Selfy by the fox

Posting intentionally unattractive selfies has also become common in the early 2010s—in part for their humor value, but in some cases also to explore issues of body image or as a reaction against the perceived narcissism or over-sexualization of typical selfies.

The practice of taking selfies has been criticised not only for being narcissistic, preventing assessment and appreciation of what is happening in the present, but also for being mindlessly conformist behaviour, when everyone does what everyone else is doing, "like that scene in The Life of Brian – where the crowd gathers outside Brian's window and enthusiastically chants in unison: 'Yes, we're all individuals! ... Yes, we are all different!

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The park (VondelPark)

A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors. Films may be of recent date and, depending upon the festival's focus, can include international and domestic releases. Some festivals focus on a specific film-maker or genre (e.g., film noir) or subject matter (e.g., horror film festivals). A number of film festivals specialise in short films of a defined maximum length. Film festivals are typically annual events.

Cityseeing in Amsterdam

An event movie is a film whose release itself is considered a major event, such as an anticipated sequel or a big budget film with major stars generating considerable attention and state-of-the-art special effects. An event movie is usually the highest-grossing box office movie in the particular year and becomes a part of popular culture. Steven Spielberg's 1975 movie Jaws is considered the first event movie.

Beatrix-park

 

 

World cinema is not the sum-total of all films made around the world. Its use is analogous to the use of the term "world literature". Goethe used the concept of Weltliteratur (world literature) in several of his essays in the early decades of the nineteenth century to describe the international circulation and reception of literary works in Europe, including works of non-Western origin. An interest in "world cinema" suggests an awareness of high-quality films made outside the Hollywood studio system which dominates international viewership. 

 

Luisenpark by boat

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In film making, the 180-degree rule is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round.

The 180-degree rule enables the audience to visually connect with unseen movement happening around and behind the immediate subject and is important in the narration of battle scenes.

This Beautiful City

We are in the Amsterdam Museum to view the exhibition 'The Most Beautiful City', which was compiled by Mayor Eberhard van der Laan just before his death.

In the Amsterdam Gallery of the museum 80 selected photographs and objects from the collection of the Amsterdam Museum and the City Archives will be exhibited. With this selection, Van der Laan wanted to make clear how Amsterdammers in the past dealt with growing pains and economic growth of the city. He hoped to give an impetus to a good conversation about the future of the city.

Luisenpark in Mannheim

The concept of orphan films acquired an academic and creative entity in the 1990s from new approaches to managing film archives. At that time, orphan films simply identified films without copyright or abandoned by their owners or custodians. However, the term gradually widened to include any kind of footage which has been abandoned, found or forgotten for commercial, material, cultural, political and historical reasons:  material in the public domain, home movies, film out-takes, unreleased films, industrial and educational films, clandestine work, ethnographic films, newsreels, censored material, unfinished pieces, fragments of productions from the silent era, archival material, reels found, medical films, short or unusual format films, advertisements, sponsored films, student work and any other ephemeral piece of celluloid.

Enkhuizen

Cinematography finds uses in many fields of science and business as well as for entertainment purposes and mass communication.

The word "cinematography" is based on the Greek words κίνημα (kinema), meaning "movement, motion" and γράφειν (graphein) meaning "to record", together meaning "recording motion". The word used to refer to the art, process, or job of filming movies, but later its meaning became restricted to "motion picture photography"

St.Petersburg travel trips transport

In April 1896, just four months after the first films were shown in Paris, the first cinematic apparatus appeared in Russia. The first films seen in the Russian Empire were via the Lumière brothers, in Moscow and St. Petersburg in May 1896. In the same month, the first film was shot in Russia, by Lumière cameraman Camille Cerf, a record of the coronation of Nicholas II at the Kremlin in Moscow. The first permanent cinema was opened in St Petersburg in 1896 at Nevsky Prospect, No. 46.

The first Russian movies were shown in the Moscow Korsh Theatre by artist Vladimir Sashin. After purchasing a Vitagraph projector, Sashin started to make short films, which by August 1896 were being demonstrated to theatre audiences after the theatre performance had ended.

Flasback

In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In movies and television, several camera techniques, editing approaches and special effects have evolved to alert the viewer that the action shown is a flashback or flashforward; for example, the edges of the picture may be deliberately blurred, photography may be jarring or choppy, or unusual coloration or sepia tone, or monochrome when most of the story is in full color, may be used. The scene my fade or dissolve, often with the camera focused on the face of the character and there is typically a voice-over by a narrator (who is often, but not always, the character who is experiencing the memory.