The Brutalist cineast

 

 

 In photography and cinematography, available light (also called ambient light or practical light) refers to any source of light that is not explicitly supplied by the photographer for the purpose of taking pictures. The term usually refers to light sources in the surrounding environment that are present naturally (such as sunlight or moonlight) or artificial lighting that is already pre-existing (such as street lights or room lights). It generally excludes flashes, although arguably flash lighting provided by other photographers shooting simultaneously in the same space could be considered available light. Light sources that affect the scene and are included in the actual frame are called practical light sources, or simply practicals.

Timesquare

 

 

The term speed comes from the early days of photography. Photographic emulsions that were more sensitive to light needed less time to generate an acceptable image and thus a complete exposure could be finished faster, with the subjects having to hold still for a shorter length of time. Emulsions that were less sensitive were deemed "slower" as the time to complete an exposure was much longer and often usable only for still life photography. Exposure times for photographic emulsions shortened from hours to fractions of a second by the late 19th century.

The Brutalist film

 

 

The Brutalist employed VistaVision and 70mm film formats to achieve its unique aesthetic. 

Here’s the summary of their use: VistaVision was chosen for its wider frame, allowing the filmmakers to emphasize the expansive architectural elements central to the film’s themes. This format provided a horizontal film plane, resulting in detailed and sweeping visuals that feel immersive and epic. 70mm film was used to enhance the rich textures and depth of field, creating a cinematic experience that feels both grand and intimate. The format’s ability to capture fine details and vibrant colors supported the film’s goal of blending timeless visual grandeur with modern storytelling. Together, these formats allowed the team to craft a visually striking piece, combining classic film techniques with contemporary narrative ambitions. This meticulous choice of format aligned with director Brady Corbet’s vision of creating a modern cinematic epic.

When i leave the world

 

 

A man says goodbye to Earth as he prepares to fly to the Moon and stay there forever.

Created for the 2025 Public Domain Day Remix Contest in honor of all the filmmakers, writers, composers, and other artists who ‘left the world behind,’ leaving us their art to absorb and remix into something new.

All on-screen text comes from public domain books, periodicals, and sheet music. The music is Henry Burr’s 1915 recording of Irving Berlin's “When I Leave the World Behind.” 

Two Dutch nominees

 

 

The Academy Awards, commonly known as the Oscars, are awards for artistic and technical merit in the film industry. They are presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) in the United States in recognition of excellence in cinematic achievements as assessed by the Academy's voting membership. 

The Oscars are widely considered to be the most prestigious awards in the film industry. The major award categories, known as the Academy Awards of Merit, are presented during a live-televised Hollywood ceremony in February or March. 

 

 

Pulp fiction

Tarantino wrote Pulp Fiction in 1992 and 1993,The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combination of humor and strong violence. Pulp Fiction is widely regarded as Tarantino's magnum opus, with particular praise for its screenwriting. The self-reflexivity, unconventional structure, and extensive homage and pastiche have led critics to describe it as a touchstone of postmodern film

 

 

Remember David Lynch

 

 

David Lynch grew up in Philadelphia, where he initially tried to make it as a painter. After having worn out numerous art schools, he started working with film. This is how his first major project Eraserhead came about, about a monster baby – which was supposedly made from a cow fetus. The rather shocking film was strangely enough a huge success and the appreciation of Stanley Kubrick gave it instant cult status. The general public got to know Lynch through The Elephant Man, about a man who is horribly deformed and therefore portrayed as a freak. It earned Lynch eight Oscar nominations, of which he managed to cash in none. But the dark TV series Twin Peaks about the missing Laura Palmer is probably the best known. In 2017, the cult series even got a third season.

 

Polavision

 

Unlike other motion picture film stock of the time, Polavision film reproduces color by the additive method, like the much earlier Dufaycolor film. In essence, it consists of a black-and-white emulsion on a film base covered with microscopically narrow red, green and blue filter stripes. It was instant in the sense that it could be very quickly and easily developed in the Polavision processing unit after it was removed from the Polavision camera, ready for viewing in only a few minutes.

Internet Archive

 

The Internet Archive is an American non-profit organization founded in 1996 by Brewster Kahle that runs a digital library website, archive.org. It provides free access to collections of digitized media including websites, software applications, music, audiovisual, and print materials. The Archive also advocates a free and open Internet. Its mission is committing to provide "universal access to all knowledge"

Lost media: filmstrips

The 35mm filmstrip, which showed a series of still images often with an accompanying commentary, was one of the most versatile, popular and well-travelled media forms in the mid-20th century, deployed in education, industry, by church groups and governments. Yet despite its widespread use – from rural communities in Scotland to government health campaigns across the British Empire – the filmstrip is often forgotten today, both by the archives that hold these materials and the scholars, educationalists and media practitioners that might use them. The Lost World of Filmstrips seeks to locate, uncover and  examine this “lost” media form.”

 

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Viewing editing

 

 

 The film editor works with raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important tool when attempting to intrigue a viewer. When done properly, a film's editing can captivate a viewer and fly completely under the radar. Because of this, film editing has been given the name “the invisible art.” 

 

Movie-Drome

 

Stanley Kubrick

 

Between 1945 and 1950, Stanley Kubrick was a staff photographer for LOOK magazine. In 1946, the 17-year-old trained his camera on people riding the New York Subway. “I wanted to retain the mood of the subway, so I used natural light,” he said. People who ride the subway late at night are less inhibited than those who ride by day. Couples make love openly, drunks sleep on the floor and other unusual activities take place late at night. To make pictures in the off-guard manner he wanted to, Kubrick rode the subway for two weeks. Half of his riding was done between midnight and six.

 

Sound of Fleischer

 

Fleischer Studios was an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s. Before the popularization of television, cartoons in the 1920s and 30s were theatrically presented before full length features for all audiences. To contend with Walt Disney’s stronghold on animated shorts, Paramount Pictures became the distributor for Fleischer Studios in 1929. Run by brothers Max, Dave and Lou Fleischer, the animation studio had been making a name for itself as a pioneer of synchronized sound technology. Despite popular belief, Disney was not the first studio to release a sync sound cartoon. Fleischer Studios had released the first cartoon attempting synchronized sound in 1926—two years before Disney’s “Steamboat Willy.” Quickly, the Fleischers’ technological innovations, eclectic characters and music established the brand as one of Disney’s main rivals, making Popeye and Betty Boop household names.

Radioman

Radio is the technology of communicating using radio waves. Radio waves are electromagnetic waves of frequency between 3 hertz (Hz) and 300 gigahertz (GHz). They are generated by an electronic device called a transmitter connected to an antenna which radiates oscillating electrical energy, often characterized as a wave. They can be received by other antennas connected to a radio receiver, this is the fundamental principle of radio communication. In addition to communication, radio is used for radar, radio navigation, remote control, remote sensing, and other applications.

Doggy

 

 

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. 

 

Composition in filmmaking

 

 

The term composition means "putting together". It can be thought of as the organization of the elements of art according to the principles of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context. In graphic design for press and desktop publishing, composition is commonly referred to as page layout. 

 

Cameramix 2

 

 

This is a little dance between Buster Keaton and Mikhail Kaufman made by max teeth

for the Public Domain Day 2024 Remix Contes

Cameras that capture many images in sequence are known as movie cameras or as cine cameras in Europe; those designed for single images are still cameras. However, these categories overlap as still cameras are often used to capture moving images in special effects work and many modern cameras can quickly switch between still and motion recording modes. A ciné camera or movie camera takes a rapid sequence of photographs on an image sensor or strips of film. In contrast to a still camera, which captures a single snapshot at a time, the ciné camera takes a series of images, each called a frame, through the use of an intermittent mechanism.

Cameramix

 

Use of a super8 mm camera

 

 

In the 1960s a new film format, Super8, coincided with the advent of battery-operated electric movie cameras. The new film, with a larger frame print on the same width of film stock, came in a cassette that simplified changeover and developing. Another advantage of the new system is that they had the capacity to record sound, albeit of indifferent quality. Camera bodies, and sometimes lenses, were increasingly made in plastic rather than the metals of the earlier types. As the costs of mass production came down, so did the price and these cameras became very popular. This type of format and camera was more quickly superseded for amateurs by the advent of digital video cameras in the 2000s. Since the 2010s, amateurs increasingly started preferring smartphone cameras.