Focus on Bergen op Zoom (nl)

InZicht is de website van de Stichting Microtoerisme InZicht, een ideële stichting die op een leuke, gezonde en ontspannende manier wil bijdragen aan het historisch inzicht van de Nederlanders. De stichting is door het Ministerie van Financiën erkend als ANBI (Algemeen Nut Beogende Instelling).

InSight is a Dutch foundation aimed to increase your historical insight.

Op website InZicht kunt u g r a t i s
stadswandelingen en audiotours (70+) in mooie historische steden en toeristische landschappelijke fietsroutes (55+) downloaden. Tijdens deze tochten komt u meer te weten over de geschiedenis van de stad / het gebied. Maar ook achter het scherm komt u aan uw trekken: video's (600+) bekijken, foto's (20.000+) kijken, lezen over de geschiedenis van mooie steden (55+) of de fotoblogberichten bekijken.

Website InSight shows you interesting historical European towns and villages of great beauty. Have a look. Everything is free!

German Expressionism, Explained

That dark stylish beauty synonymous with directors like Guillermo del Toro and Tim Burton has its roots in Germany during the 1910s, 20s, and 30s. Here, realism is done away with in favor of the distorted and the surreal. Mirrors, large shadows, and optical effects are abundant. Strange worlds are created through a purely subjective eye. This is German Expressionism…

Created for No Film School by Press Play Productions

Paint and Picture

How the sequence goes together
How are the shots edited? Are they joined with simple cuts (where one shot goes straight to the next one), or are there more complicated transitions, like dissolves or fades? If so, what are the transitions telling us?
Find the cut
Look at where the editor decided to make the cut between two shots.
Do the sound and picture change together, or at diferent times (split edits)? Does the sequence use cutaways (where the sound from one shot continues, but
we see a diferent image)?

Soviet Montage

Batty McFaddin - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/...)
Source: http://incompetech.com/music/royalty-...
Artist: http://incompetech.com/

Falun mine

Falun Mine (Swedish: Falu Gruva) was a mine in Falun, Sweden, that operated for a millennium from the 10th century to 1992. It produced as much as two thirds of Europe's copper needs and helped fund many of Sweden's wars in the 17th century. Technological developments at the mine had a profound influence on mining globally for two centuries. The mine is now a museum and in 2001 was designated a UNESCO world heritage site.

Home theater

A movie theater or movie theatre (also called a cinema) is a building that contains an auditorium for viewing films (also called movies or cinemas), for entertainment. Most, but not all, theaters are commercial operations catering to the general public, who attend by purchasing a ticket. Some movie theaters, however, are operated by non-profit organizations or societies which charge members a membership fee to view films.

The film is projected with a movie projector onto a large projection screen at the front of the auditorium while the dialogue, sounds and music are played through a number of wall-mounted speakers. Since the 1970s, subwoofers have been used for low-pitched sounds. In the 2010s, most movie theaters are equipped for digital cinema projection, removing the need to create and transport a physical film print on a heavy reel.

Dutch Fairytale Forest

On 31 May 2017, the Efteling celebrates its 65th anniversary. What ever began with an idea of ​​Anton Pieck and Peter Reijnders Sprookjesbos with ten fairy tales, 65 years later, became the world of the Efteling. A wonderful place in the green where attention for nature, love for fairy tales and Brabant hospitality has been going hand in hand for 65 years.

In order to keep her guests wondering, the Efteling will add a new family attraction in 2017, Symbolica: The Palace of Fantasy. In 2017 the accommodation possibilities will also be extended with the opening of the Efteling Loonsche Land holiday park.

In this jubilee year, the Efteling builds on her traditions together with her proud employees and adds new icons. This way, new wonderful memories can be made in the coming years too ...

Mindf*ck

The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action.

Schindlers List Location

Themes and symbolism

The film explores the theme of good versus evil, using as its main protagonist a "good German", a popular characterization in American cinema. While Göth is characterized as an almost completely dark and evil person, Schindler gradually evolves from Nazi supporter to rescuer and hero. Thus a second theme of redemption is introduced as Schindler, a disreputable schemer on the edges of respectability, becomes a father figure responsible for saving the lives of more than a thousand people.

Carl Larsson painter

Through his paintings and books, Little Hyttnäs has become one of the most famous artist's homes in the world, transmitting the artistic taste of its creators and making it a major line in Swedish interior design. The descendants of Carl and Karin Larsson now own this house and keep it open for tourists each summer from May until October.

Larsson's popularity increased considerably with the development of colour reproduction technology in the 1890s, when the Swedish publisher Bonnier published books written and illustrated by Larsson and containing full colour reproductions of his watercolours,

Crystal Palace Amsterdam

Manipulated footage.
Distributed with inaccurate descriptions, edited with graphic effects, or filmed with actors, manipulated videos showed up often enough to make a savvy viewer question everything she sees online. The abundance of false footage means that video can confuse rather than elucidate the incident it purports to document. It certainly made our work curating videos from Venezuela, Gaza, Ukraine, and elsewhere more laborious.

Fortunately, activists and journalists have responded with a number of new tools and resources to help viewers verify that what we’re watching is what we think it is.

Media literacy (2)

Media Literacy is a 21st century approach to education. It provides a framework to access, analyze, evaluate, create and participate with messages in a variety of forms — from print to video to the Internet. Media literacy builds an understanding of the role of media in society as well as essential skills of inquiry and self-expression necessary for citizens of a democracy.

Jamtli Oresund

In traditional linear movies, the author can carefully construct the plot, roles, and characters to achieve a specific effect on the audience. Interactivity, however, introduces non-linearity into the movie, such that the author no longer has complete control over the story, but must now share control with the viewer. There is an inevitable trade-off between the desire of the viewer for freedom to experience the movie in different ways, and the desire of the author to employ specialized techniques to control the presentation of the story. Computer technology is required to create the illusion of freedom for the viewer, while providing familiar, as well as, new cinematic techniques to the author.

Buenas Noches Valencia

Day for night is a set of cinematic techniques used to simulate a night scene while filming in daylight. It is often employed when it is too difficult or expensive to actually shoot during nighttime. Because both film stocks and digital image sensors lack the sensitivity of the human eye in low light conditions, night scenes recorded in natural light, with or without moonlight, may be underexposed to the point where little or nothing is visible.This problem can be avoided by using daylight to substitute for darkness. When shooting day for night, the scene is typically underexposed in-camera or darkened during post-production, with a blue tint added. Additional effects are often used to heighten the impression of night.

What is Home Movie Day?

A brief explanation of what Home Movie Day is all about...

What Is Home Movie Day?
Home Movie Day is a celebration of amateur films and filmmaking held annually at many local venues worldwide. Home Movie Day events provide the opportunity for individuals and families to see and share their own home movies with an audience of their community, and to see their neighbors’ in turn. It’s a chance to discover why to care about these films and to learn how best to care for them.

The Netherlands as Republic

Another video about this subject can be found on this site under: Killing of the Dutch Republic

Death and legacy

 Van Oldenbarnevelt's execution.

It was in fact a kangaroo court, and the stacked bench of judges on Sunday, 12 May 1619, pronounced a death sentence on Van Oldenbarnevelt. On the following day, the old statesman, at the age of seventy-one, was beheaded in the Binnenhof, in The Hague. Van Oldenbarnevelt's last words to the executioner were purportedly: "Make it short, make it short." He was buried in a family grave under the Court Chapel (Hofkapel) at the Binnenhof.

 

Tulipomania

Idea y guión: Noelia Bellés Calvera.

Tulip mania or tulipomania was a period in the Dutch Golden Age during which contract prices for bulbs of the recently introduced tulip reached extraordinarily high levels and then suddenly collapsed.

At the peak of tulip mania, in March 1637, some single tulip bulbs sold for more than 10 times the annual income of a skilled craftsworker. It is generally considered the first recorded speculative bubble (or economic bubble)
The term "tulip mania" is now often used metaphorically to refer to any large economic bubble when asset prices deviate from intrinsic values.

Schindlers list

Why was this film shot in black and white?

Primarily for reasons of authenticity, realism, and also to make it feel like a historic documentation, since it is a true story. Spielberg himself has given this explanation as well, further motivating this artistic choice with the fact that almost all real documentation of the Holocaust he has seen has always been in black and white. To enhance the documentary feeling, the movie was primarily shot with handheld cameras, and contains no crane shots. Director of photography Janusz Kaminski has further added that black and white contributes to the agelessness of the movie, something the makers strove very hard for. For symbolic reasons, the little girl in the red coat, the tribute at Schindler's grave, and the beginning (the flames from the candles) are the only bits of color in the movie and it makes things stand out a little bit more.

Germany vs France

Political cinema in the narrow sense of the term is a cinema which portrays current or historical events or social conditions in a partisan way in order to inform or to agitate the spectator.[citation needed] Political cinema exists in different forms such as documentaries, feature films, or even animated and experimental films

Digital Escape-room

An escape room is a physical adventure game in which players solve a series of puzzles using clues, hints and strategy to complete the objectives at hand. Players are given a set time limit to unveil the secret plot which is hidden within the rooms.
English novelist E. M. Forster described plot as the cause-and-effect relationship between events in a story. According to Forster, "The king died, and then the queen died, is a story, while The king died, and then the queen died of grief, is a plot."

Paper film

As its name implied the film was made of paper (which was a stable material, unlike cellulose nitrate film), on which images were offset printed. The film had a width of 28mm which, thanks to being perforated in the middle, resulted in roughly the same picture area as with 35mm film. It was projected, not with transmitted (diascopic), but with reflected (episcopic) light. Thus film width, perforation, and illumination system all meant that only film made for this contraption could be projected. Even if REFCY projectors were “not that expensive toys” (Sugimoto[1990], 256), this would seem to have been a disadvantage.

South Pole Expedition

Roald Engelbregt Gravning Amundsen was a Norwegian explorer of polar regions. He led the Antarctic expedition of 1910–12 which was the first to reach the South Pole, on 14 December 1911. In 1926, he was the first expedition leader for the air expedition to the North Pole.

Amundsen is recognized as the first person, without dispute, as having reached both poles He is also known as having the first expedition to traverse the Northwest Passage (1903–06) in the Arctic.

In June 1928, while taking part in a rescue mission for the airship Italia, the plane he was in disappeared. Amundsen was a key expedition leader during the Heroic Age of Antarctic Exploration, in the class of Douglas Mawson, Robert Falcon Scott, and Ernest Shackleton.

 

Composition

 

In the visual arts, composition is the placement or arrangement of visual elements or ingredients in a work of art, as distinct from the subject. It can also be thought of as the organization of the elements of art according to the principles of art.

Guernica 80 years ago

The German bombers appeared in the skies over Guernica in the late afternoon of April 26, 1937 and immediately transformed the sleepy Spanish market town into an everlasting symbol of the atrocity of war. Unbeknownst to the residents of Guernica, they had been slated by their attackers to become guinea pigs in an experiment designed to determine just what it would take to bomb a city into oblivion. Spain was embroiled in a convulsive civil war that had begun in July 1936 when the right-wing Nationalists led by General Francisco Franco sought to overthrow Spain's left-wing Republican government. It did not take long before this bloody internal Spanish quarrel attracted the participation of forces beyond its borders - creating a lineup of opponents that foreshadowed the partnerships that would battle each other in World War II. Fascist Germany and Italy supported Franco while the Soviet Union backed the Republicans.

Krakau Poland

The history of cinema in Poland is almost as long as history of cinematography, and it has universal achievements, even though Polish movies tend to be less commercially available than movies from several other European nations.

After World War II, the communist government built an auteur based national cinema, trained hundreds of new directors and empowered them to make films. Filmmakers like Roman Polanski, Krzysztof Kieślowski, Agnieszka Holland, Andrzej Wajda, Andrzej Żuławski, Andrzej Munk, and Jerzy Skolimowski impacted the development of Polish filmmaking. In more recent years, the industry has been producer-led with finance being the key to a film being made, and with a large number of independent filmmakers of all genres, Polish productions tend to be more inspired by American film.

Human Rights

Human rights are moral principles or norms, which describe certain standards of human behaviour, and are regularly protected as legal rights in municipal and international law. They are commonly understood as inalienable fundamental rights "to which a person is inherently entitled simply because she or he is a human being," and which are "inherent in all human beings" regardless of their nation, location, language, religion, ethnic origin or any other status. They are applicable everywhere and at every time in the sense of being universal, and they are egalitarian in the sense of being the same for everyone.

The right to freedom of expression is recognised as a human right under Article 19 of the Universal Declaration of Human Rights and recognised in international human rights law in the International Covenant on Civil and Political Rights (ICCPR). Article 19 of the ICCPR states that "everyone shall have the right to hold opinions without interference" and "everyone shall have the right to freedom of expression; this right shall include freedom to seek, receive and impart information and ideas of all kinds, regardless of frontiers, either orally, in writing or in print, in the form of art, or through any other media of his choice".

En plein aire 2

Making movies is an art. For some time, the Art movies were considered the best form of art. But later filmmaking was transformed into a business. Commercialism overtook the Art films.

Today’s filmmakers do not make movies that promote Art; they rather make them for profit. They argue that they make what the audience likes. The standards of success have changed with time. I believe that the viewers are not that dumb. It is the production houses and the mindsets involved in the movie making business that is corrupting the consumers with commercialism. Moreover, the mafia that rules the cinema industry dictates the type of movies they want to exhibit. The audience does not count in this equation.

Ecomuseum of Alsace

You can teach yourself a lot about the mechanics of filmmaking by watching films. You’ll learn why filmmakers do things, and you’ll get an idea of what film can do. Like Quentin Tarantino said, “I didn’t go to film school, I went to films.”
But if you watch a two-hour feature all the way through, you’re probably talking about hundreds of separate shots. It’s overwhelming. So the best thing to do is go right back to the basics and look at a short sequence (one scene, or less – or a complete short film or TV ad) in detail. TV ads can be particularly useful as they fit a lot of storytelling into a short space of time.

Art Naif for everybody

An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse is a practitioner in the visual arts only. The term is often used in the entertainment business, especially in a business context, for musicians and other performers (less often for actors). "Artiste" (the French for artist) is a variant used in English only in this context. Use of the term to describe writers, for example, is valid, but less common, and mostly restricted to contexts like criticism.

A French Coiffeur

Creative Commons licenses provide an easy way to manage the copyright terms that attach automatically to all creative material under copyright. Our licenses allow that material to be shared and reused under terms that are flexible and legally sound. Creative Commons offers a core suite of six copyright licenses. Because there is no single "Creative Commons license," it is important to identify which of the six licenses you are applying to your material, which of the six licenses has been applied to material that you intend to use, and in both cases the specific version.

All of our licenses require that users provide attribution (BY) to the creator when the material is used and shared. Some licensors choose the BY license, which requires attribution to the creator as the only condition to reuse of the material. The other five licenses combine BY with one or more of three additional license elements: NonCommercial (NC), which prohibits commercial use of the material; NoDerivatives (ND), which prohibits the sharing of adaptations of the material; and ShareAlike (SA), which requires adaptations of the material be released under the same license.

Beautiful Eguisheim

In motion pictures the manipulation of time and space is a considerable contributing factor to the narrative storytelling tools. Film editing plays a much stronger role in this manipulation, but frame rate selection in the photography of the original action is also a contributing factor to altering time. For example, Charlie Chaplin's Modern Times was shot at "silent speed" (18 fps) but projected at "sound speed" (24 fps), which makes the slapstick action appear even more frenetic

Ballons & Vosges

The idea behind citizen journalism is that people without professional journalism training can use the tools of modern technology and the global distribution of the Internet to create, augment or fact-check media on their own or in collaboration with others. For example, you might write about a city council meeting on your blog or in an online forum. Or you could fact-check a newspaper article from the mainstream media and point out factual errors or bias on your blog. Or you might snap a digital photo of a newsworthy event happening in your town and post it online. Or you might videotape a similar event and post it on a site such as YouTube.

Romania farmers market

In the small illegal markets of the Romanian countryside, farmers and traders who have not been able to participate in the welfare are trying to make some sales..

Andreea Dumitriu shows the desolate beauty of these places.

Alsace/Elsass in photo's

Images may be two-dimensional, such as a photograph or screen display, or three-dimensional, such as a statue or hologram. They may be captured by optical devices – such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water.

The word 'image' is also used in the broader sense of any two-dimensional figure such as a map, a graph, a pie chart, or a painting. In this wider sense, images can also be rendered manually, such as by drawing, the art of painting, carving, rendered automatically by printing or computer graphics technology, or developed by a combination of methods, especially in a pseudo-photograph

Strasbourg souvenirs

Non-narrative film is an aesthetic of film that does not narrate, or relate "an event, whether real or imaginary". The aesthetic strives to be nonrepresentational. Aesthetics of Film writes, "This is to say one would not recognize anything in the image and that temporal, sequential, or cause-and-effect relations could not be perceived between the shots or the elements of the image." Narrative film is the dominant aesthetic, though non-narrative film is not fully distinct from that aesthetic. While the non-narrative film avoids "certain traits" of the narrative film, it "still retains a number of narrative characteristics". Narrative film also occasionally uses "visual materials that are not representational".
According to The Film Experience, non-narrative film is distinct from nonfiction film, though both forms may overlap in documentary films. The book writes, "A non-narrative film may be entirely or partly fictional; conversely, a nonfiction film can be constructed as a narrative.

 

Hotel de Dieu Beaune

The Hospices de Beaune or Hôtel-Dieu de Beaune is a former charitable almshouse in Beaune, France. It was founded in 1443 by Nicolas Rolin, chancellor of Burgundy, as a hospital for the poor. The original hospital building, the Hôtel-Dieu, one of the finest examples of French fifteenth-century architecture, is now a museum
The Hospices de Beaune consists of a pair of two-storied buildings arranged around a stone courtyard. The building wings are well-preserved today; they contain half-timber galleries and ornate rooftops with dormer windows. The hospital is arranged so that the wings served the office, kitchen and apothecary functions. The nuns and patients were housed nearer the chapel, towards the center of the complex

 

Theater on street

Street theatre is a form of theatrical performance and presentation in outdoor public spaces without a specific paying audience. These spaces can be anywhere, including shopping centres, car parks, recreational reserves and street corners. They are especially seen in outdoor spaces where there are large numbers of people. The actors who perform street theatre range from buskers to organised theatre companies or groups that want to experiment with performance spaces, or to promote their mainstream work.

Sometimes performers are commissioned, especially for street festivals, children's shows or parades, but more often street theatre performers are unpaid or gather some income through the dropping of a coin in a hat by the audience.

Easter in Alsace

Why Preserve Film?

Movies have documented America for more than one hundred years. Since Thomas Edison introduced the movie camera in 1893, amateur and professional filmmakers have used motion pictures to tell stories, record communities, explain the work of business and government, and illustrate current events. They captured, with the immediacy unique to the moving image, how generations of Americans have lived, worked, and dreamed. By preserving these films, we save a century of history.

Mulhouse citycenter

A filming location is a place where some or all of a film or television series is produced, in addition to or instead of using sets constructed on a movie studio backlot or soundstage. In filmmaking, a location is any place where a film crew will be filming actors and recording their dialog. A location where dialog is not recorded may be considered as a second unit photography site. Filmmakers often choose to shoot on location because they believe that greater realism can be achieved in a "real" place; however, location shooting is often motivated by the film's budget. Many films shoot interior scenes on a sound stage and exterior scenes on location.

It is often mistakenly believed that filming "on location" takes place in the actual location in which its story is set, but this is not necessarily the case.

Riquewihr Alsace

  TransitionsIn film or video scene consists of a sequence of shots. Each shot is made from a different perspective and then they are joined together. The joining together of the individual shots to make a particular scene is accomplished through transitions.The transition may be from one camera angle to another camera angle or from one camera to another camera. When you do transitions as a CG animator you are fulfilling the role of the editor, whose task is to put together a set of individual shots into a scene. One technique that film editors use is to focus on a particular element that is consistent between shots. This can be a physical object or it can be a compositional element such as a motion, color, or direction.

Markets in Strasbourg

There are two things that, if added to a camera, will immediately reduce jitter – good old fashioned weight, and a lowered center of gravity. The quickest and probably the most readily available method you can use to get both of these things is to attach your camera to a tripod, and then fold up the legs.
A tripod is great for side-to-side pans and up-down tilts. But if you pull up the legs and keep that extra couple of pounds beneath your camera, you’ve made yourself an instant pendulum. In other words, with additional weight concentrated toward the bottom of this rig, the unit is less prone to wiggling and being shaken than the camera alone. Try it sometime. Actually, your tripod should be attached nearly every time you get set up for filmmaking.

Red Movie

Color psychology is the study of hues as a determinant of human behavior. Color influences perceptions that are not obvious, such as the taste of food. Colours can also enhance the effectiveness of placebos. For example, red or orange pills are generally used as stimulants. Colour can indeed influence a person; however, it is important to remember that these effects differ between people. Factors such as gender, age, and culture can influence how an individual perceives color. For example, males reported that red colored outfits made women seem more attractive, while women answered that the color of a male's outfit did not affect his attractiveness.

Petite France

Petite France is a historic quarter of the city of Strasbourg in eastern France. It is located at the western end of the Grande Île, which contains the historical centre of the city. At Petite France, the River Ill splits up into a number of channels that cascade through an area that was, in the Middle Ages, home to the city's tanners, millers and fishermen, and is now one of Strasbourg's main tourist attractions. Petite France forms part of the UNESCO World Heritage Site of Grande Île, designated in 1988.

Artis Amsterdam

Animals as varied as bees, beetles, mice, foxes, crocodiles and elephants play a wide variety of roles in literature and film.

A genre of films has been based on oversized insects, including the pioneering 1954 Them!, featuring giant ants mutated by radiation, and the 1957 The Deadly Mantis.

Birds have occasionally featured in film, as in Alfred Hitchcock's 1963 The Birds, loosely based on Daphne du Maurier's story of the same name, which tells the tale of sudden attacks on people by violent flocks of birds.

 

Fore more movies of Artis use search

Landscape Turkey

In terms of film production, Turkey shared the same fate with many of the national cinemas of the 20th century. Film production wasn't continuous until around the 1950s and the film market in general was run by a few major import companies that struggled for domination in the most population-dense and profitable cities such as Istanbul and İzmir. Film theatres rarely ever screened any locally produced films and the majority of the programs consisted of films of the stronger western film industries, especially those of the United States, France, Italy and Germany. Attempts at film production came primarily from multinational studios, which could rely on their comprehensive distribution networks together with their own theatre chains, thus guaranteeing them a return on their investment. Between the years 1896–1945, the number of locally produced films did not even reach 50 films in total, equal to less than a single year's annual film production in the 1950s and 1960s. Domestically produced films constituted only a small fraction of the total number of films screened in Turkey prior to the 1950s.

 

 

A Giant Beast

Who
In the film language, the who question is typically answered with the close-up (CU). The primary point of focus in any close-up is the subject's face. This framing typically mimics the experience of what you would see in real life if you were conversing with a person. A close-up is an intimate portrait of someone, more intimate than you would ever get with a stranger. This is part of why fans inherently feel as though they "know" famous actors. (Though the feeling is certainly not mutual!)

Who Are They?: A Close-up gives insight into who a character is.
These shots leave little doubt that one is a no-nonsense sourpuss and the other is a idealistic dreamer.

Close-ups can vary widely based on camera position, lens choice, and other production considerations, but ultimately you can count on such a shot to answer this fundamental question.

If you were to go too long without providing close-ups your audience will lose track of whose story they're following and they will very likely lose interest. This is especially common in complex action scenes where there is so much what and how to convey to move the story forward that it's easy to forget to keep the who present in the viewer's mind. But do so at your own peril. Even the most spectacular battle scene can fall flat if the audience loses track of who it is that's engaged in the fight.

Rain

Throughout the years, filmmakers have invented new ways to communicate with their audiences, and one of them is through camera movement. Before there were dollies, cranes, and gimbals, movies were shot entirely on tripods, so watching events unfold through stationary shots was the norm. However, once the camera became mobile, filmmakers were able to create new words in the cinematic language that give meaning to a shot, like how the dolly-in could signify growing intensity or a how a shaky handheld shot could signify chaos or realism.

Girl in Danger

Cecil Blount DeMille was an American filmmaker. Between 1913 and 1956, he made a total of 70 features, both silent and sound films. He is acknowledged as a founding father of the cinema of the United States and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. He made silent films of every genre: social dramas, comedies, Westerns, farces, morality plays, and historical pageants.

DeMille began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some with Jesse Lasky, who was then a vaudeville producer. DeMille's first film, The Squaw Man (1914), was also the first feature film shot in Hollywood. Its interracial love story made it a phenomenal hit and it "put Hollywood on the map. The continued success of his productions led to the founding of Paramount Pictures with Lasky and Adolph Zukor. His first biblical epic, The Ten Commandments (1923), was both a critical and financial success; it held the Paramount revenue record for twenty-five years.

 

Hunger

The United Nations International Children's Emergency Fund was created by the United Nations General Assembly on the 11th of December 1946, to provide emergency food and healthcare to children in countries that had been devastated by World War II. The Polish physician Ludwik Rajchman is widely regarded as the founder of UNICEF and served as its first chairman from 1946. On Rajchman's suggestion, the American Maurice Pate was appointed its first executive director, serving from 1947 until his death in 1965. In 1950, UNICEF's mandate was extended to address the long-term needs of children and women in developing countries everywhere. In 1953 it became a permanent part of the United Nations System, and the words "international" and "emergency" were dropped from the organization's name, making it simply the United Nations Children's Fund, retaining the original acronym, "UNICEF".