10 drawings for projection

William Kentridge - 10 Drawings for Projection

William Kentridge (Johannesburg, 1955) studied political science and African Studies. Kentridge is known for its special animation films, charcoal drawings and installations made up of film, sound, music and sculptural objects. In 2015, the artist donated 10 Drawings for Projection (1989-2011) to the Eye film museum. These ten short animation films made his international breakthrough. The films show the eventful history of South Africa. They give a wide view of Kentridge's oeuvre and a glimpse into life in South Africa after the abolition of apartheid.

De Blauwe Schuit

De Blauwe Schuit was a medieval company that expressed itself in irony and reversal. Sometimes the name is written as 'Blauwe Schuyt'.

De Blauwe Schuit was a cart ship (carrus navalis), which was therefore propelled by the city on wheels. On board were subjects who had changed their superiors: princes, kings and gentlemen. The barge was driven through the city in procession.
Another party of the reversal of everything is carnival. In many places a Blue Barge will ride along in the parade.

Den Bosch spring 2009

Widescreen images are images that are displayed within a set of aspect ratios (relationship of image width to height) that is used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1.37:1 Academy aspect ratio provided by 35mm film.

For television, the original screen ratio for broadcasts was in fullscreen 4:3 (1.33:1). Largely between the 1990s and early 2000s, at varying paces in different nations, 16:9 (1.78:1) widescreen TV displays came into increasingly common use. They are typically used in conjunction with high-definition television (HDTV) receivers, or Standard-Definition (SD) DVD players and other digital television sources.

With computer displays, aspect ratios wider than 4:3 are also referred to as widescreen. Widescreen computer displays were previously of 16:10 aspect ratio, but now are usually 16:9.

Birth of carnival floats

The parade float got its name because the first floats were decorated barges that were towed along canals with ropes held by parade marchers on the shore. Floats were occasionally propelled from within by concealed oarsmen, but the practice was abandoned because of the high incidence of drowning when the lightweight and unstable frames capsized. Strikingly, among the first uses of grounded floats — towed by horses — was a ceremony in memory of recently drowned parade oarsmen. Today, parade floats are traditionally pulled by motor vehicles or are powered themselves.

Ursula & Gedeon

The Basilica church of St. Ursula . It is built upon the ancient ruins of a Roman cemetery, where the 11,000 virgins associated with the legend of Saint Ursula are said to have been buried. The church has an impressive reliquary created from the bones of the former occupants of the cemetery. It is one of the twelve Romanesque churches of Cologne.

St. Gereon has a highly irregular plan, the nave being covered by a decagonal oval dome, 21.0 m long and 16.9 m wide, completed in 1227 on the remains of Roman walls, which are still visible. It is the largest dome built in the West between the erection of the Hagia Sophia in the 6th century and the Duomo of Florence in the 15th century.

Mediapark Köln

Combined with the Internet and personal computing, digital media has caused disruptive innovation in publishing, journalism, public relations, entertainment, education, commerce and politics. Digital media has also posed new challenges to copyright and intellectual property laws, fostering an open content movement in which content creators voluntarily give up some or all of their legal rights to their work. The ubiquity of digital media and its effects on society suggest that we are at the start of a new era in industrial history, called the Information Age, perhaps leading to a paperless society in which all media are produced and consumed on computers. However, challenges to a digital transition remain, including outdated copyright laws, censorship, the digital divide, and the spectre of a digital dark age, in which older media becomes inaccessible to new or upgraded information systems. Digital media has a significant, wide-ranging and complex impact on society and culture.

Charlemagnes church

An essential element of historical fiction is that it is set in the past and pays attention to the manners, social conditions and other details of the period depicted. Authors also frequently choose to explore notable historical figures in these settings, allowing readers to better understand how these individuals might have responded to their environments. Some subgenres such as alternate history and historical fantasy insert speculative or ahistorical elements into a novel.

Works of historical fiction are sometimes criticised for lack of authenticity because of readerly or genre expectations for accurate period details. This tension between historical authenticity, or historicity, and fiction frequently becomes a point of comment for readers and popular critics, while scholarly criticism frequently goes beyond this commentary, investigating the genre for its other thematic and critical interests.

At Work at that Time

Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence so as to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach.

Cologne pictures

In film editing, video editing and post production, screen direction is the direction that actors or objects appear to be moving on the screen from the point of view of the camera or audience. A rule of film editing and film grammar is that movement from one edited shot to another must maintain the consistency of screen direction in order to avoid audience confusion.

"Camera left" or "frame left" indicates movement towards the left side of the screen, while "camera right" or "frame right" refers to movement towards the right side of the screen. "Foreground" refers to the apparent space close to the camera (and thus to the audience), and "background" refers to the apparent space in the distance away from the camera and the audience.

 

Tour de Cologne

An edit decision list or EDL is used in the post-production process of film editing and video editing. The list contains an ordered list of reel and timecode data representing where each video clip can be obtained in order to conform the final cut.

EDLs are created by offline editing systems, or can be paper documents constructed by hand such as shot logging. These days, linear video editing systems have been superseded by non-linear editing (NLE) systems which can output EDLs electronically to allow autoconform on an online editing system – the recreation of an edited programme from the original sources (usually video tapes) and the editing decisions in the EDL.

They are also often used in the digital video editing world, so rather than referring to reels they can refer to sequences of images stored on disk.

Bad Aachen

Before the camera stabilizing system, a director had two choices for moving (or "tracking") shots:

The camera could be mounted on a dolly, a wheeled mount that rolls on tracks or leveled boards. This procedure is time consuming to set up, and it is impractical in many situations.
The camera operator could simply hold the camera. This manual grip allows speed and flexibility, but even the most skilled operator cannot entirely prevent shaking. Hand-held camera footage has traditionally been considered suitable mostly for documentaries, news, reportage, live action, unrehearsable footage, or the evocation of authentic immediacy or cinéma vérité during dramatic sequences

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Carnival Mood

In Germany's mainly Catholic cities along the Rhine, Carnival is something altogether different. Here it's so bound up with the yearly routine that it’s commonly referred to as 'the fifth season'.
The celebration of Carnival is deeply rooted in Catholicism and connected to the observance of Lent with some of its traditions dating back to the Middle Ages.
But many of the Carnival traditions observed here today only go back to the days of the Prussian occupation of the Rhine region in the early 19th century.
Carnival along the Rhine is a time of year for people to let loose and have fun. They'll be drinking and partying until they have to sober up 40 days before Easter.

Mayor of Mokum

The title is sometimes translated as burgomaster, to emphasize the appointed, rather than elected, nature of the office. The appointment procedure was brought for discussion in the early 2000s (decade), as some of the political parties represented in parliament regarded the procedure as undemocratic. Generally, mayors in the Netherlands are selected from the established political parties. Alternatives proposed were direct election of the mayor by the people or appointment by the city council (gemeenteraad). A constitutional change to allow for this failed to pass the Senate in March 2005, but succeeded in 2018.

Carnival in the past

Montage theory, in its rudimentary form, asserts that a series of connected images allows for complex ideas to be extracted from a sequence and, when strung together, constitute the entirety of a film's ideological and intellectual power. In other words, the editing of shots rather than the content of the shot alone constitutes the force of a film. Many directors still believe that montage is what defines cinema against other specific media.

Hollywood in Holland

Amsterdamned is a 1988 Dutch horror film directed and written by Dick Maas, and stars Huub Stapel, Monique van de Ven, and Serge-Henri Valcke. The plot revolves around a serial killer who uses the famed canals of the Dutch capital to murder random people, one of which involves a detective's girlfriend linked to the murders.

Bike Baker Advertisement

Gold Hill, Shaftesbury At almost any time of day, Gold Hill is a magnet for photographers, visitors and locals wanting to enjoy or capture the beauty of Gold Hill and the views across Dorset beyond. The ancient cobbled street runs beside the Grade I listed walls of the ancient Shaftesbury Abbey, built by King Alfred the Great. At the top of Gold Hill, along with The Gold Hill Museum and Garden, is the Town Hall and the 14th century St Peter's Church. It was built in the latter part of the 15th century and is the oldest church in Shaftesbury. To many, Gold Hill is still known as ‘Hovis Hill’ due to the TV advert. To commemorate its famous association, a giant Hovis loaf can be found in front of the Town Hall.

Grizzli Bear

In motion picture film production, cinematography and video production, a reaction shot is a shot which cuts away from the main scene in order to show the reaction of a character to it, a basic unit of film grammar.

The assumption behind the logic of the reaction shot is that the emotional reaction of the actor being depicted will either advance the story, reveal character traits of the character in the reaction shot, or emphasize character traits of another character that were displayed in the action or dialog present in the preceding shot. A completely unemotional reaction may also be important if it provides information to the audience or is unexpected in the context of the scene.

Carnavalesque

Collage made from photographs, or parts of photographs, is called photomontage. Photomontage is the process (and result) of making a composite photograph by cutting and joining a number of other photographs. The composite picture was sometimes photographed so that the final image is converted back into a seamless photographic print. The same method is accomplished today using image-editing software. The technique is referred to by professionals as compositing.

Coral Reef RIP

A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wild animals, plants, or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.

 

Carnival Light

The setup of stage lighting is tailored for each scene of each production. Dimmers, colored filters, reflectors, lenses, motorized or manually aimed lamps, and different kinds of flood and spot lights are among the tools used by a stage lighting designer to produce the desired effects. A set of lighting cues are prepared so that the lighting operator can control the lights in step with the performance; complex theatre lighting systems use computer control of lighting instruments.

Motion picture and television production use many of the same tools and methods of stage lighting. Especially in the early days of these industries, very high light levels were required and heat produced by lighting equipment presented substantial challenges. Modern cameras require less light, and modern light sources emit less heat.

Amateur film in the 30-ties

Two of the most interesting yet unknown amateur filmmakers of the Thirties are Harry Wright and his younger brother, Samuel Bolling. The Wrights were born in Bedford, Virginia, toward the end of the 19th Century. When their father died, Harry, the eldest, got a job as a traveling buyer of scrap metal for the Joseph Iron and Equipment Co., and was sent by the company to Mexico in 1900. He was so successful that he asked his brother Bolling to join him in 1902. Five years later, they started their own foundry, the famous “La Consolidada S.A.” (Consolidated Iron and Equipment Co.), making both of them millionaires during the early part of the 20th Century.
The two brothers were close; they shared an interest in travel, filmmaking and golf but had very different temperaments. Bolling was an astute businessman, disciplined and austere. He managed La Consolidada and his large family with an iron fist

Dramatizing documentaries

On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film. Sometimes, auteurist film directors edit their own films.

Nature of New Zealand

A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation, or a special event, and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The vast majority of amateur film formats lacked audio, shooting silent film.

Poor Rich People

A discussion panel at the Davos World Economic Forum has become a sensation after a Dutch historian took billionaires to task for not paying taxes.
In this video shared tens of thousands of times, Rutger Bregman, bemoans the failure of attendees at the recent gathering in Switzerland to address the key issue in the battle for greater equality: the failure of rich people to pay their fair share of taxes.
Noting that 1,500 people had travelled to Davos by private jet to hear David Attenborough talk about climate change, he said he was bewildered that no one was talking about raising taxes on the rich.
Taxes, taxes, taxes. All the rest is bullshit in my opinion.
Winnie Byanyima, an Oxfam executive director, took up the fight and said high employment was not a good thing in itself because many people found themselves in exploitative work. She cited the example of poultry workers in the US who had to wear nappies (diapers) because they were not allowed toilet breaks.
“That’s not a dignified job,” she said. “those are the jobs we’ve been told about, that globalisation is bringing jobs. The quality of the jobs matter. In many countries workers no longer have a voice.
Addressing Goldman, she said: “You’re counting the wrong things. You’re not counting dignity of people. You’re counting exploited people.”
Billions of dollars were leaked by tax avoidance every year which should instead be going to alleviate poverty in the developing world, she added.

Eisenstein Emotion

The Odessa steps
The best-known sequence of the film is set on the Odessa steps, connecting the waterfront with the central city. The citizenry of Odessa take to their ships and boats, sailing out to the Potemkin to show their support to the sailors and donate supplies, while a crowd of others gathers at the Odessa steps to witness the happenings and cheer on the rebels. Suddenly a detachment of dismounted Cossacks form battle lines at the top of the steps and march towards a crowd of unarmed civilians including women and children, and begin firing and advancing with fixed bayonets. Every now and again, the soldiers halt to fire a volley into the crowd before continuing their impersonal, machine-like assault down the stairs, ignoring the people's pleas for humanity and understanding. Meanwhile, government cavalry attack the fleeing crowd at the bottom of the steps as well, cutting down many of those who survived the dismounted assault. Brief sequences show individuals amongst the people fleeing or falling, a baby carriage rolling down the steps, a woman shot in the face, broken glasses, and the high boots of the soldiers moving in unison.

Inspirations

 
In this case, the inspiration is M.C. Escher (1898-1972), the Dutch artist who explored a wide range of mathematical ideas with his woodcuts, lithographs, and mezzotints. Although Escher had no formal training in mathematics beyond secondary school, many mathematicians counted themselves as admirers of his work. (Visit this online gallery to get better acquainted with Escher's art, and be sure to click on the thumbnails to enlarge the images). As Vila explains, Inspirations tries to imagine Escher's workplace, "what things would surround an artist like him, so deeply interested in science in general and mathematics in particular." It's a three minutes of unbridled imagination.

Roundabout Amsterdam

Screens specifically designed for use in video walls usually have narrow bezels in order to minimize the gap between active display areas, and are built with long-term serviceability in mind. Such screens often contain the hardware necessary to stack similar screens together, along with connections to daisy chain power, video, and command signals between screens.
Reasons for using a video wall instead of a single large screen can include the ability to customize tile layouts, greater screen area per unit cost, and greater pixel density per unit cost, due to the economics of manufacturing single screens which are unusual in shape, size, or resolution. 

 

Ecomusee d'Alsace

Home slide shows were a relatively common phenomenon in middle-class American homes during the 1950s and 1960s. If there was an enthusiast in the family, any visit from relatives or the arrival of a new batch of Kodachrome slides from the film processing service provided an excuse to bring out the entire collection of 35 mm slides, set up the slide projector and the screen, turn out the lights, then test the endurance of the assembled audience with a marathon of old vacation photos and pictures taken at weddings, birthdays and other family events, all accompanied by live commentary.

A false sense of security

United Nations

In February 2018, OCHA (the Office for the Coordination of Humanitarian Affairs of the United Nations) issued a report on the humanitarian impact of the Israeli settlements in Hebron. A few hundred Israeli lives in five residential areas in the city amidst around 40,000 Palestinian residents. Political action by the Israeli authorities, which directly control about 20% of the city, has resulted in the forced departure of Palestinians from their homes. The living conditions, the family life and the basic facilities of the remaining Palestinians in the parts of the city, which were closed off by military checkpoints, are gradually being nullified.

The international community considers the settlements in occupied territory to be illegal, and the United Nations has repeatedly upheld the view that Israel's construction of settlements constitutes a violation of the Fourth Geneva Convention. 

 

The last steam pumping station

Cinema newsreels in which Dutch subjects of a certain week are presented.
Halfweg contains the last steam pumping station in the Netherlands, which is still regularly used for the routing of water from the Ringvaart from the Haarlemmermeer to the North Sea Canal. SHOTS: ext. steam pumping station; overview of the operation of the steam pumping station.

Welcome to Gibraltar

A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation, or a special event, and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The vast majority of amateur film formats lacked audio, shooting silent film.

STAN & OLLIE Official Trailer (2018)

Stan & Ollie is a 2018 biographical comedy-drama film directed by Jon S. Baird from a screenplay by Jeff Pope. Based on the lives of the comedy double act Laurel and Hardy, the film stars Steve Coogan and John C. Reilly as Stan Laurel and Oliver Hardy. It premiered in October 2018 at the BFI London Film Festival.

They appeared as a team in 107 films, starring in 32 short silent films, 40 short sound films, and 23 full-length feature films. They also made 12 guest or cameo appearances that included the Galaxy of Stars promotional film of 1936. On December 1, 1954, the pair made one American television appearance when they were surprised and interviewed by Ralph Edwards on his live NBC-TV program This Is Your Life. Since the 1930s, the works of Laurel and Hardy have been released in numerous theatrical reissues, television revivals, 8-mm and 16-mm home movies, feature-film compilations, and home videos.

Beeing critical of Saudi Arabia

Film criticism is the analysis and evaluation of films and the film medium. The concept is often used interchangeably with that of film reviews. A film review implies a recommendation aimed at consumers, however not all film criticism takes the form of reviews.

In general, film criticism can be divided into two categories: journalistic criticism which appears regularly in newspapers, magazines and other popular mass-media outlets; and academic criticism by film scholars who are informed by film theory and are published in academic journals. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place within the history of its genre, or the whole of film history.

Bohemian Rhapsody

 

A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers, under the guidance of, or in collaboration with, the film's director or producer and are then usually performed by an ensemble of musicians – most often comprising an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers and recorded by a sound engineer. 

 

Vision and future in the Netherlands

Daan Roosegaarde has called on designers to shift focus away from designing luxury items and instead to tackle the problems facing the world such as pollution. The Dutch designer said that humanity needs new ideas to help speed up the transition between the destructive thinking of the past.

"For me design is not about making another chair or another lamp," Roosegaarde said. "Good design, good luxury is not about a Louis Vuitton bag or a Ferrari, it's about clean air, clean water, clean energy."

He said designers should not wait around for politicians or corporations to ask them to solve big problems but should instead start grassroots movements for change.

"Don't wait for permission; start working, start acting," he said. That's what the world needs today. It's about big challenges, big designs, big proposals but it's also about making it really small and showing the beauty of the world."

Turkish Delight early Verhoeven

Turkish Delight starts with a look at the failure of sculptor Eric to engage in lasting and meaningful relations with women. His brief encounters with women are purely of a sexual and sometimes violent nature. The rest of the movie consists of flash-backs that may help the viewer understand how Eric came to be this way. Eric picks up hitch-hiker Olga, and immediately they hit it off together, both sexually and spiritually. They live together and even marry at some point, but when Olga flirts with someone else, he slaps her and she leaves him. Later Olga gets a brain tumor that debilitates her (the title of the movie comes from her insistance on eating turkish delight, as she is afraid that harder food will break her teeth) and then dies.

Blues music

Images from antonwithagen its me/ mine !

Sound-on-film is a class of sound film processes where the sound accompanying picture is physically recorded onto photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record.

Centre Pompidou Paris

The film noir genre generally refers to mystery/crime dramas produced from the early-1940s to the late 1950s. Movies of this genre were shot in black and white, and featured stories involving femmes fatales, doomed heroes/anti-heroes, and tough, cynical detectives.

The neo-noir subgenre refers to crime dramas and mysteries produced from the mid-1960s to the present that, while they are generally shot in color and do not always emulate the visual style of classic film noir, often borrow the themes, archetypes, and plots made famous by the film noir genre.

Dutch December

On the basis of special objects and historical archive material, Home Movie Day zooms in on a number of drastic changes in amateur films this year. There was the rise of home video in the 70s and 80s, and the transition from analogue to digital. The amateur and family filmer first filmed on a narrow film or Super8, after these transitions there were plenty of new possibilities to capture daily life.

 

Run away Frekkel

Montage is the technique by which separate pieces of film are selected, edited, and then pieced together to make a new section of film. A scene could show a man going into battle, with flashbacks to his youth and to his home-life and with added special effects, placed into the film after filming is complete. As these were all filmed separately, and perhaps with different actors, the final version is called a montage. Directors developed a theory of montage, beginning with Eisenstein and the complex juxtaposition of images in his film Battleship Potemkin. Incorporation of musical and visual counterpoint, and scene development through mise en scene, editing, and effects has le
d to more complex techniques comparable to those used in opera and ballet.

Roel Reine in Prague

Roel Reine was born in The Netherlands, and with his first theatrical feature 'The Delivery' he won The Golden Calf for Best Director (the Dutch equivalent to an Academy Award). In 2005 Roel Reine has moved to Los Angeles and has directed now an impressive slate of 16 feature films for studios like Universal, 20th Century Fox, Sony and Lionsgate, as well with independent international producers. Roel is also the Director of Photography (Cinematographer) on all his movies and operates A-Camera.

Thin blue line

Proponents say that the idea behind the various graphics that incorporate a thin blue line is that law enforcement is a Thin Blue Line that stands between chaos and order or between criminals and the potential victims of crime, and it is primarily used to show solidarity with police. Opponents note that the representations of the public and the criminals as black bars on either side of the blue line are identical, and suggest that the symbology represents a police vs. everyone else mindset.

Use of the term became especially widespread following the release of Errol Morris' 1988 documentary film The Thin Blue Line, about the murder of a Dallas Police officer Robert W Wood. Judge Don Metcalfe, who presided over the trial of Randall Adams, states in the film that prosecutor "Doug Mulder's final argument was one I'd never heard before: about the 'thin blue line' of police that separate the public from anarchy." The judge admitted to being deeply moved by the prosecutor's words, though the trial resulted in a wrongful conviction and death sentence.

Muhlhouse Day & night

Camera movements can also be motion captured so that a virtual camera in the scene will pan, tilt, or dolly around the stage driven by a camera operator while the actor is performing, and the motion capture system can capture the camera and props as well as the actor's performance. This allows the computer-generated characters, images and sets to have the same perspective as the video images from the camera. A computer processes the data and displays the movements of the actor, providing the desired camera positions in terms of objects in the set. Retroactively obtaining camera movement data from the captured footage is known as match moving or camera tracking.

Backstage Flodder

 

The anti-social Flodder family are living in a upscale suburban neighboorhood. They don't adjust to their environment, and keep on behaving like they're living on a trailer park. And the neighboorhood doesn't like it at all. 

Ocean

the black and white pictures are find footage of mine used in Whaling on this blog.

“Our oceans form the earth’s largest life support system. They produce 50% of the earth’s oxygen, and absorb the majority of our carbon. They are a crucial part of the cycle that produces our rain, and provide over a billion people with seafood as a main source of protein. But overfishing, the destruction of coastal habitats, pollution and climate change are threatening their health and the very survival of the vital ecosystem that depends upon them. This deteriorating situation imperils us all.”
Callum Roberts, Professor of Marine Conservation, University of York, 2016

Jetta Goudal Hollywood Diva

Although Dutch-born silent screen femme fatale Jetta Goudal (pronounced Zhett-eh Goo-doll) may be pretty much forgotten today, she was, in her glorious Hollywood heyday, a star rivaling that of Gloria Swanson and fellow vamps Barbara La Marr and Nita Naldi. The daughter of a Jewish orthodox diamond cutter in Amsterdam, she began her career on stage in Europe, traveling with various theater companies. Arriving in America (New York City) following the WWI armistice (1918), Juliette (Julie) Henriette Goudeket purposely disguised her Dutch and Jewish ancestry and her age, passing herself off as "Jetta Goudal," a Parisienne born in Versailles in 1901 and the daughter of a lawyer.

Retrolectro Amsterdam by Costi Ionita.

Amsterdam film by antonwithagen.

Costi Ioniță known mononymously as Costi (born 14 January 1978), is a Romanian singer, songwriter and record producer, regarded as one of the most celebrated ethnic Romanian vocalist of muzică orientală (manele).

In the late 2000s Costi Ioniţă extended his act in the Balkans and Middle East, achieving success in Turkey and Saudi Arabia with the song Ca la Amsterdam ("Like in Amsterdam"), a tune included in the 2010 compilation issued by Café del Mar. 

 

Flashmob (Eindhoven)

A flash mob is a group of people who assemble suddenly in a public place, perform an unusual and seemingly pointless act for a brief time, then quickly disperse, often for the purposes of entertainment, satire, and artistic expression. Flash mobs are organized via telecommunications, social media, or viral emails. Often the activity is video-taped.

George Baker Selection ♪ Jessalina ♫ HQ

In filmmaking, found footage is the use of footage as a found object, appropriated for use in collage films, documentary films, mockumentary films and other works. 
 

Cover
the original video can be found on this blog

Footage of mine: Amsterdam Zoo

Used in the background is an Amsterdam Zoo footage of the aquarium. Availabel on this Blog.