Quiet Amsterdam

Film is used for a range of goals, including education and propaganda. When the purpose is primarily educational, a film is called an "educational film". Examples are recordings of academic lectures and experiments, or a film based on a classic novel. Film may be propaganda, in whole or in part, such as the films made by Leni Riefenstahl in Nazi Germany, US war film trailers during World War II, or artistic films made under Stalin by Sergei Eisenstein. They may also be works of political protest, as in the films of Andrzej Wajda, or more subtly, the films of Andrei Tarkovsky. The same film may be considered educational by some, and propaganda by others as the categorization of a film can be subjective.

Along the IJ river northside

 

VIDEO is HOT and many companies and organizations and self-employed people want videos on their WEBSITE, Intranet, Facebook, Twitter and Instagram.

Since the advent of smartphones with a good camera, you don't have to hire a camera crew to make a video. Organizations, companies and institutions can do this very well themselves. This is not only cheaper, it also often works better because organizations often know exactly what they want. The videos are therefore more authentic because the company or institution knows exactly what it wants to offer its target group.

Making videos with your smartphone is quick and easy to learn. The big advantage is that you (almost) always have the mobile with you and can therefore create content at any time.

 

 

What a genderfull world !

In British English the word "exhibition" is used for a collection of items placed on display and the event as a whole, which in American English is usually an "exhibit". In both varieties of English each object being shown within an exhibition is an "exhibit". In common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates.

New land

Stage combat, fight craft or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions. With the advent of cinema and television the term has widened to also include the choreography of filmed fighting sequences, as opposed to the earlier live performances on stage. It is closely related to the practice of stunts and is a common field of study for actors. Actors famous for their stage fighting skills frequently have backgrounds in dance, gymnastics or martial arts training. 

Walking in Amsterdam

Dissolving views were a popular type of 19th century magic lantern show exhibiting the gradual transition from one projected image to another. The effect is similar to a dissolve in modern filmmaking. Typical examples had landscapes that dissolved from day to night or from summer to winter. The effect was achieved by aligning the projection of two matching images and slowly diminishing the first image while introducing the second image.
While most dissolving views showed landscapes or architecture in different light, the effect was also used in other ways. An popular example has a soldier sleeping or daydreaming on the battlefield, with dissolving views displaying several of his dreams about home above his head.

Flat Holland

Three different digital soundtrack systems for 35 mm cinema release prints were introduced during the 1990s. They are: Dolby Digital, which is stored between the perforations on the sound side; SDDS, stored in two redundant strips along the outside edges (beyond the perforations); and DTS, in which sound data is stored on separate compact discs synchronized by a timecode track on the film just to the right of the analog soundtrack and left of the frame[2] (Sound-on-disc). Because these soundtrack systems appear on different parts of the print, one movie can contain all of them, allowing broad distribution without regard for the sound system installed at individual theatres. 

 

Bali behind the scenes

The National Museum of World Cultures (NMVW) groups together Amsterdam’s Tropenmuseum, the Afrika Museum in Berg en Dal and the Museum Volkenkunde in Leiden. Since 2017 NMVW has been working closely together with Rotterdam’s Wereldmuseum. That’s why our collection site also features the collections of these other three museums alongside that of the Tropenmuseum. Taken together these collections comprise nearly 450,000 objects, 260,000 photographs and some 350,000 items of documentary film and video material.

Golden Oldies

Most early forms of motion pictures or film were black and white. Some color film processes, including hand coloring were experimented with, and in limited use, from the earliest days of motion pictures. The switch from most films being in black-and-white to most being in color was gradual, taking place from the 1930s to the 1960s. Even when most film studios had the capability to make color films, the technology's popularity was limited, as using the Technicolor process was expensive and cumbersome. For many years, it was not possible for films in color to render realistic hues, thus its use was restricted to historical films, musicals, and cartoons until the 1950s, while many directors preferred to use black-and-white stock.

Enkhuizen: Meeting again

A movie remake uses an earlier movie as its main source material, rather than returning to the earlier movie's source material.
With the exception of shot-for-shot remakes, most remakes make significant changes in character, plot, genre, and theme. Sometimes a remake is made by the same director. Not all remakes use the same title as the previously released version. Remakes are rarely sequels to the original film. In this situation, essentially the remake repeats the same basic story of the original film and may even use the same title, but also contains notable plot and storyline elements indicating the two films are set in "the same universe". The Italian film Perfect Strangers was included in the Guinness World Records as it became the most remade film in cinema history, with a total of 18 versions of the film.

Tropics Museum

Digital methods have also been used to restore films, although their continued obsolescence cycle makes them a poor choice for long-term preservation. Film preservation of decaying film stock is a matter of concern to both film historians and archivists and to companies interested in preserving their existing products in order to make them available to future generations (and thereby increase revenue). Preservation is generally a higher concern for nitrate and single-strip color films, due to their high decay rates; black-and-white films on safety bases and color films preserved on Technicolor imbibition prints tend to keep up much better, assuming proper handling and storage.