In the park: Dutch Fairytale

Welcome to the Ourmedia, an initiative devoted to creating and sharing works of personal media.
Video blogs, photo albums, original music, documentary journalism, music videos, children's tales, Flash animations, student films -- all kinds of digital works have begun to flourish as the Web matures into a rich multimedia network.
The Ourmedia project was started by members of the creative and technology communities in the summer of 2004 as a way of advancing the spread of personal media. Our partners are the Internet Archive, Creative Commons, Broadband Mechanics, and Bryght. We're a free, nonprofit, open-source effort.
Ourmedia's vision is to bring personal media to millions of users' desktops through playlists, video jukeboxes, visual albums, and built-in media libraries. The repositories will contain thousands of media items that can be freely shared.

Top of the french mountains

Continuity editing can be divided into two categories: temporal continuity and spatial continuity. Within each category, specific techniques will work against a sense of continuity. In other words, techniques can cause a passage to be continuous, giving the viewer a concrete physical narration to follow, or discontinuous, causing viewer disorientation, pondering, or even subliminal interpretation or reaction, as in the montage style. 

Tarragona Devilsbridge

An ellipsis is an apparent break-in natural time continuity as it is implied in the film's story. The simplest way to maintain temporal continuity is to shoot and use all action involved in the story's supposed duration whether it is pertinent or not. It would also be necessary to shoot the whole film in one take to keep from having to edit together different shots, causing the viewer's temporal disorientation. However, in a story that is to occupy long periods of time, a viewer would have to spend too long watching the film. So although in many cases the ellipsis would prove necessary, elimination of it altogether would best preserve any film's temporal continuity. 

Projectoscope

Vitascope was an early film projector first demonstrated in 1895 by Charles Francis Jenkins and Thomas Armat. They had made modifications to Jenkins patented Phantoscope, which cast images via film and electric light onto a wall or screen. The Vitascope is a large electrically-powered projector that uses light to cast images. The images being cast are originally taken by a kinetoscope mechanism onto gelatin film. Using an intermittent mechanism, the film negatives produced up to fifty frames per second. The shutter opens and closes to reveal new images. This device can produce up to 3,000 negatives per minute. With the original Phantoscope and before he partnered with Armat, Jenkins displayed the earliest documented projection of a filmed motion picture in June 1894 in Richmond, Indiana.

Coal mining in the Netherlands 1100-1974

Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and usually in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. Cross-cutting can also be used for characters in a film with the same goals but different ways of achieving them.

Working of Polaroid

Polaroid Originals, more recently just Polaroid, is a Dutch photography company and manufacturer founded in 2008 by Florian Kaps, André Bosman and Marwan Saba. It manufactures its own cameras, the Impossible I-1, the OneStep 2, the OneStep+, modelled on the original Polaroid OneStep Land Camera, the i-Type instant film for its original cameras, and instant film for select Polaroid Corporation instant cameras. 

The Good the Bad the Ugly

What we think of as "film music" today is a creation of only a few inventive and original composers, one fewer of whom walks the Earth as of yesterday. Though Ennio Morricone will be remembered first for his association with spaghetti western master Sergio Leone, his career in film scores spanned half a century and encompassed work for some of the most acclaimed directors of that period: his countrymen like Michelangelo Antonioni, Bernardo Bertolucci, Pier Paolo Pasolini, but also such commanding Hollywood filmmakers as John Huston, Terrence Malick, and Quentin Tarantino. Morricone didn't just write music to add to their films; he became a collaborator, without whose work their films would be difficult to imagine.

Dutch pics

Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations. The word "cinema," short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.

Pulpit Rock

Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and usually in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. Cross-cutting can also be used for characters in a film with the same goals but different ways of achieving them.
Suspense may be added by cross-cutting. It is built through the expectations that it creates and in the hopes that it will be explained with time. Cross-cutting also forms parallels; it illustrates a narrative action that happens in several places at approximately the same time

Moscow

The cinema of Russia began in the Russian Empire, widely developed in the Soviet Union and in the years following its dissolution, the Russian film industry would remain internationally recognized. In the 21st century, Russian cinema has become popular internationally with hits such as House of Fools, Night Watch and Brother. The Moscow International Film Festival began in Moscow in 1935. The Nika Award is the main annual national film award in Russia.

To the circus

An ellipsis is an apparent break-in natural time continuity as it is implied in the film's story. The simplest way to maintain temporal continuity is to shoot and use all action involved in the story's supposed duration whether it is pertinent or not. It would also be necessary to shoot the whole film in one take to keep from having to edit together different shots, causing the viewer's temporal disorientation. However, in a story that is to occupy long periods of time, a viewer would have to spend too long watching the film. So although in many cases the ellipsis would prove necessary, elimination of it altogether would best preserve any film's temporal continuity.

Dutch Dolmen

Start your voyage of discovery at the Hunebed Centre in Borger with a special Geopark De Hondsrug exhibition about the Ice Ages and prehistory. The exhibition also tells the unique story of the Hondsrug region – four ridges which stretch for many kilometres as straight lines through the Drenthe landscape. You will learn how the Hondsrug was created by ice and meltwater. How polar winds transformed the region into an ice-cold wilderness.

Door to Door: wake-up call

A "buffer shot" is a film technique of inserting a shot into a film to disguise a mistake, or a cut. Buffer shots are often known as "cheat shots."
For example, if Character A is talking to Character B and the microphone is briefly in shot while Character A is talking, the editor could insert a shot of Character B listening or reacting, to cover up the mistake.

Berliner Tor

Film studies is an academic discipline that deals with various theoretical, historical, and critical approaches to films. It is sometimes subsumed within media studies and is often compared to television studies. Film studies is less concerned with advancing proficiency in film production than it is with exploring the narrative, artistic, cultural, economic, and political implications of the cinema. In searching for these social-ideological values, film studies takes a series of critical approaches for the analysis of production, theoretical framework, context, and creation. In this sense the film studies discipline exists as one in which the teacher does not always assume the primary educator role; the featured film itself serves that function.

REEL - UNREEL

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In Francis Alÿs’s video REEL-UNREEL, the action takes place along the bare cityscape of Kabul, Afghanistan. The cameras follow a reel of film as it unrolls through the old part of town—pushed by two children, uphill and downhill, like a hoop, inspiring an improvised narrative. It’s an example of “doing/undoing,” Alÿs says. And that interplay became the axiom of the film.

Festival

Experimental filmmakers generally begin as amateurs, and some used experimental films as a springboard into commercial film making or transitioned into academic positions. The aim of experimental filmmaking is usually to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films.

Anchovy fishing

 
A sound blimp is a housing attached to a camera which reduces the sound caused by the shutter click, particularly SLRs. It is primarily used in film still photography, so as not to interfere with the shooting of principal photography, and also in other situations where sound is distracting: theatrical photography, surveillance, and wildlife photography.

Eifel

In 2013, it was estimated that 92% of movie theatres in the United States had converted to digital, with 8% still playing film.
Although usually more expensive than film projectors, high-resolution digital projectors offer many advantages over traditional film units. For example, digital projectors contain no moving parts except fans, can be operated remotely, are relatively compact and have no film to break, scratch or change reels of. They also allow for much easier, less expensive, and more reliable storage and distribution of content. All-electronic distribution eliminates all physical media shipments. There is also the ability to display live broadcasts in theaters equipped to do so.

Filming Nature

A nature documentary or wildlife documentary is a genre of documentary film or series about animals, plants, or other non-human living creatures, usually concentrating on video taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wildlife or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series. 

 

Magic Lantern Slides

Magic lantern slides brought the world to life in pictures. The first lantern slides were created in the 1600s, around 200 years before photography was invented and they provided spectacular entertainment and education in the way that cinema does today. The first slides were made by painting images on to small pieces of glass and people viewed the slides by shinning candlelight or gaslight through them. 

 

David Lynch Teaches Creativity and Film

 

Now online education company MasterClass has made some of his knowledge easily accessible in the form of their new course "David Lynch Teaches Creativity and Film." In Lynch's world — unlike Hollywood in general — you can't make a film without creativity. But of what does creativity consist? "Ideas are everything," says Lynch

Ahr Valley

Filmmaking involves a number of discrete stages including an initial story, idea, or commission, through scriptwriting, casting, shooting, editing, and screening the finished product before an audience that may result in a film release and exhibition.

 

Groningen across

A film transition is a technique used in the post-production process of film editing and video editing by which scenes or shots are combined. Most commonly this is through a normal cut to the next shot. Most films will also include selective use of other transitions, usually to convey a tone or mood, suggest the passage of time, or separate parts of the story. These other transitions may include dissolves, L cuts, fades (usually to black), match cuts, and wipes.

Editing Nostalgia

Before the widespread use of digital non-linear editing systems, the initial editing of all films was done with a positive copy of the film negative called a film workprint (cutting copy in UK) by physically cutting and splicing together pieces of film. Strips of footage would be hand cut and attached together with tape and then later in time, glue. Editors were very precise; if they made a wrong cut or needed a fresh positive print, it cost the production money and time for the lab to reprint the footage. Additionally, each reprint put the negative at risk of damage. With the invention of a splicer and threading the machine with a viewer such as a Moviola, or "flatbed" machine such as a K.-E.-M. or Steenbeck, the editing process sped up a little bit and cuts came out cleaner and more precise.

Delfzijl

A shot in which the camera moves alongside or parallel to its subject. Traditionally tracking shots are filmed while the camera is mounted on a track dolly and rolled on dedicated tracks comparable to railroad tracks, In recent years, however, parallel camera moves performed with a Steadicam, gimbal, etc. may also be called a tracking shot. Tracking shots often "follow" a subject while it is in motion: for instance, a person walking on a sidewalk seen from the perspective of somebody walking on a parallel path several feet away. Shots taken from moving vehicles that run parallel to another moving object are also referred to as tracking or traveling shots. A tracking shot may also be curved, moving around its subject in a semi-circular rotation, known specifically as an arc or arc shot.

The North: Norway & Sweden

A web film is a film made with the medium of the Internet and its distribution constraints in mind. This term aims to differentiate content made for the Internet from content made for other media, such as cinema or television, that has been converted into a World Wide Web-compatible format. Web films are a form of new media. 

Groningen City

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In photography and cinematography, available light (also called ambient light or practical light) refers to any source of light that is not explicitly supplied by the photographer for the purpose of taking pictures. The term usually refers to sources of light that are already available naturally (e.g. the Sun, the Moon, lightning) or artificial light already being used (e.g. to light a room). It generally excludes flashes, although arguably flash lighting provided by other photographers shooting simultaneously in the same space could be considered available light. Light sources that affect the scene and are included in the actual frame are called practical light sources, or simply practicals.

Islanders from Marken

An interview is essentially a structured conversation where one participant asks questions, and the other provides answers. In common parlance, the word "interview" refers to a one-on-one conversation between an interviewer and an interviewee. The interviewer asks questions to which the interviewee responds, usually so information is offered by the interviewee to interviewer -- and that information may be used or provided to other audiences, whether in real time or later. This feature is common to many types of interviews -- a job interview or interview with a witness to an event may have no other audience present at the time, but the answers will be later provided to others in the employment or investigative process.
An interview may also transfer "information" or answers in both directions.

Tourism terror

The Disadvantages of Tourism. Environmental. Tourism can often cause environmental damage with risks like erosion, pollution, the loss of natural habitats, and forest fires. Even if tourists behave responsibly, the sheer number of them can cause damage.

Wadden Sea

A nature documentary or wildlife documentary is a genre of documentary film or series about animals, plants, or other non-human living creatures, usually concentrating on video taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wildlife or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.

Shrimp village

Cinephilia (/ˌsɪnɪˈfɪliə/; also cinemaphilia or filmophilia) is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love. A person with a passionate interest in cinema is called a cinephile (/ˈsɪnɪfaɪl/), cinemaphile, filmophile, or, informally, a film buff (also movie buff).

In English, "cinephile" is sometimes used interchangeably with the word cineaste (/ˈsɪniæst, ˈsɪneɪæst/), though in the original French the term cinéaste ([sineast]) refers to a cinephile who is also a filmmaker.

Uganda

 

Oil has been found in the poverty-stricken African country of Uganda. Much of the oil is located under protected natural parks that provide water and food for people and animals. The French oil company Total is driving people from their land to access that oil. Total's investments are protected by an investment treaty between the Netherlands and Uganda. And that protection makes Total supreme. People, animals and the environment are the victims of this.

We & Finland

A film still (sometimes called a publicity still or a production still) is a photograph taken on or off the set of a movie or television program during production. These photographs are also taken in formal studio settings and venues of opportunity such as film stars' homes, film debut events, and commercial settings. The photos were taken by studio photographers for promotional purposes. Such stills consisted of posed portraits, used for public display or free fan handouts, which are sometimes autographed. They can also consist of posed or candid images taken on the set during production, and may include stars, crew members or directors at work. 

Inland navigation

A screenplay, or script, is a written work by screenwriters for a film, television program, or video game. These screenplays can be original works or adaptations from existing pieces of writing. In them, the movement, actions, expression and dialogues of the characters are also narrated. A screenplay written for television is also known as a teleplay.
The format is structured so that one page equates to roughly one minute of screen time, though this is only used as a ballpark estimate and often bears little resemblance to the running time of the final movie. The standard font is 12 point, 10 pitch Courier Typeface.
The major components are action (sometimes called "screen direction") and dialogue. The action is written in the present tense and is limited to what can be heard or seen by the audience, for example descriptions of settings, character movements, or sound effects. The dialogue is the words the characters speak, and is written in a center colum

Paris & Us

Super 8mm film is a motion picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.

The film is nominally 8mm wide, the same as older formatted 8mm film, but the dimensions of the rectangular perforations along one edge are smaller, which allows for a greater exposed area. The Super 8 standard also allocates the border opposite the perforations for an oxide stripe upon which sound can be magnetically recorded.

Unlike Super 35 (which is generally compatible with standard 35mm equipment), the film stock used for Super 8 is not compatible with standard 8 mm film cameras.

There are several varieties of the film system used for shooting, but the final film in each case has the same dimensions. The most popular system by far was the Kodak system. 

 

Solarcar race

A sports film is a film genre that uses sport as the theme of the film. It is a production in which a sport, sporting event, athlete (and their sport), or follower of sport (and the sport they follow) are prominently featured, and which depend on sport to a significant degree for their plot motivation or resolution. Despite this, sport is ultimately rarely the central concern of such films and sport performs primarily an allegorical role.  Furthermore, sports fans are not necessarily the target demographic in such movies, but sports fans tend to have a large following or respect for such movies.

 

 

360 Amsterdam

On rare occasions, 360° panoramic movies have been constructed for specially designed display spaces—typically at theme parks, world's fairs, and museums. Starting in 1955, Disney has created 360° theaters for its parks[18] and the Swiss Transport Museum in Lucerne, Switzerland, features a theatre that is a large cylindrical space with an arrangement of screens whose bottom is several metres above the floor. Panoramic systems that are less than 360° around also exist. For example, Cinerama used a curved screen and IMAX Dome / OMNIMAX movies are projected on a dome above the spectators.

Adventure Norway

 
Yes, it is absolutely best to see real Viking ships and authentic Viking sites up close. But since that isn’t possible right now, why not get the Viking Period right into your living room, through popular tv series like “Vikings” (HBO) and “Norsemen” (Netflix)?

We can all learn from the Vikings right now. Those toughies lived through many a long winter under the same roof, and could be trapped in their longships for weeks at a time. Without Netflix. Maybe not so strange, then, that they urged to get away from home and "act out" a little bit in the summertime... Thank goodness for Fortnite!

China's travel boom

Observational documentaries attempt to simply and spontaneously observe lived life with a minimum of intervention. Filmmakers who worked in this subgenre often saw the poetic mode as too abstract and the expository mode as too didactic. The first observational docs date back to the 1960s; the technological developments which made them possible include mobile lightweight cameras and portable sound recording equipment for synchronized sound. Often, this mode of film eschewed voice-over commentary, post-synchronized dialogue and music, or re-enactments. The films aimed for immediacy, intimacy, and revelation of individual human character in ordinary life situations. 

 

Aftermovie Unseen Amsterdam

An aftermovie is an atmosphere report of all the highlights of your event. Nice for the participants to relive your event! And the people who were not there see what they have missed!

Amsterdam South

The length of shots is an important consideration that can greatly affect a film. The purpose of editing any given scene is to create a representation of the way the scene might be perceived by the "story teller." Shots with a longer duration can make a scene seem more relaxed and slower paced whereas shots with a shorter duration can make a scene seem urgent and faster paced.

Selfie Suspense

Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible.

Working men

 

 

A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation, or a special event, and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The vast majority of amateur film formats lacked audio, shooting silent film.

I'm Not a Dinosaur

Rotoscoping is an animation technique in which animators trace over footage, frame by frame, for use in live-action and animated films. Originally, recorded live-action film images were projected onto a frosted glass panel and re-drawn by an animator. This projection equipment is called a rotoscope. Although this device was eventually replaced by computers, the process is still referred to as rotoscoping.

In the visual effects industry, the term rotoscoping refers to the technique of manually creating a matte for an element on a live-action plate so it may be composited over another background.

Sumatra most beautiful island

16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film; other common film gauges include 8 and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a camera, projector, tripod, screen and splicer, for $335. RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935.

Philiwood Eindhoven

Philiwood on Strijp
"At that time, the 'silent' film was rampant, with clarifiers and orchestras to provide the image with sound," says Anton. "There were early sound films, but it was not yet possible to synchronize sound and image. Still, Philips saw bread in the sound film and started a film studio complex, which was popularly called Philiwood. The real breakthrough, however, came with the discovery that you could put sound as an optical line on film material.

Monnickendam

While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants.

Experimental filmmakers generally begin as amateurs, and some used experimental films as a springboard into commercial film making or transitioned into academic positions. The aim of experimental filmmaking is usually to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films. 

Masterpiece the movie

 'Le Mystère Picasso' is a remarkable documentary film made by French director, Henri-Georges Clouzot, in which stop-action and time-lapse photography are used to capture Picasso at work. Not many of the works he created for the documentary survive – but three hang in the Royal Academy exhibition, 'Picasso and Paper'. Here's how one of them came to be.

New Guinea

A newsreel is a form of short documentary film, containing news stories and items of topical interest, that was prevalent between the 1910s and the late 1960s. Typically presented in a cinema, newsreels were a source of current affairs, information, and entertainment for millions of moviegoers. Newsreels were typically exhibited preceding a feature film, but there were also dedicated newsreel theaters in many major cities in the 1930s and ’40s, and some large city cinemas also included a smaller theaterette where newsreels were screened continuously throughout the day.

By the end of the 1960s television news broadcasts had supplanted the format. Newsreels are considered significant historical documents, since they are often the only audiovisual record of certain cultural events.

Dutch rivers

A positive image is a normal image. A negative image is a total inversion, in which light areas appear dark and vice versa. A negative color image is additionally color-reversed, with red areas appearing cyan, greens appearing magenta, and blues appearing yellow, and vice versa.

Film negatives usually have less contrast, but a wider dynamic range, than the final printed positive images. The contrast typically increases when they are printed onto photographic paper. When negative film images are brought into the digital realm, their contrast may be adjusted at the time of scanning or, more usually, during subsequent post-processing.