Collioure

 

 

Every movie you’ve ever seen first starts with an idea in someone’s brain. Although things change as a project goes on, the story you come up with in the beginning will serve as the foundation on which everything else will be built. Ideas pop into our heads unexpectedly! Be sure to have somewhere to save ideas on your phone or carry a journal. It’s also a good idea to create a folder in which you save newspaper and magazine articles, snippets of overheard dialogue, notes on characters you see on the street, and even dreams. You may not know what to do with these things now, but the day will come when you do.

Tasty Burgundy

 

 

On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film. An editor must select only the most quality shots, removing all unnecessary frames to ensure the shot is clean.

Baune in Burgundy

 

Modern films will now frequently use the different types of wide shots as they are a staple in filmmaking and are almost impossible to avoid unless deliberately chosen to. In the current climate of films, the technical quality of any given shot will appear with much better clarity which has given life to some incredible shots from modern cinema. Also, given the quality of modern home entertainment mediums such as Blu-ray, 3D and Ultra HD Blu Rays, this has allowed the scope and size of any given frame to encompass more of the scene and environment in greater detail. 

 

Paris 2024

 

The first sports film was released 1915, this was during the era of silent films. Several sub-categories of sports films can be identified, although the delineations between these subgenres, much as in live action, are somewhat fluid. The most common sports subgenres depicted in movies are sports drama and sports comedy. Both categories typically employ playground settings, match, game creatures and other elements commonly associated with biological stories. Thematically, the story is often one of "our team" versus "their team"; their team will always try to win, and our team will show the world that they deserve recognition or redemption; the story does not always have to involve a team. The story could also be about an individual athlete or the story could focus on an individual playing on a team. 

 

Lumiere Time

 

Cinematograph or kinematograph is an early term for several types of motion picture film mechanisms. The name was used for movie cameras as well as film projectors, or for complete systems that also provided means to print films (such as the Cinématographe Lumière). A device by this name was invented and patented as the "Cinématographe Léon Bouly" by French inventor Léon Bouly on February 12, 1892. Bouly coined the term "cinematograph," from the Greek for "writing in movement."Due to a lack of money, Bouly could not develop his ideas properly and maintain his patent fees, so the Lumière brothers were free to adopt the name.In 1895, they applied it to a device that was mostly their own invention.

Trigger of nostalgia

 

 

The development of home movie-making has depended critically on the availability of equipment and media formats (film stock, video tape, etc.) at prices affordable to consumers. The introduction of film formats suitable for amateur hobbyists began early in the history of cinematography. Amateur film equipment became standardized in the 1920s and 30s with the 9.5 mm, 16 mm, and 8 mm formats. By the late 1950s, home movies became cheaper to make, becoming available to the middle class. In the mid-1960s, Super 8's ease of use led to home movies being even more popular

source: https://youtube.com/@davidignaz?feature=shared

 

Rouen France

 

 

Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly in press newspapers, magazines and other popular mass-media outlets. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre, the industry and film history as a whole 

 

Jardin de la fontaine

 

 

 

Post-production

This stage is usually thought of as starting when principal photography ends, but they may overlap. The bulk of post-production consists of the film editor reviewing the footage with the director and assembling the film out of selected takes. The production sound (dialogue) is also edited; music tracks and songs are composed and recorded if a film is intended to have a score; sound effects are designed and recorded. Any computer-generated visual effects are digitally added by an artist. Finally, all sound elements are mixed down into "stems", which are synchronized to the images on the screen, and the film is fully completed ("locked"). 

 

Corsica

 

Hardware malfunction: In computer graphics, visual artifacts may be generated whenever a hardware component such as the processor, memory chip, cabling malfunctions, etc., corrupts data. Examples of malfunctions include physical damage, overheating, insufficient voltage and GPU overclocking. Common types of hardware artifacts are texture corruption and T-vertices in 3D graphics, and pixelization in MPEG compressed video. Software malfunction: Artifacts may be caused by algorithm flaws such as decoding/encoding audio or video, or a poor pseudo-random number generator that would introduce artifacts distinguishable from the desired noise into statistical models

 

Jura region

 

Film colorization is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color segregation. The first examples date from the early 20th century, but colorization has become common with the advent of digital image processing.

Crowdfunding

 

In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point, without the use of dialogue or music. The term often refers to a process, applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, the segregations between recordings of dialogue, music, and sound effects can be quite distinct, and it is important to understand that in such contexts, dialogue, and music recordings are never referred to as sound effects, though the processes applied to them, such as reverberation or flanging, often are. 

 

 

Hobby: super 8 mm film

 

 

8 mm film is a motion picture film format in which the film strip is eight millimetres (0.31 in) wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller and more widely spaced perforations. There are also two other varieties of Super 8 – Single 8 mm and Straight-8 – that require different cameras but produce a final film with the same dimensions. 

 

Miss Match

 

 

Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the use of VHS and digital video camcorders. 

 

Director: Agnes Varda

 

Filmmaking career:  Varda's filmmaking career predates the French New Wave, but contains many elements specific to that movement.  While working as a photographer, Varda became interested in making a film, although she stated that she knew little about the medium and had only seen around 20 films by the age of 25. She later said that she wrote her first screenplay "just the way a person writes his first book. When I'd finished writing it, I thought to myself: 'I'd like to shoot that script,' and so some friends and I formed a cooperative to make it." She found the filmmaking process difficult because it did not allow the same freedom as writing a novel; she said her approach was instinctive and feminine. In an interview with The Believer, Varda said that she wanted to make films that related to her time , rather than focusing on traditions or classical standards.

Colourful Paris

 

In cinematography, a tracking shot is any shot where the camera follows backward, forward or moves alongside the subject being recorded. Often the camera is mounted on a camera dolly which rides on rails similar to a railroad track; in this case, the shot is referred to as a dolly shot. A handheld steadycam or gimbal may also be used for smaller scale productions. The camera is then pushed along the track while the scene is being filmed, or moved manually when using a handheld rig. The effect can be used to create a sense of movement, to follow a character or object, or a sense of immersion to draw the viewer into the action. 

 

Midi France: PAU

 

 

The film editor works with raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important tool when attempting to intrigue a viewer. When done properly, a film's editing can captivate a viewer and fly completely under the radar. Because of this, film editing has been given the name “the invisible art.” 

 

Super 8 mm docu

 

 

Launched in 1965 by Eastman Kodak at the 1964–65 Worlds Fair, Super 8 film comes in plastic light-proof cartridges containing coaxial supply and take-up spools loaded with 50 feet (15 m) of film, with 72 frames per foot, for a total of approximately 3,600 frames per film cartridge. This is enough film for 2.5 minutes at the professional motion picture standard of 24 frames per second, and for 3 minutes and 20 seconds of continuous filming at 18 frames per second (upgraded from standard 8 mm 16 frame/s) for amateur use. In 1973 the system was upgraded with a larger cartridge, which includes film with magnetic sound.

Tourrettes-sur-Loup

 

 

Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are educational, observational and docufiction. Documentaries are very informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social-media platforms (such as YouTube) have provided an avenue for the growth of the documentary-film genre. These platforms have increased the distribution area and ease-of-accessibility. 

 

 

Beginning of photography

 

 

 In 1826, Nicéphore Niépce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. Niépce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. The details were introduced to the world in 1839, a date generally accepted as the birth year of practical photography

 

 

Inspiring Seine music

 

 

Since the invention of digital technology and audio sampling, many modern films have been able to rely on digital samples to imitate the sound of acoustic instruments, and many scores are created and performed wholly by the composers themselves, by using music composition software, synthesizers, samplers, and MIDI controllers.