George Debels Animator

 

 

George Debels originally came from Antwerp, where he studied technical drawing. In 1914, after the German invasion of Belgium, he fled to Amsterdam. In 1916, he made his first animated film, De wonderdroom van Keesje. From that moment onwards, he made many animated and advertising films. Debels worked for e.g. the KLM and For Friesche Vlag, he designed for the corporate mascot Ko the Cow, who also appeared in several advertising films. Debels had its own animation studio in Amsterdam, and produced his films under the name Mac Djorski.  

 

Tik Tok row madness

 

 

There is talk of 83% growth in a so-called industry built on false metrics, trivial and absurd premises, and distorted mechanisms. The social networks are filled with imaginary people whose followers, likes and comments are paid for and who have absolutely zero influence; while we are being exhorted to fight fake activity and introduce algorithms to detect it; at the same time as the need to tie influencers to contracts to ensure they comply with the number and frequency of mentions stipulated in them. Then there are the cases of influencers with unsavory associations or who are just idiots getting brands intro trouble, metrics that don’t add up, saturated social networks and fatigued users… In short, yet another supposed “industry” related to advertising whose death has long been foretold.

 

 

NDSM by bicycle

 

 

Narrative exposition, now often simply exposition, is the insertion of background information within a story or narrative. This information can be about the setting, characters' backstories, prior plot events, historical context, etc. In literature, exposition appears in the form of expository writing embedded within the narrative. 

 

Early films in Europe

 

 

The Mutoscope and Biograph Collection is the oldest film collection held at Eye Filmmuseum. It includes over 200 films, most of which made in Europe between 1897 and 1902. This constitutes the largest existing collection of Mutoscope and Biograph films surviving in the world. These films were all photographed with the unique large-format 68mm Mutograph camera, which provided extraordinarily high-resolution images. The films reflect the essence of early cinema: capturing the first-ever moving images of important events, famous locations and personalities, as well as spectacular moments such as dance and sports performances, or even natural phenomena like fire or storm, that only work when seen in motion.

Charlatans on the internet

 

Internet activism involves the use of electronic-communication technologies such as social media, e-mail, and podcasts for various forms of activism to enable faster and more effective communication by citizen movements, the delivery of particular information to large and specific audiences, as well as coordination. Internet technologies are used by activists for cause-related fundraising, community building, lobbying, and organizing. A digital-activism campaign is "an organized public effort, making collective claims on a target authority, in which civic initiators or supporters use digital media.

Greenwashed Shell Website

 

Internet activism[a] involves the use of electronic-communication technologies such as social media, e-mail, and podcasts for various forms of activism to enable faster and more effective communication by citizen movements, the delivery of particular information to large and specific audiences, as well as coordination. Internet technologies are used by activists for cause-related fundraising, community building, lobbying, and organizing. A digital-activism campaign is "an organized public effort, making collective claims on a target authority, in which civic initiators or supporters use digital media.

The drink: water

 

 

A film's genre will influence the use of filmmaking styles and techniques, such as the use of flashbacks and low-key lighting in film noir; tight framing in horror films; or fonts that look like rough-hewn logs for the titles of Western films. In addition, genres have associated film-scoring conventions, such as lush string orchestras for romantic melodramas or electronic music for science-fiction films. Genre also affects how films are broadcast on television, advertised, and organized in video-rental stores. 

 

Still life pictures

 

An illusion is a distortion of the senses, which can reveal how the mind normally organizes and interprets sensory stimulation. Although illusions distort the human perception of reality, they are generally shared by most people. Illusions may occur with any of the human senses, but visual illusions (optical illusions) are the best-known and understood. The emphasis on visual illusions occurs because vision often dominates the other senses. For example, individuals watching a ventriloquist will perceive the voice is coming from the dummy since they are able to see the dummy mouth the words.

Celluloid-remix final

 

 

Celluloid Remix revolves around unique film material from the first decades of film history (1896-1933), the period of the silent film. A large part of the films from this period have been lost to erosion, mold and ink corrosion. Everything that has stood the test of time is stored in the depots of the Film Museum and has now been restored and digitized in the context of Images for the Future. Film remixing is not new. Films from the beginning of film history were often semi-finished products. During the screening, the films were often explained by an explicator and music was provided by a musician or orchestra. It also happened that the films were cut up by the exhibitor and were made into a new compilation with other (own) material.”

Snack tomatoes

 

 

• In motion picture terminology, a montage (from the French for "putting together" or "assembly") is a film editing technique. There are at least three senses of the term: 
• 1. In French film practice, "montage" has its literal French meaning (assembly, installation) and simply identifies editing. 
• 2. In Soviet filmmaking of the 1920s, "montage" was a method of juxtaposing shots to derive new meaning that did not exist in either shot alone. 
• 3. In classical Hollywood cinema, a "montage sequence" is a short segment in a film in which narrative information is presented in a condensed fashion.