Surrealist cinema is a modernist approach to film theory, criticism, and production with origins in Paris in the 1920s. The movement used shocking, irrational, or absurd imagery and Freudian dream symbolism to challenge the traditional function of art to represent reality. Related to Dada cinema, Surrealist cinema is characterized by juxtapositions, the rejection of dramatic psychology, and a frequent use of shocking imagery.
Kurosawa a painter himself, his films have always been colorful and painterly, and his final few projects were intensely so. One of those last films, 1990’s Dreams, the first of his films for which he alone wrote the screenplay, not only originated fully in Kurosawa’s mind, but in his unconscious. A departure from his typically epic narratives, the film follows various Kurosawa surrogates through eight vignettes, based on eight recurring dreams, each one unfolding with a surreal logic all of its own. In the fifth short episode, “Crows,” Kurosawa casts Scorsese, his fellow auteur and his equal as a visual stylist, as Vincent Van Gogh.
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