Although Haanstra continued to make internationally acclaimed documentaries, the "school" more or less faded out by the late sixties. By this time, the first generation of Dutch filmmakers who graduated from the Dutch Film Academy began to make a name for themselves. The most famous director of this era is undoubtedly Fons Rademakers, who received domestic and international critical claim with a number of films between 1959 and 1963. . Slowly, fiction films become more and more popular in The Netherlands.
A more lasting success for Dutch film came in the 1970s, mostly under the influence of one man: Paul Verhoeven. Verhoeven's five films of the decade - Business Is Business (Wat zien ik?, 1971), Turkish Delight (Turks Fruit, 1973), Katie Tippel (Keetje Tippel, 1975), Soldier of Orange (Soldaat van Oranje, 1977) and Spetters (1980) - were box-office hits; they are still in the top-twenty most successful Dutch films ever. Turkish Delight and Soldier of Orange were successful abroad as well and eventually led to Verhoeven's Hollywood career. In 2006 Verhoeven returned to his own language and made Black Book (Zwartboek).
Other successful directors from this era are Wim Verstappen and Pim de la Parra, whose movies were more commercial than those of their colleagues in the 1960s.
A decline in cinema admission set in after the 1970s. Director Dick Maas, making studio-style action-thrillers such as De Lift (1983) and Amsterdamned (1988), was about the only filmmaker having mainstream success in this period.
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