10 KM New Netherlands

The Netherlands. The first island was inaugurated on 24 September 2016.

Work on the first phase, which is mainly focused on the construction of the first island, started in April 2016.

The main aims of the project are to create breeding grounds, islands, and coast line as well as to improve the water ecology of the Markermeer. The project creates a wetland comparable with the Wadden Sea—hence the name of the project—yet without tides. This is because the Markermeer is not connected to the sea and is in a fresh water environment. The new nature reserve will be accessible to tourists.

On 11 May 2016, the first new land was created, which Natuurmonumenten called a "milestone". In March 2017, it was announced that four other islands should be completed before 2020.

Roel Reine

Roel Reine was born in The Netherlands, and with his first theatrical feature 'The Delivery' he won The Golden Calf for Best Director (the Dutch equivalent to an Academy Award). In 2005 Roel Reine has moved to Los Angeles and has directed now an impressive slate of 16 feature films for studios like Universal, 20th Century Fox, Sony and Lionsgate, as well with independent international producers. Roel is also the Director of Photography (Cinematographer) on all his movies and operates A-Camera.

Roel Reine is known by fans, critics and Hollywood studios as one of the best modern action Directors around today. Some of his last movies where: 'Seal Team Eight' (with Tom Sizemore), 'Dead in Tombstone' (with Mickey Rourke), 'Scorpion King: Battle for Redemption' (with Ron Perlman and Billy Zane) and two very popular 'Death Race - prequels' (with Sean Bean and Ving Rhames).

In 2014 Roel Reine is finishing a sequel to the movie 'Man with the Iron Fists', with rapper RZA and produced by Marc Abraham while prepping a Dutch language historical epic movie called 'The Admiral'. This last movie is the second most expensive movie ever produced in The Netherlands and tells the story of a 17th Century Admiral of the Ocean, Michiel De Ruyter, who protects the Dutch population from a civil war between two political factions while defeating English armada's in massive sea-battles.

Le Puy festivities

Mise-en-scène is an expression used to describe the design aspect of a theatre or film production, which essentially means "visual theme" or "telling a story"—both in visually artful ways through storyboarding, cinematography and stage design, and in poetically artful ways through direction. It is also commonly used to refer to single scenes within the film to represent the film. Mise-en-scène has been called film criticism's "grand undefined term".

Dreams of Dali: 360º Video

 

 

Click on the arrows to get the full 360 degree experience.

I felt as impressed as everyone else did when I saw my first 360-degree video, the technology that allows viewers to "look" in any direction they wish. But most of the 360-degree videos that became popular early simply demonstrated the concept, and as much astonishment as the experience of the concept alone can generate, even more excitement came from thinking about the technology's potential. It hasn't taken long for 360-degree videos to look beyond virtual reality — indeed, to look all the way to virtual surreality, as envisioned by perhaps the best-known surrealist of them all, Salvador Dalí.

 

Adventures in Perception

Maurits Cornelis Escher 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made mathematically-inspired woodcuts, lithographs, and mezzotints. Despite wide popular interest, Escher was for long somewhat neglected in the art world, even in his native Netherlands. He was 70 before a retrospective exhibition was held. In the twenty-first century, he became more widely appreciated, with exhibitions across the world.

His work features mathematical objects and operations including impossible objects, explorations of infinity, reflection, symmetry, perspective, truncated and stellated polyhedra, hyperbolic geometry, and tessellations.

Cologne Dom

Dubbing, mixing, or re-recording is a post-production process used in filmmaking and video production in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack.

The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks – dialogue, automated dialogue replacement (ADR), effects, Foley, music – the dubbing mixers proceed to balance all of the elements and record the finished soundtrack.
Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry.

Tokyo Story

A Film by Yasujiro Ozu. The finest film ever made. Listed at #1 in Halliwell's Top 1000 countdown of the world's best cinema, and voted among the five best films ever made in Sight and Sound magazine's ten yearly poll of critics worldwide, Tokyo Story is prehaps the most powerful reflection on the human condition ever committed to celluloid. When an elderly couple travel to a rapidly-rebuilding Tokyo to visit their children, they are met with unexpected indifference, ingratitude and selfishness. As the vastly different priorities of pre- and post-war Japan collide, Yasujiro Ozu's materpiece deepens into a sublime meditation on family, ambition and mortality. Considered by many to be the greatest film ever made, Tokyo Story is a subtle yet overwhelmingly emotional drama from one of Japan's finest directors whose masterful eye and scrupulous attention to character has influenced countless filmmakers around the world.

Nantes - L'Eléphant

 

 

In the warehouses of the former shipyards in Nantes, the Machines of the Isle is created by two artists, François Delarozière (La Machine) and Pierre Orefice (Manaus association), visualising a travel-through-time world at the crossroads of the “imaginary worlds” of Jules Verne and the mechanical universe of Leonardo da Vinci…

The mechanical elephant is 12 meters high and 8 meters wide, made from 45 tons of wood and steel. It can take up to 49 passengers for a 45-minute walk. It is a non-exact replica of The Sultan’s Elephant from Royal de Luxe, which toured the world from 2005 to 2007 (the main difference being that this elephant was designed to carry spectators).

Dubrovnik

It takes a lot of energy to shoot a travel documentary. There are many things to worry about.The production process of travel documentaries is very complicated. First, the director needs to place a large number of staff and allocate all the equipment. In addition, they have to be responsible for formulating travel plans. They also need to book hotels and foods in advance. And they may have to prepare for many unexpected situations.

The documentary filming method is different from many other films. In the process of documentary filming, it is often necessary to interview other people. So the quality of the interview is very important for the documentary.In addition, the details of the documentary are also very important.Take tourism documentaries as an example. Only by making every appealing place in the tourist destination clear, can we attract more people to travel there. There are also some questions about the shooting angle. Because documentaries have a higher requirement for authenticity, they must have the most reasonable shooting angle.

Experience of the sheep

Watching, co-suffering, is a choice. You can also look away believe me: you are looking at it completely powerless. A train passes behind the sheep. It doesn't stop either. "Some people got really angry with that film," says Eisinga, the filmmaker “Looking, co-suffering, is a choice. You can also look away.

"Countless film festivalsWith its transverse arrangement, Eisinga is difficult to place. He does not make documentaries and also opposes the video art label. He makes analogue films in 16mm and 35mm formats and mirrors pioneering film makers such as Tarkovsky
His considerable resume mentions participation in numerous film festivals, but he is still in the margins in that world. He sets the "still image" in motion and that is why the circuit of contemporary art (with his generous opinion about the use of media) fits him better.

One-point perspective

One-point perspective

A drawing has one-point perspective when it contains only one vanishing point on the horizon line. This type of perspective is typically used for images of roads, railway tracks, hallways, or buildings viewed so that the front is directly facing the viewer. Any objects that are made up of lines either directly parallel with the viewer's line of sight or directly perpendicular (the railroad slats) can be represented with one-point perspective. These parallel lines converge at the vanishing point. 

Charlie Chaplin - The Lion Cage

Charlie Chaplin was an actor and filmmaker committed to his craft--a perfectionist, in short. When directing City Lights (1931), Chaplin demanded as many as 342 takes of a fairly straightforward three-minute scene. That's what it took to get it right.

Above, we find an earlier example of the filmmaker's attention to detail ... and his appetite for risk. In the 1928 film, The Circus, Chaplin took more than 200 takes to complete the Lion's Cage scene shown above. Many of those takes, the official Charlie Chaplin website reminds us, took place inside the lion's cage itself. As the scene unfolds, the tension builds and Chaplin puts in a performance that helped him secure his first Academy Award.

An introduction to the Desmet Collection

Jean Desmet was a pioneering film distributor and theatre owner in the Netherlands.
The Desmet Collection consists of films, posters, stills and company documents, mainly from the period 1907-1916.
The film collection contains over 900 films of all genres; from France, Italy, USA, Germany and more...
Since 2011, Desmet Collection held at the EYE Filmmuseum has been inscribed on the UNESCO Memory of the World Register.

The sound of politicians

An interview is a conversation where questions are asked and answers are given.[1] In common parlance, the word "interview" refers to a one-on-one conversation between an interviewer and an interviewee. The interviewer asks questions to which the interviewee responds, usually so information may be transferred from interviewee to interviewer (and any other audience of the interview). Sometimes, information can be transferred in both directions. It is a communication, unlike a speech, which produces a one-way flow of information.

the real meaning is that for sure what you say may be important, but the way you say it can really make a difference.

Funfair in Volendam

In combination with other aspects, theatrical costumes can help actors portray characters' age, gender role, profession, social class, personality, and even information about the historical period/era, geographic location and time of day, as well as the season or weather of the theatrical performance. Often, stylized theatrical costumes can exaggerate some aspect of a character; for example Harlequin and Pantaloon in the traditional commedia dell'arte.

Usually, in costume, historical accuracy is combined with a certain vision. The character that the costumer is dressing is also an important aspect, and a lot of the time the attitudes of the character is not exactly in line with the time period. For example, they may be more bright and colorful, or they may be more dull. A movie or stage production which emphasize the use of correct clothes and settings for a specific time period is called a costume drama.

Stage clothes often follow the evolving fashion but in a more extravagant way.[clarification needed] Clothes worn by popular performers can often spark new fashions by themselves, as fans of performers want to look like their idols.

 

New Wave

To make a film all you need is a girl and a gun.” Jean-Luc Godard’s oft-quoted line might have come from the mouth of any tough-talking, American movie director from Hollywood’s classic era. The fact that it was spoken by a 29-year-old Franco-Swiss intellectual from Paris says much about the cross-cultural pollination that was so crucial to birth of the New Wave and to what is often considered its flagship film: À bout de souffle. Indeed the film’s simple story resembles a classic American film noir, such as those made by Monogram Studios, to whom the film is dedicated. But Godard approached the story in ways that departed radically from past genre archetypes. His years as a critic, his immersion in both high and low culture, his philosophical explorations, all impacted on his debut feature film. As he said in an interview, the film was the result of “a decade’s worth of making movies in my head.” The fact that he was relatively inexperienced and had little knowledge of the practical aspects of filmmaking proved unimportant. What he did have were an accumulation of original ideas, which he applied fearlessly to the aesthetic and technical elements of the film. The results were nothing less than a cinematic revolution.

Glorious Delft

The term historical period drama (also historical drama, period drama, costume drama, and period piece) refers to a work set in a past time period, usually used in the context of film and television. It is an informal crossover term that can apply to several genres and is often heard in the context of historical fiction and romances, adventure films, and swashbucklers. A period piece may be set in a vague or general era such as the Middle Ages or a specific period such as the Roaring Twenties. A religious work can qualify as period drama but not as historical drama.

 

North Eifel

Over time, the cyan, magenta and yellow dyes that form the image in color 16 mm film inevitably fade. The rate of deterioration depends on storage conditions and the film type. In the case of Kodachrome amateur and documentary films and Technicolor IB (imbibition process) color prints, the dyes are so stable and the deterioration so slow that even prints now over 70 years old typically show no obvious problems.

Unfortunately, dyes in the far more common Eastmancolor print film and similar products from other manufacturers are notoriously unstable. Prior to the introduction of a longer-lasting "low fade" type in 1979, Eastmancolor prints routinely suffered from easily seen color shift and fading within ten years. The dyes degrade at different rates, with magenta being the longest-lasting, eventually resulting in a pale reddish image with little if any other color discernible.

Retiro the Park of Madrid

Non-destructive editing is a form of audio, video, or image editing in which the original content is not modified in the course of editing; instead the edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video or a directed acyclic graph for still images is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited.

Overlook Delft

A low-budget film or low-budget movie is a motion picture shot with little to no funding from a major film studio or private investor. Many independent films are made on low budgets, but films made on the mainstream circuit with inexperienced or unknown filmmakers can also have low budgets. Many young or first time filmmakers shoot low-budget films to prove their talent before doing bigger productions. Many low-budget films that do not gain some form of attention or acclaim are never released in theatres and are often sent straight to retail because of its lack of marketability, look, story, or premise. There is no precise number to define a low budget production, and it is relative to both genre and country. What might be a low-budget film in one country may be a big budget in another. Modern-day young filmmakers rely on film festivals for pre promotion. They use this to gain acclaim and attention for their films, which often leads to a limited release in theatres. Film that acquire a cult following may be given a wide release. Low-budget films can be either professional productions or amateur. They are either shot using professional or consumer equipment. 

Trailer Prooi (Prey)

In Dick Maas' new thriller, a bloodthirsty lion appears in Amsterdam ... After the discovery of a horribly butchered peasant family just outside Amsterdam, the police call in the help of Artis vet Lizzy. She immediately sees what the bloody mutilations must have caused: a strong, aggressive lion. Nobody believes her and only after a bloodbath in the Vondelpark do the authorities agree with her plan to deploy the British hunter Jack. Lizzy’s friend Dave has his reservations about Jack and Lizzy's amorous past. But he also has to admit that Jack is their best chance to prevent more bloodshed in the streets of Amsterdam. The hunt is open ...

Turku in motion

Slow motion is ubiquitous in modern filmmaking. It is used by a diverse range of directors to achieve diverse effects. Some classic subjects of slow-motion

Athletic activities of all kinds, to demonstrate skill and style.

Natural phenomena, such as a drop of water hitting a glass.
Slow motion can also be used for artistic effect, to create a romantic or suspenseful aura or to stress a moment in time

Fantasia de Valencia

The name "film" originates from the fact that photographic film (also called film stock) has historically been the medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including picture, picture show, moving picture, photoplay, and flick. The most common term in the United States is movie, while in Europe film is preferred. Common terms for the field in general include the big screen, the silver screen, the movies, and cinema; the last of these is commonly used, as an overarching term, in scholarly texts and critical essays. In early years, the word sheet was sometimes used instead of screen.

 

Karlovy Vary

An eyeline match is a film editing technique associated with the continuity editing system. It is based on the premise that an audience will want to see what the character on-screen is seeing. An eyeline match begins with a character looking at something off-screen, followed by a cut of another object or person: for example, a shot showing a man looking off-screen is followed by a shot of a television. Given the audience's initial interest in the man's gaze, it is generally inferred on the basis of the second shot that the man in the first was looking at the television, even though the man is never seen looking at the television within the same shot.

Eyeline match also refers to the practice of setting off-camera eyelines for single shots of characters within a scene such that, when these shots are cut together, each of the characters appear to be looking at the correct character, without any confusion.

Making of Rembrandt ('41)

In cinema, a making-of, also known as behind-the-scenes, the set or on the set is a documentary film that features the production of a film or television program. This is often referred to as the EPK (electronic press kit) video, due to its main usage as a promotional tool, either concurrent with theatrical release or as a bonus feature for the film's DVD or Blu-ray release.

Feature length documentaries on the making of other films has become a film genre in its own right. The making-of film may ultimately be more important than the film itself.

Bergen op Zoom North Brabant

Early in the transition to digital cinematography, the inability of digital video cameras to easily achieve shallow depth of field, due to their small image sensors, was initially an issue of frustration for film makers trying to emulate the look of 35mm film. Optical adapters were devised which accomplished this by mounting a larger format lens which projected its image, at the size of the larger format, on a ground glass screen preserving the depth of field. The adapter and lens then mounted on the small format video camera which in turn focused on the ground glass screen. 

Musical north of Amsterdam

Filters, such as diffusion filters or color effect filters, are also widely used to enhance mood or dramatic effects. Most photographic filters are made up of two pieces of optical glass glued together with some form of image or light manipulation material between the glass. In the case of color filters, there is often a translucent color medium pressed between two planes of optical glass. Color filters work by blocking out certain color wavelengths of light from reaching the film. With color film, this works very intuitively wherein a blue filter will cut down on the passage of red, orange, and yellow light and create a blue tint on the film. In black-and-white photography, color filters are used somewhat counter intuitively; for instance a yellow filter, which cuts down on blue wavelengths of light, can be used to darken a daylight sky (by eliminating blue light from hitting the film, thus greatly underexposing the mostly blue sky) while not biasing most human flesh tone.

Qatar 2022 - The first ethically neutral World Cup.

A parody also called a spoof, send-up, take-off, lampoon, caricature, or joke is a work created to imitate, make fun of, or comment on an original work—its subject, author, style, or some other target—by means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, "parody ... is imitation, not always at the expense of the parodied text." Another critic, Simon Dentith, defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice. Parody may be found in art or culture, including literature, animation, gaming, and film.

Cologne: the Dom

If you’re reading this, there’s a good chance you’ve seen the German Expressionist classic The Cabinet of Dr. Caligari. As soon as Robert Weine’s 1920 film came out, it was described as essential. Or as one reviewer wrote, “so-called cultured people who fail to see it are neglecting their education.” There are dozens more German films to which that sentence might apply. Films from the country’s explosive Weimar moment—which also produced Metropolis, Nosferatu, M, Faust, etc.—to those of the New German Cinema movement of the 1960s and 70s, which gave the world such enfants terribles as Wim Wenders, Margarethe von Trotta, Werner Herzog, and Rainer Maria Fassbinder. The furiously prolific Fassbinder died in 1982 at 37, but the former three directors have continued to make internationally-known films into the 21st century.

Laurel & Hardy

Laurel and Hardy were a motion picture comedy team whose official filmography consists of 106 films released from 1921 and 1951. Together they appeared in 34 silent shorts,A 45 sound shorts, and 27 full-length sound feature films.B In addition to these,

Stan Laurel (1890–1965) and Oliver Hardy (1892–1957) were established as film comedians prior to their teaming, with Laurel appearing in over 50 silent films and Hardy in over 250.

Although they first worked together in the film The Lucky Dog (1921), this was a chance pairing and it was not until 1926 when both separately signed contracts with the Hal Roach film studio that they appeared in movie shorts together. Laurel and Hardy officially became a team the following year, in their eleventh silent short film The Second Hundred Years (1927).The pair remained with the Roach studio until 1940. Between 1941 and 1945 they appeared in eight features and one short for 20th Century Fox and Metro-Goldwyn-Mayer

For their contributions to cinema Laurel and Hardy have been awarded separate stars on the Hollywood Walk of Fame.

Medley

In music, a medley is a piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumental. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre.

A medley is the most common form of overture for musical theater productions.

Break Free

What are ASMR Videos? For a trend so wildly popular, you probably haven’t heard of it. ASMR stands for Autonomous Sensory Meridian Response, and it’s a strange recent phenomenon. We all find certain sounds mentally and physically stimulating—some things send a shiver down our spines, create a sensation in the back of our heads. ASMR is a type of sensory stimulus that helps you to relax! In fact, there’s an entire section of Youtube videos and sound creation that is meant to help people feel good.

People who use ASMR describe it as a tingling sensation in their head, neck, or another area of the body in response to a sensory stimulus. There's not a ton of research on it yet, but people are going nuts for ASMR videos all the same. Check out these facts, and some neat videos, we were able to find on the subject of ASMR!

 

Cologne City

The cinematographer selects the camera, film stock, lenses, filters, etc., to realize the scene in accordance with the intentions of the director. Relations between the cinematographer and director vary; in some instances the director will allow the cinematographer complete independence; in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is not common once the director and cinematographer have become comfortable with each other; the director will typically convey to the cinematographer what is wanted from a scene visually, and allow the cinematographer latitude in achieving that effect.

Offer for Fun

If the position of a body is not changing with respect to a given frame of reference (reference point), the body is said to be at rest, motionless, immobile, stationary, or to have constant (time-invariant) position with reference to its surroundings. An object's motion cannot change unless it is acted upon by a force, as described. Momentum is a quantity which is used for measuring the motion of an object. An object's momentum is directly related to the object's mass and velocity, and the total momentum of all objects in an isolated system (one not affected by external forces) does not change with time, as described by the law of conservation of momentum.

As there is no absolute frame of reference, absolute motion cannot be determined. Thus, everything in the universe can be considered to be moving.

Happy 'sHertogenbosch

Mood is generally created through several different things. Setting, which provides the physical location of the story, is used in order to create a background in which the story takes place. Different settings can affect the mood of a story differently, and usually supports or conflicts with the other content of the story in some way. For example, the desert may be a setting for a cowboy story, and may generate a mood of solitude, desolation, and struggle, among other possible associations. The attitude of the narrator is another element that helps generate mood. As the viewer is dependent on the narrator's perspective of the story, they see the story through their lenses, feeling the way the narrator feels about what happens or what is being described. Embedded in the attitude of a narrator are the feelings and emotions which make it up. A similar element that goes into generating mood is diction, that is, the choice and style of words the the storyteller uses. Diction conveys a sensibility as well as portrays the content of a story in specific colors, thus affecting the way the viewer feels about

it.

Western Cologne

A point of view shot (also known as POV shot, first-person shot or a subjective camera) is a short film scene that shows what a character (the subject) is looking at (represented through the camera). It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The technique of POV is one of the foundations of film editing.

Scheepvaerthuis: Amsterdam

The Shipping House (Dutch: Scheepvaarthuis) is a building on the western tip of the Waalseiland near Amsterdam harbour that is one of the top 100 Dutch heritage sites and generally regarded as the first true example of the Amsterdam School, a style characterised by "expressive dynamism, lavish ornamentation and colourful embellishments". It is situated on the Prins Hendrikkade and was erected on the spot where Cornelis Houtman's first trip to the East Indies had begun in 1595. The first part was built 1913 - 1916 (during World War I); the second part was built 1926 -1928. Originally, it was the headquarters of six leading Amsterdam shipping companies

10 drawings for projection

William Kentridge - 10 Drawings for Projection

William Kentridge (Johannesburg, 1955) studied political science and African Studies. Kentridge is known for its special animation films, charcoal drawings and installations made up of film, sound, music and sculptural objects. In 2015, the artist donated 10 Drawings for Projection (1989-2011) to the Eye film museum. These ten short animation films made his international breakthrough. The films show the eventful history of South Africa. They give a wide view of Kentridge's oeuvre and a glimpse into life in South Africa after the abolition of apartheid.

De Blauwe Schuit

De Blauwe Schuit was a medieval company that expressed itself in irony and reversal. Sometimes the name is written as 'Blauwe Schuyt'.

De Blauwe Schuit was a cart ship (carrus navalis), which was therefore propelled by the city on wheels. On board were subjects who had changed their superiors: princes, kings and gentlemen. The barge was driven through the city in procession.
Another party of the reversal of everything is carnival. In many places a Blue Barge will ride along in the parade.

Den Bosch spring 2009

Widescreen images are images that are displayed within a set of aspect ratios (relationship of image width to height) that is used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1.37:1 Academy aspect ratio provided by 35mm film.

For television, the original screen ratio for broadcasts was in fullscreen 4:3 (1.33:1). Largely between the 1990s and early 2000s, at varying paces in different nations, 16:9 (1.78:1) widescreen TV displays came into increasingly common use. They are typically used in conjunction with high-definition television (HDTV) receivers, or Standard-Definition (SD) DVD players and other digital television sources.

With computer displays, aspect ratios wider than 4:3 are also referred to as widescreen. Widescreen computer displays were previously of 16:10 aspect ratio, but now are usually 16:9.

Birth of carnival floats

The parade float got its name because the first floats were decorated barges that were towed along canals with ropes held by parade marchers on the shore. Floats were occasionally propelled from within by concealed oarsmen, but the practice was abandoned because of the high incidence of drowning when the lightweight and unstable frames capsized. Strikingly, among the first uses of grounded floats — towed by horses — was a ceremony in memory of recently drowned parade oarsmen. Today, parade floats are traditionally pulled by motor vehicles or are powered themselves.

Ursula & Gedeon

The Basilica church of St. Ursula . It is built upon the ancient ruins of a Roman cemetery, where the 11,000 virgins associated with the legend of Saint Ursula are said to have been buried. The church has an impressive reliquary created from the bones of the former occupants of the cemetery. It is one of the twelve Romanesque churches of Cologne.

St. Gereon has a highly irregular plan, the nave being covered by a decagonal oval dome, 21.0 m long and 16.9 m wide, completed in 1227 on the remains of Roman walls, which are still visible. It is the largest dome built in the West between the erection of the Hagia Sophia in the 6th century and the Duomo of Florence in the 15th century.

Mediapark Köln

Combined with the Internet and personal computing, digital media has caused disruptive innovation in publishing, journalism, public relations, entertainment, education, commerce and politics. Digital media has also posed new challenges to copyright and intellectual property laws, fostering an open content movement in which content creators voluntarily give up some or all of their legal rights to their work. The ubiquity of digital media and its effects on society suggest that we are at the start of a new era in industrial history, called the Information Age, perhaps leading to a paperless society in which all media are produced and consumed on computers. However, challenges to a digital transition remain, including outdated copyright laws, censorship, the digital divide, and the spectre of a digital dark age, in which older media becomes inaccessible to new or upgraded information systems. Digital media has a significant, wide-ranging and complex impact on society and culture.

Charlemagnes church

An essential element of historical fiction is that it is set in the past and pays attention to the manners, social conditions and other details of the period depicted. Authors also frequently choose to explore notable historical figures in these settings, allowing readers to better understand how these individuals might have responded to their environments. Some subgenres such as alternate history and historical fantasy insert speculative or ahistorical elements into a novel.

Works of historical fiction are sometimes criticised for lack of authenticity because of readerly or genre expectations for accurate period details. This tension between historical authenticity, or historicity, and fiction frequently becomes a point of comment for readers and popular critics, while scholarly criticism frequently goes beyond this commentary, investigating the genre for its other thematic and critical interests.

At Work at that Time

Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence so as to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach.

Cologne pictures

In film editing, video editing and post production, screen direction is the direction that actors or objects appear to be moving on the screen from the point of view of the camera or audience. A rule of film editing and film grammar is that movement from one edited shot to another must maintain the consistency of screen direction in order to avoid audience confusion.

"Camera left" or "frame left" indicates movement towards the left side of the screen, while "camera right" or "frame right" refers to movement towards the right side of the screen. "Foreground" refers to the apparent space close to the camera (and thus to the audience), and "background" refers to the apparent space in the distance away from the camera and the audience.

 

Tour de Cologne

An edit decision list or EDL is used in the post-production process of film editing and video editing. The list contains an ordered list of reel and timecode data representing where each video clip can be obtained in order to conform the final cut.

EDLs are created by offline editing systems, or can be paper documents constructed by hand such as shot logging. These days, linear video editing systems have been superseded by non-linear editing (NLE) systems which can output EDLs electronically to allow autoconform on an online editing system – the recreation of an edited programme from the original sources (usually video tapes) and the editing decisions in the EDL.

They are also often used in the digital video editing world, so rather than referring to reels they can refer to sequences of images stored on disk.