Weimar visit

A cult film, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience participation. Inclusive definitions allow for major studio productions, especially box office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.

Weimar and BAUHAUSE hereVideo link to BAUHAUSE

 

Dutch organ

A typical webcast, streaming in an embedded media player
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. Its verb form, "to stream", refers to the process of delivering media in this manner; the term refers to the delivery method of the medium rather than the medium itself.

Dutch maritime memories

The Dutch East India Company was a chartered company established in 1602, when the States- General of the Netherlands granted it a 21-year monopoly to carry out colonial activities in Asia. It is often considered to have been the first multinational corporation in the world and it was the first company to issue stock.

Statistically, the VOC eclipsed all of its rivals in the Asia trade. Between 1602 and 1796 the VOC sent almost a million Europeans to work in the Asia trade on 4,785 ships, and netted for their efforts more than 2.5 million tons of Asian trade goods. By contrast, the rest of Europe combined sent only 882,412 people from 1500 to 1795, and the fleet of the English East India Company, the VOC’s nearest competitor, was a distant second to its total traffic with 2,690 ships and a mere one-fifth the tonnage of goods carried by the VOC. The VOC enjoyed huge profits from its spice monopoly through most of the 17th century.
Having been set up in 1602, to profit from the Malukan spice trade, in 1619 the VOC established a capital in the port city of Batavia (now Jakarta). Over the next two centuries the Company acquired additional ports as trading bases and safeguarded their interests by taking over surrounding territory. It remained an important trading concern and paid an 18% annual dividend for almost 200 years.

 

Canal-Belt amsterdam

Amsterdam, capital of the Netherlands, has been called the "Venice of the North" for its more than one hundred kilometres of canals, about 90 islands and 1,500 bridges.
 The three main canals, Herengracht, Prinsengracht, and Keizersgracht, dug in the 17th century during the Dutch Golden Age, form concentric belts around the city, known as the Grachtengordel. Alongside the main canals are 1550 monumental buildings. The 17th-century canal ring area, including the Prinsengracht, Keizersgracht, Herengracht and Jordaan, were placed on the UNESCO World Heritage List in 2010.
Much of the Amsterdam canal system is the successful outcome of city planning. In the early part of the 17th century, with immigration at a height, a comprehensive plan was put together, calling for four main, concentric half-circles of canals with their ends resting on the IJ bay.

Mirror image

A flipped image or reversed image, the more formal term, is a static or moving image that is generated by a mirror-reversal of an original across a horizontal axis (a flopped image is mirrored across the vertical axis.
Many large format cameras present the image of the scene being photographed as a flipped image through their viewfinders. Some photographers regard this as a beneficial feature, as the unfamiliarity of the format allows them to compose the elements of the picture properly without being distracted by the actual contents of the scene. The technique is meant to bypass or override the brain's visual processing which normally sees what is expected rather than what is there.
Flipping is occasionally used as a trompe l'oeil effect in scenes which incorporate reflections in a body of water. The image is deliberately inverted so that people slowly discern that something is 'not quite right' with the picture, and come to notice that it is upside down.

Dive devil

Today, the small size of fully automatic camcorders with large view screens and long-life rechargeable batteries has reduced the housing size and made underwater videography an easy, fun activity for the diver. Low-cost wide-angle lens add-ons are available for many cameras and some can even be fitted outside the camera housing for versatile use. This lets the photographer get closer and make the subject clearer and also with fewer focusing and depth of field problems.
Today cameras are more sensitive to low light conditions and make automatic color balancing adjustments. Nevertheless, deeper water videography still needs auxiliary light sources to bring out colors filtered out of sunlight by the distance it has travelled through water. The longest wavelengths of light are lost first (reds and yellows) leaving only a greenish or blue cast in deep water. Even a hand light will help show off some of the magnificent colors of a coral reef or other marine life if used during recording.

Tube the movie

Tube or The Tube Open Movie is a computer animated short film currently in-production. It is based on the ancient Epic of Gilgamesh poem, and is being directed by Bassam Kurdali, whose prior work includes Elephants Dream. Like his previous film, Tube is being created exclusively with free and open-source software, including Blender, GIMP, Krita, MyPaint, and Ardour. However, unlike Elephants Dream, Tube is being produced independent of the Blender Foundation. The film and its assets are being released under a creative commons license, allowing them to be re-used by others.
Animation with substance. The crowd funds it, the crowd owns it. Tube is the experimental production of a 3D animated short about the dream and failure and achievement of immortality. It's also a love letter to free software and open culture that marks their convergence with independent filmmaking.

 

From Saudi-Arabia Wadjda

Wadjda is the first film to have been entirely filmed within Saudi Arabia, by that country’s first female director, no less. It tells the story of this ten-year-old schoolgirl

Like one of the great Italian neorealist films, it centres on a child and a bicycle. All Wadjda wants is a bike so she can race against the little boy who lives next door, but her mother (Reem Abdullah) refuses to buy her one: in Saudi Arabia, little girls do not ride bicycles. After careful consideration of the matter Wadjda cannot see the logic in this, so she takes matters into her own hands and decides to raise the money for a bicycle herself.
Al Mansour reveals in the film’s production notes that she often had to direct from her production van via walkie-talkie when filming in more conservative areas, but Wadjda offers the hope that for the next generation of Saudi women, things might be different. Modest as it may look, this is boundary- pushing cinema in all the best ways, and what a thrill it is to hear those boundaries creak.

Canalview

The historic urban ensemble of the canal district of Amsterdam was a project for a new ‘port city’ built at the end of the 16th and beginning of the 17th centuries. It comprises a network of canals to the west and south of the historic old town and the medieval port that encircled the old town and was accompanied by the repositioning inland of the city’s fortified boundaries, the Singelgracht. This was a long-term programme that involved extending the city by draining the swampland, using a system of canals in concentric arcs and filling in the intermediate spaces. These spaces allowed the development of a homogeneous urban ensemble including gabled houses and numerous monuments. This urban extension was the largest and most homogeneous of its time. It was a model of large-scale town planning, and served as a reference throughout the world until the 19th century.