Sea of Rocks

 

 

Most nature documentary films or television series focus on a particular species, ecosystem, or scientific idea (such as evolution). Although most take a scientific and educational approach, some anthropomorphise their subjects or present animals purely for the viewer's pleasure. Although almost all have a human presenter, the role varies widely, ranging from explanatory voice-overs to extensive interaction or even confrontation with animals. Most nature documentaries are made for television and are usually of 45 to 50 minutes duration, but some are made as full-length cinematic presentations. 

 

Sauerland journey

 

 

A film distributor is responsible for the marketing of a film. The distribution company may be the same with, or different from, the production company. Distribution deals are an important part of financing a film. The distributor may set the release date of a film and the method by which a film is to be exhibited or made available for viewing; for example, directly to the public either theatrically or for home viewing (DVD, video-on-demand, download, television programs through broadcast syndication etc.). A distributor may do this directly, if the distributor owns the theaters or film distribution networks, or through theatrical exhibitors and other sub-distributors. A limited distributor may deal only with particular products, such as DVDs or Blu-ray, or may act in a particular country or market. The primary distributor will often receive credit in the film's credits, one sheet or other marketing material. 

 

 

Filmmaking with a drone

 

 

The international drone film festival. InAir.Amsterdam is a prestigious international drone film competition. Amazing screenings. New genres. Innovative cinema. Amsterdam embraces aerial cinematography. New perspectives on: Art, Nature, News, Documentaries, Sports and the Unknown. InAir Amsterdam will celebrate world's best aerial cinematography on May 2nd, 2018. Besides a film competition InAir is also an experience and a symposium. 

 

 

 

Sauerland pictures

 

 

Live action (or live-action) is a form of cinematography or videography that uses photography instead of animation. Some works combine live-action with animation to create a live-action animated film. Live-action is used to define film, video games or similar visual media. Photorealistic animation, particularly modern computer animation, is sometimes erroneously described as "live-action" as in the case of some media reports about Disney's 2019 remake of The Lion King. According to the Cambridge English Dictionary, live action "[involves] real people or animals, not models, or images that are drawn, or produced by computer".

World pressfoto.

 

 

World Press Photo Foundation is an independent, non-profit organization based in Amsterdam, Netherlands. Founded in 1955, the organization is known for holding an annual press photography contest. Since 2011, World Press Photo has organized a separate annual contest for journalistic multimedia productions, and, in A primary objective of the organization is to support professional photojournalism on a wide international scale through the World Press Photo Academy. It aims to stimulate developments in photojournalism, encourage the transfer of knowledge, help develop high professional standards in visual journalism and promote a free and unrestricted exchange of information. 

 

Altstadt Arnsberg Sauerland

 

 

 

A re-cut trailer, or retrailer is a mashup video that uses footage from a movie or its original trailers to create a completely new context or one different from the original source material. The mashups are parody trailers that derive humor from misrepresenting original films: for instance, a film with a murderous plot is made to look like a comedy, or vice versa. They became popular on the Internet in 2005. 

 

North Amsterdam

 

 

 

The main purpose of publicity stills is to help studios advertise and promote their new films and stars. Studios therefore send those photos along with press kits and free passes to as many movie-related publications as possible so as to gain free publicity. Such photos were then used by newspapers and magazines, for example, to write stories about the stars or the films themselves. Hence, the studio gains free publicity for its films, while the publication gains free stories for its readers. 

 

 

 

Cinema experience

 

 

Experience is the process through which conscious organisms perceive the world around them. Experiences can be accompanied by active awareness on the part of the person having the experience, although they need not be. 

Experience is the primary subject of various subfields of philosophy, including the philosophy of perception, the philosophy of mind, and phenomenology. 

 

 

North Brabants Museums

 

 

Art film producers usually present their films at special theaters (repertory cinemas or, in the U.S., art-house cinemas) and at film festivals. The term art film is much more widely used in North America, the United Kingdom, and Australia, compared to the mainland Europe, where the terms auteur films and national cinema (e.g. German national cinema) are used instead. Since they are aimed at small, niche-market audiences, art films rarely acquire the financial backing that would permit large production budgets associated with widely released blockbuster films. Art film directors make up for these constraints by creating a different type of film, one that typically uses lesser-known film actors (or even amateur actors), and modest sets to make films that focus much more on developing ideas, exploring new narrative techniques, and attempting new film-making conventions. 

 

Nature on fire

 

 

Many contemporary activists now utilize new tactics through the Internet and other information and communication technologies (ICTs), also known as Internet activism or cyber-activism. Some scholars argue that many of these new tactics are digitally analogous to the traditional offline tools of contention.

 Other digital tactics may be entire new and unique, such as certain types of hacktivism. Together they form a new "digital repertoire of contention" alongside the existing offline one. The rising use of digital tools and platforms by activists has also increasingly led to the creation of decentralized networks of activists that are self-organized and leaderless, or what is known as franchise activism.