Starving Sea

Formerly one of the four largest lakes in the world with an area of 68,000 km2 , the Aral Sea has been steadily shrinking since the 1960s after the rivers that fed it were diverted by Soviet irrigation projects. By 2007, it had declined to 10% of its original size, splitting into four lakes – the North Aral Sea, the eastern and western basins of the once far larger South Aral Sea, and one smaller lake between the North and South Aral Seas. By 2009, the southeastern lake had disappeared and the southwestern lake had retreated to a thin strip at the extreme west of the former southern sea; in subsequent years, occasional water flows have led to the southeastern lake sometimes being replenished to a small degree. Satellite images taken by NASA in August 2014 revealed that for the first time in modern history the eastern basin of the Aral Sea had completely dried up. The eastern basin is now called the Aralkum desert.
In an ongoing effort in Kazakhstan to save and replenish the North Aral Sea, a dam project was completed in 2005; in 2008, the water level in this lake had risen by 12 m compared to 2003. Salinity has dropped, and fish are again found in sufficient numbers for some fishing to be viable.
The shrinking of the Aral Sea has been called "one of the planet's worst environmental disasters" The region's once-prosperous fishing industry has been essentially destroyed, bringing unemployment and economic hardship. The Aral Sea region is also heavily polluted, with consequential serious public health problems.

An ancient crane on the Rhine

In filmmaking and video production, a crane shot is a shot taken by a camera on a crane or jib. The most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie. Camera cranes go back to the dawn of movie-making, and were frequently used in silent films to enhance the epic nature of large sets and massive crowds.

The major supplier of cranes in Hollywood throughout the 1940s, 1950s, and 1960s was the Chapman Company supplanted by dozens of similar manufacturers around the world. The typical design provided seats for both the director and the camera operator, and sometimes a third seat for the cinematographer as well. Large weights on the back of the crane provided a perfect balance to compensate for the weight of the people riding the crane. The crane operator and camera operator had to precisely coordinate their moves so that focus, pan, and camera position all started and stopped at the same time, requiring great skill and rehearsal.

Some filmmakers like to have the camera on a boom arm just to make it easier to move around between ordinary set-ups. Most cranes accommodate both the camera and an operator, but some can be operated by remote control. They are usually, but not always, found in what are supposed to be emotional or suspenseful scenes.

During the last few years, camera cranes have been miniaturized and costs have dropped so dramatically that most aspiring film makers have access to these tools. What was once a "Hollywood" effect is now available for under $400.

 

Modern (film)history

Amateur usage of Super 8 has been largely replaced by video, but the format is often used by professionals in music videos, TV commercials, and special sequences for television and feature film projects, as well as by many visual artists. For a professional cinematographer, Super 8 is another tool to use alongside larger formats. Some seek to imitate the look of old home movies, or create a stylishly grainy look.

Studio studies

William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films. These are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds' screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art.

A Dutchman in Rome

There are three large film festivals in the Netherlands:

The International Film Festival Rotterdam (IFFR) is a film festival for independent, innovative and experimental cinema and visual arts. The international festival is held since 1972 in Rotterdam. During the festival the Tiger Awards are awarded to starting filmmakers.
The Nederlands Film Festival (NFF) has been the annual film festival for Dutch film productions since 1981. The seven-day festival is held in the end of September and early October in Utrecht. Dutch films from the previous year are shown, and the Golden Calves are awarded to the best films, best actors and best other crew members judged by an independent and professional jury.
The International Documentary Film Festival Amsterdam (IDFA) is one of the world's largest documentary festivals.

Beautiful Rhine

Germany has a long tradition of cooperation with the European based film industry, which started as early as during the 1960s. Since 1990 the number of international projects financed and co-produced by German filmmakers has expanded.

The new millennium since 2000 has seen a general resurgence of the German film industry, with bigger-budget films and good returns at the German box office. Internationally though German productions are widely unknown and unsuccessful. Since its golden age in the 1920s the German film industry has never regained the technical excellence, the star system appeal, or the popular narratives suitable for a global audience.

The Deutsche Filmakademie was founded in 2003 in Berlin and aims to provide native filmmakers a forum for discussion and a way to promote the reputation of German cinema through publications, presentations, discussions and regular promotion of the subject in the schools.

Heidelberg Hauptstrasse

While motion picture films have been around for more than a century, film is still a relative newcomer in the pantheon of fine arts. In the 1950s, when television became widely available, industry analysts predicted the demise of local movie theaters. Despite competition from television's increasing technological sophistication over the 1960s and 1970s such as the development of color television and large screens, motion picture cinemas continued. In fact with the rise of television's predominance, film began to become more respected as an artistic medium by contrast due the low general opinion of the quality of average television content. In the 1980s, when the widespread availability of inexpensive videocassette recorders enabled people to select films for home viewing, industry analysts again wrongly predicted the death of the local cinemas.

Smugglers

Nostalgia (or sometimes called "Nostalgic") is a sentimentality for the past, typically for a period or place with happy personal associations. The word nostalgia is learned formation of a Greek compound, consisting of νόστος (nóstos), meaning "homecoming", a Homeric word, and ἄλγος (álgos), meaning "pain" or "ache", and was coined by a 17th-century medical student to describe the anxieties displayed by Swiss mercenaries fighting away from home. Described as a medical condition—a form of melancholy—in the Early Modern period, it became an important trope in Romanticism.

 

Pompei at that time

Virtual Reality, which can be referred to as immersive multimedia or computer-simulated life, replicates an environment that simulates physical presence in places in the real world or imagined worlds. Virtual reality can recreate sensory experiences, which include virtual taste, sight, smell, sound, and touch.

Most up to date virtual reality environments are displayed either on a computer screen or with special stereoscopic displays, and some simulations include additional sensory information and emphasise real sound through speakers or headphones targeted towards VR users. Some advanced, haptic, systems now include tactile information, generally known as force feedback in medical, gaming and military applications.

Amsterdam canal water

Amsterdam City Swim

September 6th, 2015, the canal cruise boats and other vessels make way for more than 1,600 swimmers at the annual Amsterdam City Swim.

Earlier routes have started at the Marine building passing Het Scheepvaartmuseum (Ship Museum) and then down the Nieuwe Herengracht canal. Swimmers go left up the Amstel River towards the Royal Theatre Carre (Carre Theater) and finishing on the Keizersgracht canal where it crosses the Reguliersgracht canal.

Swimmers are sponsored to raise funds for Motor Neurone disease (known as ALS in the Netherlands).

 

Tourrettes

Fair use is a limitation and exception to the exclusive right granted by copyright law to the author of a creative work. In United States copyright law, fair use is a doctrine that permits limited use of copyrighted material without acquiring permission from the rights holders. Examples of fair use include commentary, search engines, criticism, parody, news reporting, research, teaching, library archiving and scholarship. It provides for the legal, unlicensed citation or incorporation of copyrighted material in another author's work under a four-factor balancing test.

The term "fair use" originated in the United States.  A similar principle, fair dealing, exists in some other common law jurisdictions. Civil law jurisdictions have other limitations and exceptions to copyright.

The lift

Shock value in television and movies

Shock value is a common way to show people graphically how dangerous a situation is, by depicting the death of a minor character, or the serious injury or near death of a character.

This can also involve the occurrence or performance of disturbing or horrifying phenomena or actions to draw the attention of viewers, or to force them to consider the events depicted at a personal level. Examples would include a scene of a military hospital with patients with horrible or disgusting wounds, a shot of a battlefield covered in corpses, or the depiction of emotional abuse

Horror is a film genre seeking to elicit a negative emotional reaction from viewers by playing on the audience's primal fears. Horror films often deal with the viewer's nightmares, hidden fears, revulsions and terror of the unknown

 

The flying dutchman

Mirrors in the sky: Demystifying the legend of the Flying Dutchman

Ever since the 17th century, sailors have been haunted by the story of the Flying Dutchman, an airborne ghost-ship that can never put in to port and is forced to endlessly sail the world’s oceans. While the sight of a ship floating above the horizon could unsettle any seafarer, meteorologists can explain it as the result of a Fata Morgana – a dramatic ‘superior mirage’ caused by the air below the line of sight being significantly colder than that above it.
Fata Morgana not only produce mirror images, but can magnify objects that lie beyond the horizon. Ships can therefore be below the horizon but their reflected light is distorted to such an extent that they appear to be ‘sailing’ in the sky. This is the likely explanation of the Flying Dutchman.

 

VENTOUX

Fair use is a limitation and exception to the exclusive right granted by copyright law to the author of a creative work. In United States copyright law, fair use is a doctrine that permits limited use of copyrighted material without acquiring permission from the rights holders. Examples of fair use include commentary, search engines, criticism, parody, news reporting, research, teaching, library archiving and scholarship. It provides for the legal, unlicensed citation or incorporation of copyrighted material in another author's work under a four-factor balancing test.

The term "fair use" originated in the United States. A similar principle, fair dealing, exists in some other common law jurisdictions. Civil law jurisdictions have other limitations and exceptions to copyright.

 

 

Vianden.lu

As the television world makes the transition from the traditional 4:3 format to 16:9 wide-screen, many people ask "Why? What's Wrong with 4:3? Should I convert to widescreen?".

These are valid questions for both programme makers at one end and viewers at the other end.

Producers and broadcasters need to decide whether to make the difficult and expensive transition to widescreen.
Viewers need to decide whether to upgrade their 4:3 TV set to widescreen.

We will attempt to answer this question from both points of view. However we should point out that in the long run there is one simple fact which overrides all other arguments: Widescreen is the new standard and everyone will eventually be using it whether they like it or not. Whilst some people will hold on to 4:3 as long as they can, the future of widescreen is inevitable. The real question is not "Should I go widescreen?" but "Should I go widescreen now, or should I wait?".

 

Dutchie

Images for the Future

In the project, Images for the Future, four organizations save an important part of the audiovisual heritage of the Netherlands through conservation and digitization. The digitized material will be made available to education and to the public as broadly as possible.

super 8 mm movie 1977

I
n film, an insert is a shot of part of a scene as filmed from a different angle and/or focal length from the master shot. Inserts cover action already covered in the master shot, but emphasize a different aspect of that action due to the different framing. An insert differs from a cutaway as cutaways cover action not covered in the master shot.

There are more exact terms to use when the new, inserted shot is another view of actors: close-up, head shot, knee shot, two shot. So the term "insert" is often confined to views of objects—and body parts, other than the head. Thus: CLOSE-UP of the gunfighter, INSERT of his hand quivering above the holster, TWO SHOT of his friends watching anxiously, INSERT of the clock ticking.

Often inserts of this sort are done separately from the main action, by a second-unit director using stand-ins.

Inserts and cutaways can both be vexatious for directors, as care must be taken to preserve continuity by keeping the objects in the same relative position as in the main take, and having the lighting be the same.

A taste of dutch movie

Although Haanstra continued to make internationally acclaimed documentaries, the "school" more or less faded out by the late sixties. By this time, the first generation of Dutch filmmakers who graduated from the Dutch Film Academy began to make a name for themselves. The most famous director of this era is undoubtedly Fons Rademakers, who received domestic and international critical claim with a number of films between 1959 and 1963. . Slowly, fiction films become more and more popular in The Netherlands.

A more lasting success for Dutch film came in the 1970s, mostly under the influence of one man: Paul Verhoeven. Verhoeven's five films of the decade - Business Is Business (Wat zien ik?, 1971), Turkish Delight (Turks Fruit, 1973), Katie Tippel (Keetje Tippel, 1975), Soldier of Orange (Soldaat van Oranje, 1977) and Spetters (1980) - were box-office hits; they are still in the top-twenty most successful Dutch films ever. Turkish Delight and Soldier of Orange were successful abroad as well and eventually led to Verhoeven's Hollywood career. In 2006 Verhoeven returned to his own language and made Black Book (Zwartboek).

Other successful directors from this era are Wim Verstappen and Pim de la Parra, whose movies were more commercial than those of their colleagues in the 1960s.
A decline in cinema admission set in after the 1970s. Director Dick Maas, making studio-style action-thrillers such as De Lift (1983) and Amsterdamned (1988), was about the only filmmaker having mainstream success in this period.

Gorges du Tarn

Other names for film:
Movies
Motion pictures
Pictures
Celluloid

Flicks
Photoplays
Picture shows
The cinema
The silver screen

Operations Manna

70 years ago The Netherlands were freed form the nazi's. The last winter of norttern Holland were terrible and the Dutch were starving. In April 1944 fooddroppings were organised by the allies.
This beautiful black and white film was shot bij amateurs.

Humorous phases of funny faces

Because of the stylistic similarities between comic strips and early animated movies, "cartoon" came to refer to animation, and the word "cartoon" is currently used to refer to both animated cartoons and gag cartoons. While "animation" designates any style of illustrated images seen in rapid succession to give the impression of movement, the word "cartoon" is most often used in reference to TV programs and short films for children featuring anthropomorphized animals, superheroes, the adventures of child protagonists and related genres.

Pictures of Lille

In photography, reversal film is a type of photographic film that produces a positive image on a transparent base. The film is processed to produce transparencies or diapositives (abbreviated as "diafilm" in many countries) instead of negatives and prints. Reversal film is produced in various sizes, from 35 mm roll film to 8×10 inch sheet film.

A slide is a specially mounted individual transparency intended for projection onto a screen using a slide projector. This allows the photograph to be viewed by a large audience at once. The most common form is the 35 mm slide, with the image framed in a 2×2 inch cardboard or plastic mount. Some specialized labs produce photographic slides from digital camera images in formats such as JPEG, from computer-generated presentation graphics, and from a wide variety of physical source material such as fingerprints, microscopic sections, paper documents, astronomical images, etc.

Reversal film is sometimes used as motion picture film, mostly in the 16 mm, Super 8 and 8 mm "cine" formats, to yield a positive image on the camera original. This avoids the expense of using negative film, which requires additional film and processing to create a positive film print for projection.

 

Rotterdam Harbour 1926

- In the archives of Rotterdam is a film surfaced which gives an image of Rotterdam in the year 1926. Nothing strange, were it not that the picture quality is very good to say.

On the film we see tugs 'fight' on the Nieuwe Maas, there is a steam train on the bridge and of course for the attentive viewer there is more to discover.

Espana del Norte

A slide presentation about this part of Spain

A film is a ribbon of dreams. The camera is much more than a recording apparatus; it is a medium via which messages reach us from another world that is not ours and that brings us to the heart of a great secret. Here magic begins.

Orson Welles

Cinema Europa

The history of film began in the 1890s, with the invention of the first motion-picture cameras and the establishment of the first film production companies. The films of the 1890s were under a minute long and until 1927, motion pictures were produced without sound. The first eleven years of motion pictures show the cinema moving from a novelty to an established large-scale entertainment industry. The films became several minutes long consisting of several shots. The first rotating camera for taking panning shots was built in 1897. The first film studios were built in 1897. Special effects were introduced and film continuity, involving action moving from one sequence into another, began to be used. In 1900, continuity of action across successive shots was achieved and the close-up shot was introduced. Most films of this period were what came to be called "chase films". The first use of animation in movies was in 1899. The first feature length multi-reel film was a 1906 Australian production. The first successful permanent theatre showing only films was "The Nickelodeon" in Pittsburgh in 1905. By about 1910, actors began to receive screen credit for their roles, and the way to the creation of film stars was opened. Regular newsreels were exhibited from 1910 and soon became a popular way for finding out the news. Overall, from about 1910, American films had the largest share of the market in all European countries except France.

Cinemagician

 

Marie-Georges-Jean Méliès, known as Georges Méliès 8 December 1861 – 21 January 1938), was a French illusionist and filmmaker famous for leading many technical and narrative developments in the earliest days of cinema. Méliès, a prolific innovator in the use of special effects, accidentally discovered the substitution stop trick in 1896, and was one of the first filmmakers to use multiple exposures, time-lapse photography, dissolves, and hand-painted color in his work. Because of his ability to seemingly manipulate and transform reality through cinematography, Méliès is sometimes referred to as the first "Cinemagician".His films include A Trip to the Moon (1902) and The Impossible Voyage (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy.

Trippel Dutch

A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation or a special event and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The advent of camcorders that could record an hour or two of video on one inexpensive videocassette, followed by digital video cameras that recorded to flash memory, and most recently smartphones with video recording capability, made the creation of home movies easier and much more affordable to the average person.

The technological boundaries between home-movie-making and professional movie-making are becoming increasingly blurred as prosumer equipment often offers features previously only available on professional equipment.

Lille Nord de France

Experimental film or experimental cinema is a type of cinema.Its origins can be found in European avant-garde movements of the twenties.

An experimental film is often characterized by the absence of linear narrative, the use of various abstracting techniques, asynchronous (non-diegetic) sound or even the absence of any sound track. Most such films are made on very low budgets, self-financed or financed through small grants, with a minimal crew. Experimental film emerged in Europe in the 1920s because cinema had matured as a medium and avant-garde movements in the visual arts were growing.

 

 

Ponts et Eaux

Underground
The term describes a range of filmmaking styles that are generally quite different from, and often opposed to, the practices of mainstream commercial and documentary filmmaking. Avant-garde is also used, for the films shots in the twenties in the field of history’s avant-gardes currents in France, Germany or Russia, to describe this work, and "underground" was used in the sixties, though it has also had other connotations. Today the term "experimental cinema" prevails, because it’s possible to make experimental films without the presence of any avant-garde movement in the cultural field.

Annecy

The Annecy International Animation Film Festival (Festival International du Film d'Animation d'Annecy, abbreviated as AIAFF) was created in 1960 and takes place at the beginning of June in the town of Annecy, France. Initially occurring every two years, the festival became annual in 1998. It is one of the four international animated film festivals sponsored by the Association Internationale du Film d'Animation (or ASIFA, the International Animated Film Association).

The festival is a competition between cartoon films of various techniques (animated drawings, cut-out papers, modelling clay, etc.) classified in various categories:

Serenata nocturna

This film Serenata Nocturna is the first puppet animation where Joop Geesink actively involved. The title indicates that it comes from the Geesink-Bearer studio, which still holds only in 1942 engaged in cartoon.

Credits
Title : Seranata Noctura
Client : Philips
Height : 3 minutes
Production Year : 1942
Format : 35 mm, black / white
Script: Joop Geesink & Marten Bearer
Dolls : Dopey Scheffer
Dolls Clothes : Phiny Dick (wife of marten Bearer)
Decors : Hagemeyer & Loek van Delden
Further staff Jan Duyfvetter, John van der Meulen and Bertus Outmayer

Nice Cote d' Azure

Focal length and diaphragm aperture affect the depth of field of a scene — that is, how much the background, mid-ground and foreground will be rendered in "acceptable focus" (only one exact plane of the image is in precise focus) on the film or video target. Depth of field (not to be confused with depth of focus) is determined by the aperture size and the focal distance. A large or deep depth of field is generated with a very small iris aperture and focusing on a point in the distance, whereas a shallow depth of field will be achieved with a large (open) iris aperture and focusing closer to the lens.

 

Masks (Annecy)

Masks play a key part within world theatre traditions, particularly non-western theatre forms. They also continue to be a vital force within contemporary theatre, and their usage takes a variety of forms.

In many cultural traditions the masked performer is a central concept and is highly valued. In the western tradition actors in Ancient Greek theatre wore masks, as they do in traditional Japanese Noh drama. In some Greek masks the wide and open mouth of the mask contained a brass megaphone enabling the voice of the wearer to be projected into the large auditoria. In medieval Europe masks were used in mystery and miracle plays to portray allegorical creatures, and the performer representing God frequently wore a gold or gilt mask. During the Renaissance masques and ballet de cour developed - courtly masked entertainments that continued as part of ballet conventions until the late eighteenth century. The masked characters of the Commedia dell'arte included the ancestors of the modern clown. In contemporary western theatre the mask is often used alongside puppetry to create a theatre which is essentially visual rather than verbal, and many of its practitioners have been visual artists.

Masks and puppets were often incorporated into the theatre work of European avant-garde artists from the turn of the nineteenth century. Alfred Jarry, Pablo Picasso, Oskar Schlemmer and other artists of the Bauhaus School, as well as surrealists and Dadaists, experimented with theatre forms and masks in their work.

Jeroen Bosch painter

a>
Making an animation such as this requires a lot of work and precision. First, Chris de Krijger made a collage of digital drawings, photography, patterns and hand-painted paint layers for each scene. He then cut out all moving parts and reconstructed them into landscapes and figures using the video processing programme Adobe After Effects. The giant in this video, for example, is made up of individual body parts. The movement is made by moving these a tiny bit frame by frame until he finally moves as intended. This so-called ‘cut-out technique’ was originally done with paper, but today it is done digitally. It is made in 25 frames per second, which means that for the 3 minutes of this video, around 4500 individual images had to be placed one after another. For Chris de Krijger, the technique offered the possibility of actually allowing the painting to come to life without him having to draw everything himself. It is now really Hieronymus Bosch’s giant that moves

Midi de France

 
Amateur films were usually shot on 16 mm film or on 8 mm film (Either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has now become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the usage of VHS and digital video camcorders.

 

Uppsala traveling around

Image stabilization (IS) is a family of techniques used to reduce blurring associated with the motion of a camera or other imaging device during exposure. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, although electronic image stabilization can also be used to compensate for rotation. It is used in image-stabilized binoculars, still and video cameras, and astronomical telescopes. With still cameras, camera shake is particularly problematic at slow shutter speeds or with long focal length (telephoto or zoom) lenses. With video cameras, camera shake causes visible frame-to-frame jitter in the recorded video. In astronomy, the problem of lens-shake is added to by variations in the atmosphere over time, which will cause the apparent positions of objects to change.

Deventer

 

The Documentary film of the Netherlands has long been renowned world wide. The most prominent Dutch directors, especially those who started their careers before World War II, came from a documentary background, for instance Joris Ivens and Bert Haanstra.
Documentaries still play an important part in Dutch film industry. The International Documentary Film Festival Amsterdam, held annually in November, is considered one of the largest documentary film festivals in the world.

Fyra Fiasco

Fyra was an international high-speed rail service between the Netherlands and Belgium using the AnsaldoBreda V250 train. The service used the HSL-Zuid and HSL 4 railway lines to connect Amsterdam, Schiphol Airport, Rotterdam, Antwerp and Brussels. Continuous technical difficulties suspended the service, and it was eventually permanently halted due to reliability and safety concerns.

The high profile project was a collaboration between NS International (a joint venture of NS and KLM) and NMBS/SNCB.

A Dutch domestic service also using HSL-Zuid was branded under the same name. Despite using the tracks built for high speed trains the service between Amsterdam and Breda uses conventional trains propelled by a TRAXX locomotive. Its name was changed into Intercity Direct to avoid confusion with the failed international service.

The name "Fyra" represents pride, and is derived from the Dutch word fier and the French word fière, both meaning proud. Fyra is also the Swedish word for four, and is said to represent the four important cities which the new trains were intended to serve — Amsterdam, Rotterdam, Antwerp and Brussels.

 

Painting with light

Light art takes over the Rijksmuseum by night
Starting March 25th, a unique light art night exhibition will be hosted at the Rijksmuseum. Inspired by Rembrandt’s work with light, artist Eelco van den Berg will use a cutting edge light technique to create the biggest portrait of inspiring people. Become part of the Rijksmuseum’s special Night Exhibition,

School-journey

A wonderful example

The archives of the Netherlands Institute for Sound and Vision in Hilversum, of EYE in Amsterdam, and of the National Archive in The Hague contain the visual history of the past 100 years. Films, documentaries, radio broadcast, and television programmes comprise more than 700.000 hours worth of material. The costs for creating this oeuvre have run into the billions. The educational, cultural, and economical value of this material is unprecedented.

The main goal of the project is realising maximum accessibility to the audiovisual material for the targeted user groups (educational institutions, the general public, and the creative sector). To reach this goal, Images for the Future is developing and offering innovative services and applications.

 

Light painting

Jason D. Page, Light Painting Documentary from Jason D. Page on Vimeo.
Light Painter Jason D. Page shines light into the darkness to find beauty where many would find unease. This 7 minute documentary explains what light painting is, how Jason discovered light painting, and why light painting is so significant in his life.

If you enjoy this film please share it!

See More Images At http://www.jasondpage.com
Friend me on Facebook: https://www.facebook.com/jasondpage
Follow me on Instagram: http://instagram.com/jasondpage_lightpainter

Produced and Directed by: Jacob Peterson
Filmed by: Jacob Peterson, John Bibbo, Chris Leidy, Geoff Dunn, Christie Page, Courtney Page
Surfing footage by: Jason D. Page
All still images are light paintings created by Jason D. Page

Music Credits:
Artist: M83
Song: "We Own The Sky"
Album: Saturdays = Youth

Artist: Linsey Stirling
Song: "Crystallize"
Album: Lindsey Stirling

Artist: Helen Jane Long
Song: "Echo"
Album: Porcelain

Special Thanks: Nana and Pops, Courtney, Mom, Christie, Christopher, Kendall Fabian, Geoff , Eric LaChance, Johnny, Carolina, Kristin, Rob @ Coast, Vicki DaSilva, and Dean Chamberlain.

Thank you to all my friends in the light painting community and all the Light Painting Pioneers:
Étienne-Jules Marey, Georges Demeny, Frank Gilbreth, Man Ray, Gjon Mili, Barbara Morgan, Jack Delano, Andreas Feininger, George Mathieu, David Lebe, Eric Staller, Dean Chamberlain, Jacques Pugin, Jozef Sedlák, Vicki DaSilva, Kamil Varga, John Hesketh, Tokihiro Sato, Troy Paiva, Bruno Mesrine, Patrick Rochon, Aurora Crowley, Arturo Aguiar, Lapp-Pro, JanLeonardo, Chanette Manso, Michael Bosanko, Pete Eckert, and the ones that I forgot....

Train trip in Scotland

On top of the works created by Scottish directors, there have been many successful non-Scottish films shot in Scotland. Mel Gibson’s Academy Award-winning Braveheart is perhaps the best-known and most commercially successful of these, having grossed $350,000,000 worldwide. The film won 5 Academy Awards, including ‘Best Picture’ and ‘Best Director’ and was nominated for additional awards. The film’s depiction of the Battle of Stirling Bridge, which the plot of the film surrounds, is often regarded as one of the greatest movie battles in cinema history.

Living pictures

To avoid violating Edison’s motion picture patents, Biograph cameras from 1895 to 1902 used a large-format film measuring 2-23/32 inches (68 mm) wide, with an image area of 2 × 2½ inches, four times that of Edison’s 35 mm format. The camera used friction feed, instead of Edison’s sprocket feed, to guide the film to the aperture. The camera itself punched a sprocket hole on each side of the frame as the film was exposed at 30 frames per second. A patent case victory in March 1902 allowed Biograph and other producers and distributors to use the less expensive 35 mm format without an Edison license, although Biograph did not completely phase out 68 mm production until autumn of 1903. Biograph offered prints in both formats to exhibitors until 1905, when it discontinued the larger format.

 

West NorthBrabant

World cinema is a term used primarily in English language speaking countries to refer to the films and film industries of non-English speaking countries. It is therefore often used interchangeably with the term foreign film. However, both world cinema and foreign film could be taken to refer to the films of all countries other than one's own, regardless of native language.

 

Fontaine de Strawinsky

Niki de Saint Phalle (born Catherine-Marie-Agnès Fal de Saint Phalle, 29 October 1930 – 21 May 2002) was a French sculptor, painter, and filmmaker.

Influenced by Gaudí's Parc Güell in Barcelona, as well as Palais Idéal by Ferdinand Cheval, and Watts Towers by Simon Rodia, Saint Phalle decided that she wanted to make something similar; a monumental sculpture park created by a woman.

Many of Saint Phalle's sculptures are large and some of them are exhibited in public places, including: The Stravinsky Fountain (fr: La Fontaine Stravinsky) is a whimsical public fountain ornamented with sixteen works of sculpture, moving and spraying water, representing the works of composer Igor Stravinsky.

The French Postman

For the next 33 years, he collected stones along his postal route. Sometimes just one or two, and other times, wheelbarrows full of them. Having left school at age 13, and with no training in architecture or art, 43 year old Postman Cheval began to build his palace with cement, wire and stones, working at night by an oil lamp.

The palace shows a mix of inspirations, including the Bible, Neuschwanstein, Hindu sanctuaries, Meliès, a cave, and a sandcastle. It also includes a shrine for his wheelbarrow. Cheval wanted to be buried in his palace, and when French authorities forbade it, he built his own magnificent vault in the local cemetery at the age of 80. Inscribed in the palace walls is Cheval's message to the world:

"I was not a builder, I had never handled a mason's trowel, I was not a sculptor. The chisel was unknown to me; not to mention architecture, a field of which I remained totally ignorant... Everything you can see, passer-by, is the work of one peasant, who, out of a dream, created the queen of the world..."

First footage of the Netherlands.

The camera people when filming filmed the reality.

For the spectators - in a time when even in a newspaper no picture could be found - it's a thrill. Among the now 35 mm preserved films are the oldest of the Netherlands documentary material. So we now know how in 1898 the mills of the Zaan turned and when it was cozy on the beach in front of the Kurhaus in Scheveningen and the Dam in Amsterdam.

 

 

Image: mixkit

Touching Van Gogh

Interactive video.
It's a motion picture that is interactive, but in most cases it's a video game with loads of filmed footage.
An interactive movie uses full-motion video to tell the story, it can be combined with images and photo's of course, but the base should be video/film footage.
An interactive story develops differently depending on the interaction of the audience, meaning that the viewer has to make choices in the storyline and that way the viewer chooses which videoclip will be shown.

Wrong choices will lead to a bad ending of the story, while correct choices will have the story continue until it is eventually completed.

 

 

Selfiecam

The appeal of selfies comes from how easy they are to create and share, and the control they give self-photographers over how they present themselves. Many selfies are intended to present a flattering image of the person, especially to friends whom the photographer expects to be supportive. However, a 2013 study of Facebook users found that posting photos of oneself correlates with lower levels of social support from and intimacy with Facebook friends (except for those marked as Close Friends).

The lead author of the study suggests that "those who frequently post photographs on Facebook risk damaging real-life relationships." The photo messaging application Snapchat is also largely used to send selfies. Some users of Snapchat choose to send intentionally-unattractive selfies to their friends for comedic purposes.