Kurosawa a painter himself, his films have always been colorful and painterly, and his final few projects were intensely so. One of those last films, 1990’s Dreams, the first of his films for which he alone wrote the screenplay, not only originated fully in Kurosawa’s mind, but in his unconscious. A departure from his typically epic narratives, the film follows various Kurosawa surrogates through eight vignettes, based on eight recurring dreams, each one unfolding with a surreal logic all of its own. In the fifth short episode, “Crows,” Kurosawa casts Scorsese, his fellow auteur and his equal as a visual stylist, as Vincent Van Gogh.
An aurora, sometimes referred to as a polar light or northern light, is a natural light display in the sky, predominantly seen in the high latitude (Arctic and Antarctic) regions. Auroras are produced when the magnetosphere is sufficiently disturbed by the solar wind that the trajectories of charged particles in both solar wind and magnetospheric plasma, mainly in the form of electrons and protons, precipitate them into the upper atmosphere (thermosphere/exosphere), where their energy is lost. The resulting ionization and excitation of atmospheric constituents emits light of varying colour and complexity. The form of the aurora, occurring within bands around both polar regions, is also dependent on the amount of acceleration imparted to the precipitating particles. Precipitating protons generally produce optical emissions as incident hydrogen atoms after gaining electrons from the atmosphere. Proton auroras are usually observed at lower latitudes.
The city of Tromso is located in northern Norway’s winter wilderness. Never in my wildest dreams would I have ever thought I’d make it to this part of the world. Honestly, I’ve never even heard of this city until I did my research of the northern lights, and the best places to see them… and when it comes to the Aurora Borealis, this city comes up a whole lot.
However, apart from being one of the best places to see the lights, Tromso itself is a beautiful city with so much to offer; scenery, art, history, food– even when its dark for most parts of the day in winter. And gloomy. And freezing cold.
Rubia was an economically important source of a red pigment in many regions of Asia, Europe and Africa. The genus name Rubia derives from the Latin ruber meaning "red".
The plant's roots contain an anthracene compound called alizarin that gives its red colour to a textile dye known as Rose madder. It was also used as a colourant, especially for paint, that is referred to as Madder lake. The synthesis of alizarin greatly reduced demand for the natural compound.
Geography
Fontaine-de-Vaucluse ("spring of Vaucluse") is built around a spring in a valley at the foot of the Vaucluse Mountains, between Saumane and Lagnes, not far from L'Isle-sur-la-Sorgue. It is named after the spring, the source of the River Sorgue.
Fontaine-de-Vaucluse
Hydrography
The fountain, or spring, of Vaucluse, situated at the feet of a steep cliff 230 metres high, is the biggest spring in France. It is also the fifth largest in the world with an annual flow of 630 million cubic metres.
The fountain of Vaucluse surges in March for about 5 weeks and then subsides. The increased flow of water swells the Sorgue to flood. The mechanism behind the surging remains somewhat of a mystery.
Carnival is a Western Christian festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide (or Pre-Lent). Carnival typically involves a public celebration and/or parade combining some elements of a circus, masks, and a public street party. People wear masks and costumes during many such celebrations, allowing them to lose their everyday individuality and experience a heightened sense of social unity. Excessive consumption of alcohol, meat, and other foods proscribed during Lent is extremely common. Other common features of carnival include mock battles such as food fights; social satire and mockery of authorities; the grotesque body displaying exaggerated features, especially large noses, bellies, mouths, and phalli, or elements of animal bodies; abusive language and degrading acts; depictions of disease and gleeful death; and a general reversal of everyday rules and norms.
Practical effect techniques
The use of prosthetic makeup, animatronics, puppetry, or creature suits to create the appearance of living creatures.
Miniature effects, which is the use of scale models which are photographed in a way that they appear full sized.
Mechanical effects, such as aerial rigging to simulate flight, stage mounted gimbals to make the ground move, or other mechanical devices to physically manipulate the environment.
Pyrotechnics for the appearance of fire and explosions.
Weather effects such as sprinkler systems to create rain and fog machines to create smoke.
Squibs to create the illusion of gunshot wounds.
The plant's roots contain an anthracene compound called alizarin that gives its red colour to a textile dye known as Rose madder. It was also used as a colourant, especially for paint, that is referred to as Madder lake. The synthesis of alizarin greatly reduced demand for the natural compound.
The Motion Picture Association (MPA) is an American trade association representing the five major film studios of the United States, as well as the video streaming service Netflix. Founded in 1922 as the Motion Picture Producers and Distributors of America (MPPDA) and known as the Motion Picture Association of America (MPAA) from 1945 until September 2019,[3] its original goal was to ensure the viability of the American film industry.
This short film written by Argentine artist Patricio Plaza and directed by Santiago Grasso provides a strong message on work, alienation and how each of us takes part in a system in which people exploit other people, helping an unfair system continue functioning.
The highlight of the short lies of course in its acid humor, and how it creatively replaces objects with human beings that are being used as such. To transmit a sense of alienation slow visual rhythm and audio pace are used (except for the street scene), together with de-saturated colors, expressionless characters with black eyes (many of the characters remain static) and monotonous background ambient sound.
Reimerswaal is a lost city in the Netherlands.
The present-day municipality of Reimerswaal is named after this city, which was granted city rights in 1374. The city was destroyed by repeated floods, and the last citizens left in 1632. Nothing remains. It was located north of the current municipality, on the east end of the Oosterschelde, on land which is now called the Verdronken Land van Reimerswaal ("Drowned Land of Reimerswaal").
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A filming location is a place where some or all of a film or television series is produced, in addition to or instead of using sets constructed on a movie studio backlot or soundstage. In filmmaking, a location is any place where a film crew will be filming actors and recording their dialog. A location where dialog is not recorded may be considered as a second unit photography site. Filmmakers often choose to shoot on location because they believe that greater realism can be achieved in a "real" place; however, location shooting is often motivated by the film's budget. Many films shoot interior scenes on a sound stage and exterior scenes on location.
It is often mistakenly believed that filming "on location" takes place in the actual location in which its story is set, but this is not necessarily the case.
Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories; some examples being: educational, observational, and docufiction. Documentaries are very informative and are often used within schools, as a resource to teach various principles. Social-media platforms (such as YouTube) have provided an avenue for the growth of the documentary-film genre. These platforms have increased the distribution area and ease-of-accessibility; thereby enhancing the ability to educate a larger volume of viewers, and broadening the reach of persons who receive that information.
The art form of film is different from painting. Painting is one particular moment in time, frozen. Film is fluid, seeming to move through space and time. So first we had a Painting Design team spent one-year re-imagining Vincent’s painting into the medium of film. These paintings along with the storyboard and Computer Generated Layout Animatic formed the basis on which to plan our live action shoot.
All the characters in Loving Vincent are performed by real actors either on specially constructed sets, designed to look like Vincent’s paintings, or against Green Screens with the Loving Vincent Design Paintings composited in through a live view system on the set.
The live action material was then combined with Computer Animation for elements such as birds, horses, clouds and blowing leaves and composited together with the Design Paintings to create the Reference Material for the Painting Animation.
