Film taken by mobile devices often employ characteristics that would have been considered error in conventional film-making. The inclusion of these "mistakes" is a major feature of the mobile film aesthetic. The rejection of the values in conventional production leads to spontaneity, intimacy, and immediacy becoming important motifs in phone cinematography. Apparently unintentional events can give films an aesthetic defined by authenticity, emphasizing how cinematography must use real world world as subject matter. This visual style evolved from the origins of mobile film making as an amateur practice pursued by enthusiasts. It can be viewed as a reaction to the polished, professional aesthetic that has come to define the film industry. The mobility of phone cameras make adaptable scheduling, flexible production, a smaller crew, and an ability to adapt to environmental factors possible and further promote the conditions that stylistically characterize mobile film-making.
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