Movies and more...

 

 

 

 Eye Collection Center Eye opened its revamped Collection Center in 2016. The collection is made up of analog, digitized, and born-digital materials which are situated beside a sound restoration and digitization studio, a digital image restoration studio, and a grading and scanning suite. The collection includes 210,000 cans of acetate film, 57,000 film titles, 2.5 petabytes of digital data, 82,000 posters, 700,000 photographs, 27,000 books, 2,000 journals, 1,500 pre-cinema and film apparatuses, 4,500 magic lantern slides, 7,000 musical scores, and 250,000 press cuttings. 

 

 

Art of cinema

 

Stalker vision or monster vision is a cinema technique used to convey a sense of being watched. Often used in horror movies to inspire dread of what one is watching, this shot-framing incorporates a few techniques for effect. A point-of-view shot is used to convey a clear sense of distance between the viewpoint and the subject. The subject is shown from the perspective of the stalker, and cover (such as foliage) is often shown in the periphery to demonstrate that the viewer is hiding. Another aspect of stalker vision is that it usually shows an everyday action that is not usually public. Also, one of the mainstays of stalker vision is that the victim is watched over a period of time. Often telescopes, binoculars, or other observation equipment are combined with a tree stand or some other place of watching. Stalker vision often features a fairly helpless target, usually the female protagonist or a child in a horror movie. This tendency of the stalker or monster to prey upon the weak is used to create hatred and dislike for the viewer, and worry for the victim. 

 

 

 

Modern art understanding

 

 

The word art derives from the Latin "ars" (stem art-), which, although literally defined means "skill method" or "technique", also conveys a connotation of beauty. During the Middle Ages the word artist already existed in some countries such as Italy, but the meaning was something resembling craftsman, while the word artisan was still unknown. An artist was someone able to do a work better than others, so the skilled excellency was underlined, rather than the activity field. In this period, some "artisanal" products (such as textiles) were much more precious and expensive than paintings or sculptures. The first division into major and minor arts dates back at least to the works of Leon Battista Alberti (1404–1472): De re aedificatoria, De statua, De pictura, which focused on the importance of the intellectual skills of the artist rather than the manual skills (even if in other forms of art there was a project behind). With the academies in Europe (second half of 16th century) the gap between fine and applied arts was definitely set. Many contemporary definitions of "artist" and "art" are highly contingent on culture, resisting aesthetic prescription, in much the same way that the features constituting beauty and the beautiful cannot be standardized easily without moving into kitsch. 

 

16 mm film and TV

 

 

The term ENG was created as television news departments moved from film-based news gathering to electronic field production technology in the 1970s. Since film requires chemical processing before it can be viewed and edited, it generally took at least an hour from the time the film arrived back at the television station or network news department until it was ready to be broadcast.[2] Film editing was done by hand on what was known as "color reversal" film, usually Kodak Ektachrome, meaning there were no negatives. Color reversal film had replaced black-and-white film as television itself evolved from black-and-white to color broadcasting. Filmo cameras were most commonly used for silent filming, while Auricon cameras were used for filming with synchronized sound. Since editing required cutting the film into segments and then splicing them together, a common problem was film breaking during the newscast. News stories were often transferred to bulky 2-inch videotape for distribution and playback, which made the content cumbersome to access. Film remained important in daily news operations until the late 1960s, when news outlets adopted portable professional video cameras, portable recorders, wireless microphones and joined those with various microwave- and satellite truck-linked delivery systems. By the mid-1980s, film had all but disappeared from use in television journalism.

25 years TV

 

Screenwriting is a freelance profession. No education is required to be a professional screenwriter, just good storytelling abilities and imagination. Screenwriters are not hired employees but contracted freelancers. Most, if not all, screenwriters start their careers writing on speculation (spec) and so write without being hired or paid for it. If such a script is sold, it is called a spec script. What separates a professional screenwriter from an amateur screenwriter is that professional screenwriters are usually represented by a talent agency. Also, professional screenwriters do not often work for free, but amateur screenwriters will often work for free and are considered "writers in training." Spec scripts are usually penned by unknown professional screenwriters and amateur screenwriters.

A greenwashed fossil

 

 

 In the past decades, fossil fuel giants have paid millions in lobbying to keep Europe hooked on gas while blocking a transition to renewables. The fossil fuel industry is using the same tactics as Big Tobacco sponsoring greenwashing events for politicians and coming up with dubious research downplaying the dangers of climate change. Now the EU stands ready to hand over the keys to our climate policy to a former Shell employee with a track record of putting profit ahead of the planet. This isn’t just about blocking Hoekstra from rolling back action on climate change, it’s about standing up for a politics free from fossil fuel links. It’s about building a firewall to protect decision making for public good rather than private interest. That's why we also need to address the corporate capture of EU politics with a conflict of interest framework.

 

Tourrettes-sur-Loup

 

 

Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are educational, observational and docufiction. Documentaries are very informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social-media platforms (such as YouTube) have provided an avenue for the growth of the documentary-film genre. These platforms have increased the distribution area and ease-of-accessibility. 

 

 

Bad trip

 

Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of Dracula (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produced worldwide, varying in content and style between regions. Horror is particularly prominent in the cinema of Japan, Korea, Italy and Thailand, among other countries. Despite being the subject of social and legal controversy due to their subject matter, some horror films and franchises have seen major commercial success, influenced society and spawned several popular culture icons. 

 

Impact production

 

 

Film can have an impact on society, but making a film is not the same as social change. Through Impact Production, filmmakers and video creators can maximise their works' ability to enact social change. To learn more about this discipline, EngageMedia interviews three women who are experienced in Impact Production on why it is important for filmmakers and video collectives to integrate impact campaigns into the film production process. What is Impact Production? is produced by EngageMedia as part of the Video for Change Environmental Impact Lab, an online course that seeks to strengthen the capacity of filmmakers to create impact with their work. 

Dutch fishery

 

 

Videography is the process of capturing moving images on electronic media (e.g., videotape, direct to disk recording, or solid state storage) and even streaming media. The term includes methods of video production and post-production. It used to be considered the video equivalent of cinematography (moving images recorded on film stock), but the advent of digital video recording in the late 20th century blurred the distinction between the two, as in both methods the intermediary mechanism became the same. Nowadays, any video work could be called videography, whereas commercial motion picture production would be called cinematography.