30 november 2011

Projections



Since the birth of sound film, virtually all film projectors in commercial movie theaters project at a constant speed of 24 frame/s. This speed was chosen for both financial and technical reasons. There are some specialist format which project at higher rates, often 48 frame/s.

It is possible to view the black space between frames and the passing of the shutter by the following technique:

Close your eyelids, then periodically rapidly blink open and closed. If done fast enough you will be able to randomly "trap" the image between frames, or during shutter motion. This will not work with television due to the persistence of the phosphors nor with LCD or DLP light projectors due to the continuity of image, although certain color artifacts may appear with some digital projection technologies.

27 november 2011

Haute alpes


A road movie is a film genre in which the main character or characters leave home to travel from place to place. They usually leave home to escape their current lives.

The genre has its roots in spoken and written tales of epic journeys, such as the Odyssey and the Aeneid. The on-the-road plot was used at the birth of American cinema but blossomed in the years after World War II, reflecting a boom in automobile production and the growth of youth culture.


26 november 2011

Dommeldal near Eindhoven




A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat. Sometimes they are about wild animals, plants, or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.
 

 

24 november 2011

Sagunto



A cinematographer is one photographing with a motion picture camera (the art and science of which is known as cinematography). The title is generally equivalent to director of photography (DP ), used to designate a chief over the camera and lighting crews working on a film, responsible for achieving artistic and technical decisions related to the image. The cinematographer is sometimes also the camera operator. The term cinematographer has been a point of contention for some time now; some professionals insist that it only applies when the director of photography and camera operator are the same person, although this is far from being uniformly the case. To most, cinematographer and director of photography are interchangeable terms.

22 november 2011

City of Lights


In cinematography, the use of light can influence the meaning of a shot. For example, film makers often portray villains that are heavily shadowed or veiled, using silhouette.



Techniques involving light include backlight(silhouette), and under-lighting(light across a character form

18 november 2011

Roman Lyon


Cinematography is an art form unique to motion pictures. Although the exposing of images on light-sensitive elements dates back to the early 19th century,[1] motion pictures demanded a new form of photography and new aesthetic techniques.

In the infancy of motion pictures, the cinematographer was usually also the director and the person physically handling the camera. As the art form and technology evolved, a separation between director and camera operator emerged. With the advent of artificial lighting and faster (more light sensitive) film stocks, in addition to technological advancements in optics and new techniques such as color film and widescreen, the technical aspects of cinematography necessitated a specialist in that area.

Cinematography was key during the silent movie era - no sound apart from background music, no dialogue - the films depended on lighting, acting and set.


16 november 2011

Italian lights

Lighting Digital Video



White balance. As the DV standard has a low color-resolution, it is important to control and know how to filter and white balance the image on set. It has been proved difficult to adjust color in post with a good result, although it has been done. Regarding lighting, be aware of the possibilities the white balance setting on the camera have, and use gels on the lamps, and sometimes on windows to create a neutral image.


In return for these shortcomings, DV-cameras can be more light-sensitive than most film stocks, and therefore require less light intensity, to give the same image. (PD150 is about 320ASA versus Kodak's 50D's 50ASA. One would need about 8 times more light, to get the same image at the same F-stop). Although high ASA film is available.


11 november 2011

Markets of Lyon





Match cut: The exact opposite of a jump cut within a scene. These cuts make sure that there is a spatial-visual logic between the differently positioned shots within a scene. thus, where the camera moves to, and the angle of the camera, makes visual sense to the spectator. Eyeline matching is part of the same visual logic: the first shot shows a character looking at something off-screen, the second shot shows what is being looked at. Match cuts then are also part of the seamlessness, the reality effect, so much favoured by Hollywood.


10 november 2011

To the grand Colombier




Historically, video frames were represented as analog waveforms in which varying voltages represented the intensity of light in an analog raster scan across the screen. Analog blanking intervals separated video frames in the same way that frame lines did in film. For historical reasons, most systems used an interlaced scan system in which the frame typically consisted of two video fields sampled over two slightly different periods of time. This meant that a single video frame was usually not a good still picture of the scene, unless the scene being shot was completely still.



With the dominance of digital technology, modern video systems now represent the video frame as a rectangular raster of pixels, either in an RGB color space or a color space such as YCbCr.



03 november 2011

Châtillon-sur-Chalaronne



The cinematography etymologically means "movement" because it comes from the greek "kine" (movement) and "grafos" (write or capture). In this art, individual images called photograms are presented by means of a technique that consists on projecting them in a quick and successive way in order to produce a movement illusion.



It was originated in France in the XIX century, when the brothers Lumiere filmed the exit of some workers from a factory. It is produced by recording images of the world we live; however, today is also possible to make it with computers help by means of the using animation techniques or special effects.


 

Flower-auction



About FloraHolland The Netherlands is the heart of the international floriculture sector. It has an intricate and high-quality network of companies, ranging from breeders and growers to sales experts and export firms, representing every aspect of the business. The Netherlands is the place where supply and demand come together. From Europe and beyond. FloraHolland flower auction plays a key role in the Netherlands, land of Floriculture where its position as marketplace fulfils the role of matchmaker, intermediary and knowledge center.

02 november 2011

Once upon a time (agriculture)


Montage play  is a technique in film editing in which a series of short shots are edited into a sequence to condense space, time, and information. It is usually used to suggest the passage of time, rather than to create symbolic meaning as it does in Soviet montage theory.
From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects (fades, dissolves, split screens, double and triple exposures) dance and music. They were usually assembled by someone other than the director or the editor of the movie.