Embroidery, knitting, and crochet: techniques of the past? These crafts are finding their way back onto the catwalk, into the streets and on social media. It connects, gives strength and helps express emotions. In Continue This Thread, Amsterdam-based fashion designers Karim Adduchi (1988) and Tess van Zalinge (1989) explore the power of craftsmanship .
With the green of the surrounding ancient woods. The serene beauty of the buildings has not changed since its inception. This is because of the “Shikinen Zotai” ceremony which takes place every 20 years. In this ceremony, the buildings of the shrine are repaired, the tools and instruments used are renewed, and ceremonial rituals are held strictly according to their traditions. Through such efforts, a solemn and peaceful atmosphere fills the entire precinct. Kasuga Taisha is a distinguished shrine with 3,000 auxiliary shrines across the country and 3,000 donated lanterns, demonstrating how widely and deeply worshipped the shrine is. Just like in ancient times, services are offered every morning and evening, and Over 2,200 festivals are held here annually. Still today, prayers are offered for national and global peace, and for the happiness and wellbeing of all people.
In motion picture terminology, a montage (from the French for "putting together" or "assembly") is a film editing technique. There are at least three senses of the term: 1. In French film practice, "montage" has its literal French meaning (assembly, installation) and simply identifies editing. 2. In Soviet filmmaking of the 1920s, "montage" was a method of juxtaposing shots to derive new meaning that did not exist in either shot alone. 3. In classical Hollywood cinema, a "montage sequence" is a short segment in a film in which narrative information is presented in a condensed fashion.
Step into an immersive experience, at the crossroads between reality and fantasy worlds. In the Black Fantastic shows seductive, opulent and colorful works by eleven contemporary artists from the African diaspora. With boundless imagination and technical virtuosity, they address racism and social inequality. The artists depict new worlds and possibilities and draw inspiration from folklore, myth, science fiction, spiritual traditions and afrofuturism.
A jump cut is a cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subject in the remaining pieces of footage of the sequence should vary only slightly in order to achieve the effect. It is a manipulation of temporal space using the duration of a single shot, and fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's Breathless, which made extensive use of jump cuts and popularized the technique during the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes nonetheless used for creative purposes. Jump cuts tend to draw attention to the constructed nature of the film.
Slow motion is used widely in action films for dramatic effect, as well as the famous bullet-dodging effect, popularized by The Matrix. Formally, this effect is referred to as speed ramping and is a process whereby the capture frame rate of the camera changes over time. For example, if in the course of 10 seconds of capture, the capture frame rate is adjusted from 60 frames per second to 24 frames per second, when played back at the standard film rate of 24 frames per second, a unique time-manipulation effect is achieved.
A media clip is a short segment of electronic media, either an audio clip or a video clip. Media clips may be promotional in nature, as with movie clips. For example, to promote upcoming movies, many actors are accompanied by movie clips on their circuits. Additionally, media clips may be raw materials of other productions, such as audio clips used for sound effects.
All communication (and data processing) is achieved through the use of symbols. Symbols take the form of words, sounds, gestures, ideas, or visual images and are used to convey other ideas and beliefs. For example, a red octagon is a common symbol for "STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers; letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals.
The Man Who Shot Liberty Valance is a 2014 Western stage play by Jethro Compton based on the 1953 short story of the same name by Dorothy M. Johnson, which also became the basis for the 1962 Paramount Pictures film The Man Who Shot Liberty Valance, directed by John Ford, starring James Stewart and John Wayne, with the song performed by Gene Pitney. The play is billed as "classic story of good versus evil, law versus the gun, one man versus Liberty Valance. A tale of love, hope and revenge set against the vicious backdrop of a lawless society".
A remake is a film, television series, video game, song or similar form of entertainment that is based upon and retells the story of an earlier production in the same medium—e.g., a "new version of an existing film". A remake tells the same story as the original but uses a different cast, and may alter the theme or change the story's setting. A similar but not synonymous term is reimagining, which indicates a greater discrepancy between, for example, a movie and the movie it is based on.
