I think that the tendency for most people is to fall back on a comic interpretation of things -- because things are so sad, so terrible. If you didn't laugh you'd kill yourself. But the truth of the matter is that existence in general is very very tragic, very very sad, very brutal and very unhappy.
The basis of all animation is the building up, frame by frame, of the moving picture by exact timing and choreography of both movement and sound. All film movement is achieved by projecting during every second of time a certain number of frames, normally 24, each a still photograph minutely varied from its predecessor, which record the successive phases of the subject’s movement before the camera. The same motion, or a stylized or caricatured version of it, can be achieved by “stop-motion” or “stop-action” cinematography, the frame-by-frame photographing of a similarly phased series of movement of such objects as puppets, marionettes, or commercial products. And, as in live filming, the camera itself can create movement by tracking into a scene or panning across it.
Storytelling is the social and cultural activity of sharing stories, sometimes with improvisation, theatrics or embellishment. Every culture has its own narratives, which are shared as a means of entertainment, education, cultural preservation or instilling moral values. Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term "storytelling" can refer specifically to oral storytelling but also broadly to techniques used in other media to unfold or disclose the narrative of a story.
Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form's history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression. Video art does not necessarily rely on the conventions that define theatrical cinema. It may not use actors, may contain no dialogue, and may have no discernible narrative or plot. Video art also differs from cinema subcategories such as avant garde cinema, short films, and experimental film.
Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films". These qualities can include (among other elements) a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story.
Location shooting often takes place close to the studio; in Hollywood films, this region is delineated in union agreements and is known as the studio zone. Many location shoots, however, are far from the home studio, sometimes on the other side of the world. In these instances, location shooting can provide significant economic development benefits to the area in which they are shot. Cast and crew heavily rely upon local facilities such as catering, transportation, and accommodations. A film that becomes a blockbuster hit can introduce movie audiences around the world to a visually breathtaking location that they were previously unaware of, as the Lord of the Rings trilogy did for New Zealand. This can boost tourism for years or even decades.
A project to perceive space in a different way. High up in the tower your perception of the surrounding polder and the salt marsh landscape near Ternaard in the Netherlands bends into a total experience. Made out of wood the tower confirms the natural beauty of the environment. Climbing the stairs, elevating from a sheep to a bird’s-eye perspective, you circle through the qualities of a unique landscape. Camera Batavia is an invitation to witness ourselves in the totality of space. Sitting beneath the convex mirror you are able to look in all directions at the same time. A confusing and new experience that exceeds all expectations.
About Arjen Boerstra
As a memory experiment and to relive old fascinations, I reconstructed the attic from my youth. Personal memories, looking back, (re)discovering and a growing interest in historical developments became the centre of my quest. I discovered the possibility to share my explorations and conclusions within staged situations. From this perspective I create my work.
A biographical film or biopic is a film that dramatizes the life of an actual person or group of people. Such films show the life of a historical person and the central character's real name is used. They differ from docudrama films and historical drama films in that they attempt to comprehensively tell a single person's life story or at least the most historically important years of their lives.
The red carpets, the photographers, the fame… There is a lot of excitement that goes on at film festivals and as someone looking to make a name for themselves in a highly competitive industry they are a must. But, with some of these competitions having a hefty entry fee and only a small percentage of entries making the cut, which ones are worth the time and money? While some competitions quickly come to mind there are plenty of others that don’t get as much media coverage that are definitely worth the investment
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2⁄3 inch) It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a Ciné-Kodak camera, Kodascope projector, tripod, screen and splicer, for US$335
Film was seen as a pure fairground attraction at the time. People were entertained, often to their great horror, with approaching trains, short comedy films and other material under the motto: as long as it moves. Explanations were given by an explainer. This man told the story with the images (often made up by himself) and was accompanied by a pianist or violinist. In the early days of cinematography, the films were never longer than 20 to 30 seconds.
An art film, art cinema, or arthouse film is typically an independent film, aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made primarily for aesthetic reasons rather than commercial profit", and containing "unconventional or highly symbolic content".
In his most important book – Ethics – Spinoza tries to answer the question of how someone can live a happy life. The answer seems simple. To live a good life, we must think. According to Spinoza, we must therefore acquire knowledge, follow our reason, and not be carried away by emotions. This idea contradicts things like tradition and religion. Because this is very important in the Netherlands in the seventeenth century, he receives a lot of criticism. In addition, according to Spinoza, God is not a supernatural being, but coincides with nature. Everything that happens has a natural explanation, says Spinoza. There are no miracles.
Use of film remained the dominant form of cinematography until the early 21st century when digital formats supplanted the use of film in many applications. This has also led to the replacement of film projectors with digital projection. Despite this, some filmmakers continue to opt for film stock as a medium of choice for aesthetic reasons. Movies produced entirely on photochemical film or with a combination of analog and digital methods are a minority, but maintain a stable presence among both arthouse and mainstream film releases. However, digital formats are sometimes deliberately altered to achieve a film look, such as adding film grain or other noise for artistic effect.
A high-angle shot is a cinematic technique where the camera looks down on the subject from a high angle and the point of focus often gets "swallowed up". High-angle shots can make the subject seem vulnerable or powerless when applied with the correct mood, setting, and effects. In film, they can make the scene more dramatic. If there is a person at high elevation who is talking to someone below them, this shot is often used. The height required for this shot is low enough to be achieved without flight, thus distinguishing it from a bird's-eye view.
