Rendez vous: ABBA

 

 

Computer-generated imagery (CGI) is the application of computer graphics to create or contribute to images in art, computer animation and VFX in films, television programs, shorts, commercials, and videos. The images may be dynamic or static, and may be two-dimensional (2D), although the term "CGI" is most commonly used to refer to the 3-D computer graphics used for creating characters, scenes and special effects in films and television, which is described as "CGI animation".
The evolution of CGI led to the emergence of virtual cinematography in the 1990s, where the vision of the simulated camera is not constrained by the laws of physics. Availability of CGI software and increased computer speeds have allowed individual artists and small companies to produce professional-grade films.
The term virtual world refers to agent-based, interactive environments, which are now created with CGI.

National park: Yellowstone

 

 

Making a movie is one of the greatest accomplishments in the world. As a filmmaker, taking your movie idea from script to screen is beyond challenging. In an effort to realize your cinematic vision, you may spend months and years and pushing past obstacles to make it happen. And during the process you will learn more about yourself, your craft and the business than you ever imagined.

Schmallenberg

 

 

In film and video, a cutaway is the interruption of a continuously filmed action by inserting a view of something else. It is usually followed by a cut back to the first shot. A cutaway scene is the interruption of a scene with the insertion of another scene, generally unrelated or only peripherally related to the original scene. The interruption is usually quick, and is usually, although not always, ended by a return to the original scene. The effect is of commentary to the original scene, frequently comic in nature. 

 

Projector

 

 

Although usually more expensive than film projectors, high-resolution digital projectors offer many advantages over traditional film units. For example, digital projectors contain no moving parts except fans, can be operated remotely, are relatively compact and have no film to break, scratch or change reels of. They also allow for much easier, less expensive, and more reliable storage and distribution of content. All-electronic distribution eliminates all physical media shipments. There is also the ability to display live broadcasts in theaters equipped to do so. 

 

 

100 video projects

 

Formally Trained as an avant-garde, abstract expressionist painter, Stan Herd went on to become something a little different — an earthworks artist who takes fields where crops are grown and turns them into sprawling canvases on which he makes art of his own. It has been said about him: “Herd is an unusual artist. His medium is the earth itself; his palette consists of soil, wheat, sunflowers, and corn; his brush is a tractor; and his images can be seen only from an airplane.”

 

 

Silverstone railwaystation

 

Dutch avant-garde filmmaker Joris Ivens described its audiovisual aims: To render the half-musical impressions of factory sounds in a complex audio world that moved from absolute music to the purely documentary noises of nature. In this film every intermediate stage can be found: such as the movement of the machine interpreted by the music, the noises of the machine dominating the musical background, the music itself is the documentary, and those scenes where the pure sound of the machine goes solo

 

To the Top (of Winterberg)

 

 

Forced perspective is a technique which employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is. It manipulates human visual perception through the use of scaled objects and the correlation between them and the vantage point of the spectator or camera. It has uses in photography, filmmaking and architecture. 

 

Lofoten islands

 

 

In filmmaking, a long take (also called continuous take or continuous shot) is a shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. 

 

Praneet Soi: painter

 

I

Interviews can be unstructured, free-wheeling and open-ended conversations without predetermined plan or prearranged questions. One form of unstructured interview is a focused interview in which the interviewer consciously and consistently guides the conversation so that the interviewee's responses do not stray from the main research topic or idea.  Interviews can also be highly structured conversations in which specific questions occur in a specified order. They can follow diverse formats; for example, in a ladder interview, a respondent's answers typically guide subsequent interviews, with the object being to explore a respondent's subconscious motives. Typically the interviewer has some way of recording the information that is gleaned from the interviewee, often by keeping notes with a pencil and paper, or with a video or audio recorder. Interviews usually have a limited duration, with a beginning and an ending. 

 

Ore mine

 

 

An industrial video may be used for: Marketing, communicating to potential clients the value of services or products. Customers, such as a video that explains how to use a product Fundraising, such as for informing potential investors about the merits of a company, or generating capital for a charitable cause. Corporations, such as a video that shares a CEO's vision with his employees, or a video that warns employees against improper ethical behavior. Industrial videos have become more prevalent in the market than industrial films because of the lower cost of producing video content.