On Soderbergh prefers sustained close-ups, tracking shots, jump cuts, experimental sequencing and frequently skips establishing shots in favor of audio and alternative visuals. Many of his films are noted for a milieu of suspense through the usage of third-person vantage points and a variety of over-the-shoulder shots. He is known for tracking aesthetic transitions with a variety of colored washes, most notably yellow to symbolize open, socially acceptable situations while blue washes typically symbolize illegal or socially illicit endeavors. In line with these washes, Soderbergh is liberal in his usage of montages as he believes that they are equally important story-telling as dialogue.
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