16 mm film and TV

 

 

The term ENG was created as television news departments moved from film-based news gathering to electronic field production technology in the 1970s. Since film requires chemical processing before it can be viewed and edited, it generally took at least an hour from the time the film arrived back at the television station or network news department until it was ready to be broadcast.[2] Film editing was done by hand on what was known as "color reversal" film, usually Kodak Ektachrome, meaning there were no negatives. Color reversal film had replaced black-and-white film as television itself evolved from black-and-white to color broadcasting. Filmo cameras were most commonly used for silent filming, while Auricon cameras were used for filming with synchronized sound. Since editing required cutting the film into segments and then splicing them together, a common problem was film breaking during the newscast. News stories were often transferred to bulky 2-inch videotape for distribution and playback, which made the content cumbersome to access. Film remained important in daily news operations until the late 1960s, when news outlets adopted portable professional video cameras, portable recorders, wireless microphones and joined those with various microwave- and satellite truck-linked delivery systems. By the mid-1980s, film had all but disappeared from use in television journalism.