16 mm film and TV

 

 

The term ENG was created as television news departments moved from film-based news gathering to electronic field production technology in the 1970s. Since film requires chemical processing before it can be viewed and edited, it generally took at least an hour from the time the film arrived back at the television station or network news department until it was ready to be broadcast.[2] Film editing was done by hand on what was known as "color reversal" film, usually Kodak Ektachrome, meaning there were no negatives. Color reversal film had replaced black-and-white film as television itself evolved from black-and-white to color broadcasting. Filmo cameras were most commonly used for silent filming, while Auricon cameras were used for filming with synchronized sound. Since editing required cutting the film into segments and then splicing them together, a common problem was film breaking during the newscast. News stories were often transferred to bulky 2-inch videotape for distribution and playback, which made the content cumbersome to access. Film remained important in daily news operations until the late 1960s, when news outlets adopted portable professional video cameras, portable recorders, wireless microphones and joined those with various microwave- and satellite truck-linked delivery systems. By the mid-1980s, film had all but disappeared from use in television journalism.

25 years TV

 

Screenwriting is a freelance profession. No education is required to be a professional screenwriter, just good storytelling abilities and imagination. Screenwriters are not hired employees but contracted freelancers. Most, if not all, screenwriters start their careers writing on speculation (spec) and so write without being hired or paid for it. If such a script is sold, it is called a spec script. What separates a professional screenwriter from an amateur screenwriter is that professional screenwriters are usually represented by a talent agency. Also, professional screenwriters do not often work for free, but amateur screenwriters will often work for free and are considered "writers in training." Spec scripts are usually penned by unknown professional screenwriters and amateur screenwriters.

A greenwashed fossil

 

 

 In the past decades, fossil fuel giants have paid millions in lobbying to keep Europe hooked on gas while blocking a transition to renewables. The fossil fuel industry is using the same tactics as Big Tobacco sponsoring greenwashing events for politicians and coming up with dubious research downplaying the dangers of climate change. Now the EU stands ready to hand over the keys to our climate policy to a former Shell employee with a track record of putting profit ahead of the planet. This isn’t just about blocking Hoekstra from rolling back action on climate change, it’s about standing up for a politics free from fossil fuel links. It’s about building a firewall to protect decision making for public good rather than private interest. That's why we also need to address the corporate capture of EU politics with a conflict of interest framework.

 

Tourrettes-sur-Loup

 

 

Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are educational, observational and docufiction. Documentaries are very informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social-media platforms (such as YouTube) have provided an avenue for the growth of the documentary-film genre. These platforms have increased the distribution area and ease-of-accessibility. 

 

 

Bad trip

 

Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of Dracula (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produced worldwide, varying in content and style between regions. Horror is particularly prominent in the cinema of Japan, Korea, Italy and Thailand, among other countries. Despite being the subject of social and legal controversy due to their subject matter, some horror films and franchises have seen major commercial success, influenced society and spawned several popular culture icons. 

 

Impact production

 

 

Film can have an impact on society, but making a film is not the same as social change. Through Impact Production, filmmakers and video creators can maximise their works' ability to enact social change. To learn more about this discipline, EngageMedia interviews three women who are experienced in Impact Production on why it is important for filmmakers and video collectives to integrate impact campaigns into the film production process. What is Impact Production? is produced by EngageMedia as part of the Video for Change Environmental Impact Lab, an online course that seeks to strengthen the capacity of filmmakers to create impact with their work. 

Dutch fishery

 

 

Videography is the process of capturing moving images on electronic media (e.g., videotape, direct to disk recording, or solid state storage) and even streaming media. The term includes methods of video production and post-production. It used to be considered the video equivalent of cinematography (moving images recorded on film stock), but the advent of digital video recording in the late 20th century blurred the distinction between the two, as in both methods the intermediary mechanism became the same. Nowadays, any video work could be called videography, whereas commercial motion picture production would be called cinematography. 

 

Ruigoord art-village

 

Observation is a dying art. Yet it’s the first skill you should master in order to write great stories. When choosing what story to tell, there’s a lot of factors to consider but in the end your decision comes to an abstract feeling you can’t explain.

 

 

Beginning of photography

 

 

 In 1826, Nicéphore Niépce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. Niépce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. The details were introduced to the world in 1839, a date generally accepted as the birth year of practical photography

 

 

Orvelte in super 8

 

 

Super 8 mm film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format. Super 8 spool with film - detail "Insert film here" The film is nominally 8 mm wide, the same as older formatted 8 mm film, but the dimensions of the rectangular perforations along one edge are smaller, which allows for a greater exposed area. The Super 8 standard also allocates the border opposite the perforations for an oxide stripe upon which sound can be magnetically recorded.

Eyesight: unbelievable

 

 

The terms aerial view and aerial viewpoint are also sometimes used synonymous with bird's-eye view. The term aerial view can refer to any view from a great height, even at a wide angle, as for example when looking sideways from an airplane window or from a mountain top. Overhead view is fairly synonymous with bird's-eye view but tends to imply a vantage point of a lesser height than the latter term. For example, in computer and video games, an "overhead view" of a character or situation often places the vantage point only a few feet (a meter or two) above human height. See top-down perspective. 

 

Oppenheimer the movie

 

Oppenheimer is a 2023 epic biographical thriller film written and directed by Christopher Nolan and starring Cillian Murphy as J. Robert Oppenheimer, the American theoretical physicist credited with being the "father of the atomic bomb" for his role in the Manhattan Project—the World War II undertaking that developed the first nuclear weapons. Based on the 2005 biography American Prometheus by Kai Bird and Martin J. Sherwin, the film chronicles the career of Oppenheimer, with the story predominantly focusing on his studies, his direction of the Manhattan Project during World War II, and his eventual fall from grace due to his 1954 security hearing.

AP museum Amsterdam

 

Pivoting or swivelling a camera horizontally about a fixed vertical axis, usually somewhat slowly, similar to the motion of a person turning their head from left to right. In the resulting image, new material appears on one side of the screen as it exits from the other; perspective lines may or may not be conspicuous enough to reveal to the viewer that the entire image is being seen from a stationary vantage point (as opposed to the camera as a whole moving, as if mounted on a camera dolly).

Tuindorp Oostzaan

 

 

 An eyeline match is a film editing technique associated with the continuity editing system. It is based on the premise that an audience will want to see what the character on-screen is seeing. An eyeline match begins with a character looking at something off-screen, followed by a cut of another object or person: for example, a shot showing a man looking off-screen is followed by a shot of a television. Given the audience's initial interest in the man's gaze, it is generally implied on the basis of the second shot that the man in the first was looking at the television, even though the man is never seen looking at the television within the same shot. 

 

 

Tips and examples for filmmaking

 

 

A shot in which the camera moves alongside or parallel to its subject. Traditionally tracking shots are filmed while the camera is mounted on a track dolly and rolled on dedicated tracks comparable to railroad tracks, In recent years, however, parallel camera moves performed with a Steadicam, gimbal, etc. may also be called a tracking shot. Tracking shots often "follow" a subject while it is in motion: for instance, a person walking on a sidewalk seen from the perspective of somebody walking on a parallel path several feet away. Shots taken from moving vehicles that run parallel to another moving object are also referred to as tracking or traveling shots. A tracking shot may also be curved, moving around its subject in a semi-circular rotation, known specifically as an arc or arc shot.

 

Exposition: Werner Herzog

 

 

 The films of the German director Werner Herzog are gripping and unorthodox. The exhibition Werner Herzog - The Ecstatic Truth at the Eye Film Museum shows key scenes from the filmmaker's work how Herzog can capture the relationship between people and the chaotic world around them.


Over 't IJ: the brewery

 

 

16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2⁄3 inch); other common film gauges include 8 and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, televisual) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a camera, projector, tripod, screen and splicer, for US$335 (equivalent to US$5,754 in 2022). RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935. 

 

 

Skylight: movements

 

 

Light painting, painting with light, light drawing, or light art performance photography are terms that describe photographic techniques of moving a light source while taking a long-exposure photograph, either to illuminate a subject or space, or to shine light at the camera to 'draw', or by moving the camera itself during exposure of light sources. Practiced since the 1880s, the technique is used for both scientific and artistic purposes, as well as in commercial photography. Light painting also refers to a technique of image creation using light directly, such as with LEDs on a projective surface using the approach that a painter approaches a canvas. 

 

 

Jewish Historical Museum

 

 

BEST DOCUMENTARY AWARD goes to the film "Exodus - a journey to the mountain of God" by Alon Bar & Eitan Bin-Noun. The 52-minute-long documentary film tells about the journey of an expedition of scientists towards Mt. Sinai, on the path of the Biblical Exodus. It is a scientific and archeological trip, but, at the same time, it tells the story of a human spirit, of the passage from slavery in Egypt to freedom, and to the Promised Land. The young directors Alon Bar and Eitan Bin-Noun carried out the shooting with natural, emotional participation and great scientific preparation, producing a film that is not only centered on the archaeology of objects and rock art, but also on anthropological elements, which underlines the psychology and living habits of the desert people". 

 

Allaird Pierson museum Amsterdam

>The Allard Pierson Museum is the archaeological museum of the University of Amsterdam. It is situated at the Oude Turfmarkt 127 in Amsterdam, the Netherlands. Artifacts from the ancient civilizations of ancient Egypt, the Near East, the Greek World, Etruria, and the Roman Empire are curated and exhibited in this museum. The name of the Allard Pierson Museum derives from the first professor of classical archaeology at the University of Amsterdam, Allard Pierson (1831–1896). This former clergyman was invited in 1877 to occupy the chair of Aesthetics, Art History, and Modern Languages at the newly founded university. His passion for antiquity, fuelled by his travels to the Mediterranean area, led to his assembling a collection of plaster casts from 1877 to 1895. 

 

 

Colonial history

 

 

Colonialism has existed since ancient times. In the modern period, the concept is most strongly associated with the European and Japanese empires, starting in the 15th century and extending to the mid-1900s. At first, conquest followed policies of mercantilism, aiming to strengthen the home-country economy, so agreements usually restricted the colony to trading only with the metropole (mother country). The impacts of colonisation are immense and pervasive Various effects, both immediate and protracted, include the spread of virulent diseases, unequal social relations, detribalization, exploitation, enslavement, medical advances, the creation of new institutions, abolitionism, improved infrastructure, and technological progress. Colonial practices also spur the spread of conquerers' languages, literature and cultural institutions, while endangering or obliterating those of native peoples. The native cultures of the colonised peoples can also have a powerful influence on the imperial country.

 

Werner Herzog 's ambition

 

 

The film had a troubled production, chronicled in the documentary Burden of Dreams (1982). Herzog had his crew attempt to manually haul the 320-ton steamship up a steep hill, leading to three injuries. The film's original star Jason Robards became sick halfway through filming, so Herzog hired Kinski, with whom he had previously clashed violently Their fourth collaboration fared no better. When shooting was nearly complete, the chief of the Machiguenga tribe, whose members were used extensively as extras, asked Herzog if they should kill Kinski for him. Herzog declined. 

 

 

The story of film

 

 

Conventions toward a general cinematic language also developed, with editing camera movements and other cinematic techniques contributing specific roles in the narrative of films. Popular new media, including television (mainstream since the 1950s), home video (mainstream since the 1980s), and the internet (mainstream since the 1990s), influenced the distribution and consumption of films. Film production usually responded with content to fit the new media, and with technical innovations (including widescreen (mainstream since the 1950s), 3D, and 4D film) and more spectacular films to keep theatrical screenings attractive. Systems that were cheaper and more easily handled (including 8mm film, video, and smartphone cameras) allowed for an increasing number of people to create films of varying qualities, for any purpose (including home movies and video art). The technical quality was usually lower than that of professional movies, but improved with digital video and affordable, high-quality digital cameras. 

 

 

Civilisation: festivities

 

A costume designer is a person who designs costumes for a film, stage production or television show. The role of the costume designer is to create the characters' outfits or costumes and balance the scenes with texture and colour, etc. The costume designer works alongside the director, scenic, lighting designer, sound designer, and other creative personnel. The costume designer may also collaborate with a hair stylist, wig master, or makeup artist. In European theatre, the role is different, as the theatre designer usually designs both costume and scenic elements. 

Art in Amsterdam

 

 

Digital recording and reproduction converts the analog sound signal picked up by the microphone to a digital form by the process of sampling. This lets the audio data be stored and transmitted by a wider variety of media. Digital recording stores audio as a series of binary numbers (zeros and ones) representing samples of the amplitude of the audio signal at equal time intervals, at a sample rate high enough to convey all sounds capable of being heard. A digital audio signal must be reconverted to analog form during playback before it is amplified and connected to a loudspeaker to produce sound. Prior to the development of sound recording, there were mechanical systems, such as wind-up music boxes and, later, player pianos, for encoding and reproducing instrumental music. 

 

 

 

Slavery commemoration

 

Martial arts films are a subgenre of action films that feature martial arts combat between characters. These combats are usually the films' primary appeal and entertainment value, and often are a method of storytelling and character expression and development. Martial arts are frequently featured in training scenes and other sequences in addition to fights. Martial arts films commonly include hand-to-hand combat along with other types of action, such as stuntwork, chases, and gunfights.[1][2][3] Sub-genres of martial arts films include kung fu films, wuxia, karate films, and martial arts action comedy films, while related genres include gun fu, jidaigeki and samurai films. 

 

 

 

Plastic crush

 

 

The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution, and actors. Though the expense involved in making films almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve. 

 

City Street Scenes

 

 

 A scene is a part of a film, as well as an act, a sequence (longer or shorter than a scene), and a setting (usually shorter than a scene). While the terms refer to a set sequence and continuity of observation, resulting from the handling of the camera or by the editor, the term "scene" refers to the continuity of the observed action: an association of time, place, or characters. The term may refer to the division of the film from the screenplay, from the finished film, or it may only occur in the mind of the spectator who is trying to close on a logic of action. For example, parts of an action film at the same location, that play at different times can also consist of several scenes. Likewise, there can be parallel action scenes at different locations usually in separate scenes, except that they would be connected by media such as telephone, video, etc. 

 

Broek in Waterland

 

 

A point of view shot (also known as POV shot, first-person shot or subjective camera) is a film scene—usually a short one—that is shot as if through the eyes of a character (the subject). The camera shows what the subject's eyes would see. It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The POV technique is one of the foundations of film editing.

Van der Pek quarter

 

 

Mise-en-scène has been called film criticism's "grand undefined term. It has been criticized for its focus on the dramatic design aspects rather than the plot itself, as those who utilize mise-en-scène tend to look at what is "put before the camera" rather than the story. The use of mise-en-scène is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene. Mise-en-scène allows the director to not only convey their message but also to implement their aesthetic. With that, each director has their own sort of mise-en-scène that is unique to that one person. Mise-en-scène refers to everything in front of the camera, including the set design, lighting, and actors, and the ultimate way that this influences how scene comes together for the audience. 

 

 

Dageraad architecture

 

Museum De Dageraad Behind the wave-shaped facade of the famous working-class housing complex De Dageraad, you will find information about the art and architecture of the Amsterdam School. At the beginning of the last century, H.P. Berlage designed the now famous Plan Zuid. He introduced a new way of urban planning, in which there was room for wide streets, atmospheric squares and green parks. The characteristic architecture of the many Amsterdam School artists still adorns the street plan. The expressionistic facades and beautiful ornaments are recognizable throughout the neighborhood.

Residential complex De Dageraad is the Amsterdam School in its purest form. Architects Michel de Klerk and Piet Kramer were commissioned to design all facets of the streetscape. 

 

Edam village

 

 

A basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots may look like a jump cut, which could jar the audience and take them out of the story by causing them to focus on the film technique rather than the narrative itself

 

Oriental Diva's

>Diva is the Latin word for a goddess. It has often been used to refer to a celebrated woman of outstanding talent in the world of opera, theatre, cinema, fashion and popular music. If referring to an actress, the meaning of diva is closely related to that of prima donna. Diva can also refer to a person, especially one in show business, with a reputation for being temperamental or demanding. The 1940s, 1950s and the 1960s are generally considered the golden age of Egyptian cinema. In the 1950s, Egypt's cinema industry was the world's third largest.As in the West, films responded to the popular imagination, with most falling into predictable genres (happy endings being the norm), and many actors making careers out of playing strongly typed parts.

 

Amstelveen

 

 

Bridging shot A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling calendar pages, railroad wheels, newspaper headlines and seasonal changes. Bridge shots are also used to avoid jump cuts when inserting a pick-up.

 

On the way in Amsterdam

 

 

Many web sites include videos. Although not necessarily produced online, many video production tools allow the production of videos without actually using a physical camera. An example of this is using the YouTube video editor to create a video using pre-existing video content that is held on the platform under Creative Commons license. Video content is being used in an ever-growing range of contexts, including testimonial videos, web presenter videos, help section videos, interviews, parodies, product demonstrations, training videos, and thank you videos. 

 

 

Tarkovsky exhibition

 

All kinds of Amsterdam

 

 

 There are many different types of video production. The most common include film and TV production, television commercials, internet commercials, corporate videos, product videos, customer testimonial videos, marketing videos, event videos, wedding videos. The term "Video Production" is reserved only for content creation that is taken through all phases of production (Pre-production, Production, and Post-production) and created with a specific audience in mind. A person filming a concert, or their child's band recital with a smartphone or video camera for the sole purpose of capturing the memory would fall under the category of "home movies" not video production.

Indonesia for sale

 

 

Media activism is a broad category of activism that utilizes media and communication technologies for social and political movements. Methods of media activism include publishing news on websites, creating video and audio investigations, spreading information about protests, or organizing campaigns relating to media and communications policies. Social media is often used as a form of media activism. Because of the interactive features and widespread adoption, users can quickly disseminate information and rally supporters.[8] Platforms like Facebook and Twitter can reach a much larger audience than traditional media. Although often only a small percentage of people who express interest in a cause online are willing to commit to offline action, social media interaction is viewed as "the first step in a ladder of engagement".

Tarkovsky: filming fire

 

 

Cinematic style In a 1962 interview, Tarkovsky argued: "All art, of course, is intellectual, but for me, all the arts, and cinema even more so, must above all be emotional and act upon the heart." His films are characterized by metaphysical themes, extremely long takes, and images often considered by critics to be of exceptional beauty. Recurring motifs are dreams, memory, childhood, running water accompanied by fire, rain indoors, reflections, levitation, and characters re-appearing in the foreground of long panning movements of the camera.

Tarkovsky developed a theory of cinema that he called "sculpting in time". By this he meant that the unique characteristic of cinema as a medium was to take our experience of time and alter it. Unedited movie footage transcribes time in real time. By using long takes and few cuts in his films, he aimed to give the viewers a sense of time passing, time lost, and the relationship of one moment in time to another.

Mad Nest

 

 

Mad Nest is the second Parisian film by Tajiri. It is a collage-like film in which Tajiri uses different techniques and image material. A large part of the film consists of images that were created by drawing or scratching directly on the film material; these were techniques that were increasingly popular within the pre-war avant-garde.Tajiri contrasts these animation techniques with live action images: his own home movie-like recordings and found footage images. He also manipulates this footage, by colouring it, showing it in reverse or upside down, or by playing it backwards.

Filming water: Tarkovsky way

 

 

 In filmmaking, a long take (also called a continuous take, continuous shot, or oner) is shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how many film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take.

 

Openheimer film music

 

 

Film scores encompass an enormous variety of styles of music, depending on the nature of the films they accompany. While the majority of scores are orchestral works rooted in Western classical music, many scores are also influenced by jazz, rock, pop, blues, new-age and ambient music, and a wide range of ethnic and world music styles. Since the 1950s, a growing number of scores have also included electronic elements as part of the score, and many scores written today feature a hybrid of orchestral and electronic instruments. Since the invention of digital technology and audio sampling, many modern films have been able to rely on digital samples to imitate the sound of acoustic instruments, and many scores are created and performed wholly by the composers themselves, by using music composition software, synthesizers, samplers, and MIDI controllers. 

 

Fishing Village on Madeira

 

 

Excellent. Probably using Kodachrome film (because the colors are natural). Many people don't realize this, but film quality went back a long way when people stopped using Super 8 and started using VHS-C. It took more than 20 years for digital film quality to catch up to where Super 8 was in the 1970s. And maybe you could say that Super 8 still beats modern video in low light filming performance, and detail in shadows, and in natural look of the film . 

 

IMAX according to Hoyte

 

 

 I have to say I love big format. I always loved medium format photography for instance. It's exposing a bigger negative. It's not only that the definition and color rendering is beautiful but also, it creates this very beautiful short depth of field. So it's the most pristine format you can have but at the same time it's so textured because of the way the lens is rendered on a negative that big. The sharpness and the clarity and the depth of the image is unparalleled. The headline, for me, is by shooting on IMAX 70mm film, you’re really letting the screen disappear. You’re getting a feeling of 3D without the glasses. You’ve got a huge screen and you’re filling the peripheral vision of the audience. You’re immersing them in the world of the film. 

I have to say I love film above all. I have the most affinity with celluloid and I feel most comfortable shooting that. But the whole thing about film versus digital, I mean the biggest mistake with it is that it's always presented as film versus digital. I don't think that one thing rules out the other and I don't think that one thing is better than the other.

Willemstad (NB)

 

 

Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach. When discussed in reference to classical Hollywood cinema, it may also be referred to as classical continuity. 

 

Assisi

 

 

Tracking shots are where the camera follows or moves with a character. This usually means having the camera off the tripod, with the camera operator holding the camera. The camera can track a character by following them from behind, or the camera operator can walk backward and film a character as they walk forwards. Some things to remember about tracking shots is you want the camera to still move smoothly and not shake and needs to keep the subject of the shot in focus. Also if you're camera operator is walking backwards to get a forward-facing tracking shot, someone should help them not trip over anything! 

 

 

Crossing the line on sea

 

 

In filmmaking, the 180-degree rule[1] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. 

 

The Foley-artist (2)

 

 

What is now called Foley originated as adding sounds to live broadcasts of radio drama from radio studios around the world in the early 1920s. Phonograph recordings of the era were not of sufficient quality or flexibility to faithfully reproduce most sound effects on cue, so a sound effects person had to create all sounds for radio plays live. Jack Donovan Foley[4] started working with Universal Studios in 1914 during the silent movie era.

Expose

 

 

A roadshow theatrical release or reserved seat engagement is the practice of opening a film in a limited number of theaters in major cities for a specific period of time before the wide release of the film. Roadshows would generally mimic a live theatre production, with an upscale atmosphere as well as somewhat higher prices than during a wide release. They were commonly used to promote major films from the 1920s–60s and build excitement.