Crossing the line on sea

 

 

In filmmaking, the 180-degree rule[1] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. 

 

The Foley-artist (2)

 

 

What is now called Foley originated as adding sounds to live broadcasts of radio drama from radio studios around the world in the early 1920s. Phonograph recordings of the era were not of sufficient quality or flexibility to faithfully reproduce most sound effects on cue, so a sound effects person had to create all sounds for radio plays live. Jack Donovan Foley[4] started working with Universal Studios in 1914 during the silent movie era.

Expose

 

 

A roadshow theatrical release or reserved seat engagement is the practice of opening a film in a limited number of theaters in major cities for a specific period of time before the wide release of the film. Roadshows would generally mimic a live theatre production, with an upscale atmosphere as well as somewhat higher prices than during a wide release. They were commonly used to promote major films from the 1920s–60s and build excitement. 

 

Nipper the famous dog

 

 

His Master's Voice (HMV) was the name of a major British record label created in 1901 by The Gramophone Co. Ltd. The phrase was coined in the late 1890s from the title of a painting by English artist Francis Barraud, which depicted a dog named Nipper listening to a wind-up disc gramophone and tilting his head. In the original, unmodified 1898 painting, the dog was listening to a cylinder phonograph. The painting was also famously used as the trademark and logo of the Victor Talking Machine Company, later known as RCA Victor. 

The painting was originally offered to James Hough, manager of Edison-Bell in London, but he declined, saying "dogs don't listen to phonographs". Barraud subsequently visited The Gramophone Co. of Maiden Lane in London where the manager William Barry Owen offered to purchase the painting if it were revised to depict their latest Improved Gramophone model. Barraud obliged, and Owen bought the painting from Barraud for £100. 

Design: Piet-Hein Eek

 

 

The applied arts are all the arts that apply design and decoration to everyday and essentially practical objects in order to make them aesthetically pleasing.[1] The term is used in distinction to the fine arts, which are those that produce objects with no practical use, whose only purpose is to be beautiful or stimulate the intellect in some way. In practice, the two often overlap. Applied arts largely overlap with decorative arts, and the modern making of applied art is usually called design.

 

Agricultural colonies: "pauper paradise"

 

These cultural landscapes demonstrate an innovative, highly influential 19th-century model of pauper relief and of settler colonialism, which today is known as an agricultural domestic colony. The property encompasses Colonies of Benevolence in three component parts: Frederiksoord-Wilhelminaoord and Veenhuizen in the Netherlands. Together they bear witness to a 19th century experiment in social reform, an effort to alleviate urban poverty by establishing agricultural colonies in remote locations. Established in 1818, Frederiksoord (the Netherlands) is the earliest of these Colonies and home to the original headquarters of the Society of Benevolence, an association which aimed to reduce poverty at the national level. The other component parts were constructed between 1820 and 1823. In Frederiksoord-Wilhelminaoord, small farms along planted avenues were built for families and this Colony was referred to as ‘free’. In Veenhuizen large dormitory structures and larger centralized farms along planted avenues were built for orphans, beggars and vagrants that worked under the supervision of guards. This colony was called ‘unfree’. Each component part has a distinctive spatial character, connected to the target group for which it was built, and a specific organization of the work, with either family farms or institutions with working farms for groups of individuals. At their peak in the mid-19th century, over 11,000 people lived in such Colonies in the Netherlands.

Korean Mix

 

 

The cinema of South Korea refers to the film industry of South Korea from 1945 to present. South Korean films have been heavily influenced by such events and forces as the Japanese occupation of Korea, the Korean War, government censorship, the business sector, globalization, and the democratization of South Korea. Though filmmakers were still subject to government censorship, South Korea experienced a golden age of cinema, mostly consisting of melodramas, starting in the mid-1950s. The number of films made in South Korea increased from only 15 in 1954 to 111 in 1959.

 

Fantasy movie

 

 

While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films. 

 

Dance show

 

 

Dance has become a popular form of content across many social media platforms, including TikTok. During 2020, TikTok dances offered the opportunity for isolated individuals to interact and connect with one another through a virtual format. Since its debut in 2017, the app has also attracted a small but growing audience of professional dancers in their early 20s to 30s. While the majority of this demographic is more accustomed to performing onstage, this app introduced a new means to generate professional exposure. 

 

 

Visit to Sweden

 

As early as 1906, various film entrepreneurs began to discuss the potential of home viewing of films, and in 1912, both Edison and Pathé started selling film projectors for home use. Because making release prints was (and still is) very expensive early home projector owners rented films by mail from the projector manufacturer. Edison's business model was fundamentally flawed because the company had started with phonographs and did not understand that home viewing is fundamentally different from home listening. Edison ended its home viewing business in 1914, while Pathé remained somewhat longer, but exited at some point during World War.