For years, mainstream cinematographers were limited to using the Academy ratio, but in the 1950s, thanks to the popularity of Cinerama, widescreen ratios were introduced in an effort to pull audiences back into the theater and away from their home television sets. These new widescreen formats provided cinematographers a wider frame within which to compose their images.
Lyon’s Musée Miniature et Cinéma
This collection is the only one of its kind in Europe, built to honour the exceptional but little-known talents of the film industry’s most skilled artists. And what better place for it than Lyon, the birthplace of cinema?
1000m² dedicated to cinema, with a guided tour of many legendary films from the 1960s to present day.
Film sets, costumes, models, masks and prostheses, lifelike animals, animatronics, robots and monsters of all kinds, and hundreds of authentic objects lent by a wide variety of studios, museums and filmmakers to illustrate a rich cultural and educational journey.
Numerous videos and documents from the archives will introduce visitors to the astounding illusions of the industry’s greatest special-effects experts.
High-key lighting is a style of lighting for film, television, or photography that aims to reduce the lighting ratio present in the scene. This was originally done partly for technological reasons, since early film and television did not deal well with high contrast ratios, but now is used to suggest an upbeat mood. It is often used in sitcoms and comedies. High-key lighting is usually quite homogeneous and free from dark shadows. The terminology comes from the higher balance in the ratio between the key light and the fill light in a traditional three point lighting setup.
In film and video, a freeze frame is when a single of content shows repeatedly on the screen—"freezing" the action. This can be done in the content itself, by printing (on film) or recording (on video) multiple copies of the same source frame. This produces a static shot that resembles a still photograph. Freeze frame is also a term in live stage performance, for a technique in which actors freeze at a particular point to enhance a scene or show an important moment in production. Spoken word may enhance the effect, with a narrator or one or more characters telling their personal thoughts regarding the situation.
Digital humans definition: who and what are they? Don’t panic. Let’s set the topic of cyborgs and transhumanism aside. In fact, the concept of digital humans has a more mundane meaning. A digital human is most often understood as any digital avatar that allows its operator to completely change their identity to a virtual one. With virtual human identity, you can use it as a real person’s digital representation or create a unique character and script an identity. There are many reasons why a person might turn to a digital avatar. The simplest being when there is a need for anonymity. More complicated reasons include being involved in the production of content such as films or TV shows. It’s not just the entertainment industry that is turning to digital human technology. Businesses are actively using the technology to create virtual consultants and improve their client experience at every stage, from prospects to paying customers.
Composition Composition is the organization of objects, actors and space within the frame. One of the most important concepts with the regard to the composition of a film is maintaining a balance of symmetry. This refers to having an equal distribution of light, colour, and objects and/or figures in a shot. Unbalanced composition can be used to emphasize certain elements of a film that the director wishes to be given particular attention to. This tool works because audiences are more inclined to pay attention to something off balance, as it may seem abnormal. Where the director places a character can also vary depending on the importance of the role.
There is a battle raging on the internet, and you may count yourself lucky if you’ve heard nothing about it since it involves the usual unnecessary escalations and knee-jerk reactions: the battle of superhero movies versus the art form known as “cinema.” The first shot, one might say, was fired by Martin Scorsese, who has certainly earned the right to make pronouncements on the subject. Asked for his thoughts on the MCU (that’s Marvel Cinematic Universe for the uninitiated) during an interview with Empire magazine, Scorsese opined, “that’s not cinema. Honestly, the closest I can think of them, as well made as they are, with actors doing the best they can under the circumstances, is theme parks.”
Rule of space The rule of space applies to artwork (photography, advertising, illustration) picturing objects to which the artist wants to apply the illusion of movement, or which is supposed to create a contextual bubble in the viewer's mind. This can be achieved, for instance, by leaving white space in the direction the eyes of a portrayed person are looking, or, when picturing a runner, adding white space in front of him rather than behind him to indicate movement.
Rule of odds The "rule of odds" suggests that an odd number of subjects in an image is more interesting than an even number. Thus if you have more than one subject in your picture, the suggestion is to choose an arrangement with at least three subjects. An even number of subjects produces symmetries in the image, which can appear less natural for a naturalistic, informal composition. An image of a person surrounded/framed by two other persons, for instance, where the person in the center is the object of interest in that image/artwork, is more likely to be perceived as friendly and comforting by the viewer, than an image of a single person with no significant surroundings.
The camera angle marks the specific location at which the movie camera or video camera is placed to take a shot. A scene may be shot from several camera angles simultaneously. This will give a different experience and sometimes emotion. The different camera angles will have different effects on the viewer and how they perceive the scene that is shot. There are a few different routes that a camera operator could take to achieve this effect.
