th century, were essentially filmed stage plays and for the first three or four decades these commercial productions drew heavily upon the centuries-old theatrical tradition. In this style of film, believable narratives and characters help convince the audience that the unfolding fiction is real.
Lighting and camera movement, among other cinematic elements, have become increasingly important in these films. Great detail goes into the screenplays of narratives, as these films rarely deviate from the predetermined behaviours and lines of the classical style of screenplay writing to maintain a sense of realism. Actors must deliver dialogue and action in a believable way, so as to persuade the audience that the film is real life.
Film posters have been used since the earliest public exhibitions of film. They began as outside placards listing the programme of (short) films to be shown inside the hall or movie theater. By the early 1900s, they began to feature illustrations of a film scene or an array of overlaid images from several scenes. Other posters have used artistic interpretations of a scene or even the theme of the film, represented in a wide variety of artistic styles. Film posters have become increasingly coveted by art collectors in recent years due to their known relative rarity, condition, artist, and art historical significance.
There is a law of natural cutting and that this replicates what an audience in a legitimate theater does for itself. The more nearly the film cutter approaches this law of natural interest, the more invisible will be his cutting. If the camera moves from one person to another at the exact moment that one in the legitimate theatre would have turned his head, one will not be conscious of a cut. If the camera misses by a quarter of a second, one will get a jolt. There is one other requirement: the two shots must be approximate of the same tone value. If one cuts from black to white, it is jarring. At any given moment, the camera must point at the exact spot the audience wishes to look at. To find that spot is absurdly easy: one has only to remember where one was looking at the time the scene was made.
Film colorization or colourization is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color films. The first examples date from the early 20th century, but colorization has become common with the advent of digital image processing.
The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation
Filmmaking is both an art and an industry. That is why they call it "show business". It's a show and a business. Films were originally recorded onto nitrate film stock which was highly flammable. After the late 1950s, plastic film was used which was shown through a movie projector onto a large screen (in other words, an analog recording process). The adoption of CGI-based special effects led to the use of digital intermediates. Most contemporary films are now fully digital through the entire process of production, distribution, and exhibition from start to finish.
Cinematography can not only depict a moving subject but can use a camera, which represents the audience's viewpoint or perspective, that moves during the course of filming. This movement plays a considerable role in the emotional language of film images and the audience's emotional reaction to the action. Techniques range from the most basic movements of panning (horizontal shift in viewpoint from a fixed position; like turning your head side-to-side) and tilting (vertical shift in viewpoint from a fixed position; like tipping your head back to look at the sky or down to look at the ground) to dollying (placing the camera on a moving platform to move it closer or farther from the subject), tracking (placing the camera on a moving platform to move it to the left or right), craning (moving the camera in a vertical position; being able to lift it off the ground as well as swing it side-to-side from a fixed base position), and combinations of the above. Early cinematographers often faced problems that were not common to other graphic artists because of the element of motion
The Institut Lumière is a French organisation, based in Lyon, for the promotion and preservation of aspects of French film making. The Institut Lumière is a museum that honours the contribution to filmmaking by Auguste and Louis Lumière - inventors of the cinématographe and fathers of the cinema. It was founded in 1982 by Bernard Chardère and Maurice Trarieux-Lumière, the grandson of Louis Lumière.[1] Bertrand Tavernier was its president and Thierry Frémaux is its director. The museum is located within the house of the Lumière family, in the Monplaisir quarter of Lyon. The film La Sortie de l'usine Lumière à Lyon, one of the earliest motion pictures ever made, was shot in the immediate vicinity of the Institut.
Location shooting is the shooting of a film or television production in a real-world setting rather than a sound stage or backlot. The location may be interior or exterior. The filming location may be the same in which the story is set (for example, scenes in the film The Interpreter were set and shot inside the United Nations building), or it may stand in for a different locale (the films Amadeus and The Illusionist were primarily set in Vienna, but were filmed in Prague). Most films feature a combination of location and studio shoots; often, interior scenes will be shot on a soundstage while exterior scenes will be shot on location. Second unit photography is not generally considered a location shoot. Before filming, the locations are generally surveyed in pre-production, a process known as location scouting and recce.
In cinema, a making-of, also known as behind-the-scenes, the set or on the set is a documentary film that features the production of a film or television program. This is often referred to as the EPK (electronic press kit) video, due to its main usage as a promotional tool, either concurrent with theatrical release or as a bonus feature for the film's DVD or Blu-ray release.
The Namibian desert town Oranjemund was until recently run by the Namdeb Diamond Corporation. Only employees were allowed to live there and Namdeb provided housing, free water and electricity. Now that Namdeb is about to close its mines and leave town altogether, the people of Oranjemund are left with uncertainty. Many are planning to depart. Desert Paradise is a nicely flowing documentary, which lets the inhabitants tell the stories of their town in conversation amongst themselves. Like supermarket manager Tate, grilling food on the barbecue and telling his daughter and grandson about his early days in Oranjemund. Or the three young women sitting beneath a tree who realize their days of luxury might not be as obvious anymore. Everyone remains optimistic, but also critical of the faceless diamond corporation, not taking responsibility for a town whose resources it drained for decades.
Lighting or illumination is the deliberate use of light to achieve practical or aesthetic effects. Lighting includes the use of both artificial light sources like lamps and light fixtures, as well as natural illumination by capturing daylight. Daylighting (using windows, skylights, or light shelves) is sometimes used as the main source of light during daytime in buildings. This can save energy in place of using artificial lighting, which represents a major component of energy consumption in buildings. Proper lighting can enhance task performance, improve the appearance of an area, or have positive psychological effects on occupants. Indoor lighting is usually accomplished using light fixtures, and is a key part of interior design. Lighting can also be an intrinsic component of landscape projects.
Cutting on action or matching on action refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action. A common example is a man walking up to a door and reaching for the knob. Just as his hand touches the knob, the scene cuts to a shot of the door opening from the other side.
