17 jul 2026
Lake Annecy
11 jun 2026
Paris pictures
In film production, a creative executive (often called CE for short) is a studio executive tasked with reading scripts and finding source material which can be turned into motion picture content (feature films, television series, television films). In advertising agencies, the term can also refer to the creative concept writer or copywriter.
7 jun 2026
Herault river
After announcing the return of Ektachrome at the beginning of 2017, Eastman Kodak CMO Steven Overman told The Kodakery podcast, "we are investigating Kodachrome, looking at what it would take to bring that back". Although the statement generated widespread media interest, it was subsequently conceded by an official at Kodak Alaris (which would be responsible for its production and sale) that the return of Kodachrome was probably impractical (due to the difficulty in restoring the now-dismantled infrastructure needed to support it) and therefore unlikely.
4 mei 2026
La Sirene
2 mei 2026
Citadel of Verdun
1 mei 2026
Verdun city of war
14 apr 2026
Images Museum
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13 apr 2026
Epinal en France
12 apr 2026
Harvest
8 apr 2026
Champagne: the movie
24 mrt 2026
Jouets
9 mrt 2026
George Melies
6 mrt 2026
Optical theatre
5 mrt 2026
Diorama Daguerre
4 jan 2026
Brigitt
20 dec 2025
Visual Poems
8 nov 2025
Letters of Van Gogh
3 nov 2025
Jaques Tati
1 okt 2025
Appetito
25 sep 2025
En Route
Continuity editing uses a guideline called the "30-degree rule" to avoid the appearance of jump cuts. The 30-degree rule advises that for consecutive shots to appear seamless and continuous in time, the camera position must vary at least 30 degrees from its previous position. Some schools would call for a change in framing as well (e.g., from a medium shot to a close up). The idea is to convey to the viewer a different point of view on the action but with the timeline of the action being continuous. Generally, if the camera position changes less than 30 degrees, the difference between the two shots is not substantial enough, and the viewer experiences the edit as a jump in the position of the subject rather than a change of point of view, which is jarring.



















