Struggle & Survive

Camera coverage, in filmmaking and video production, is the amount of footage shot and different camera angles used to capture a scene. When in the post-production process, the more camera coverage means that there is more footage for the film editor to work with in assembling the final cut.

East to West in Middelburg

Types of soundtrack recordings include:

Musical film soundtracks are for the film versions of musical theatre; they concentrate primarily on the songs
Film scores showcase the primarily instrumental musical themes and background music from movies Movies that contain both orchestral film scores and pop songs, both types of music
Albums of popular songs heard in whole or part in the background of non-musical movies

Experimental: Eiszeit

Schmelzdahin
Jochen Lempert (b 1958), Jochen Müller (b 1959), Jürgen Reble (b 1956) –group founded in 1979; experimental film research in the field of photography, montage, material processing, and concern with the transience of things; about 20 art films produced within 10 years, marketed under the name «Schmelzdahin» (‹melt away›); group dissolved in 1989.

Film material is subjected to biochemical processes by burying it in the garden, storing it in a pond, or overheating it. The results of these natural processes of decay or aging are then copied back onto film and thus conserved in the state of their dissolution.

Entry to the city of Middelburg

A work will often have many premières: a world première (the first time it is shown anywhere in the world) and its first presentation in each country. When a work originates in a country that speaks a different language from that in which it is receiving its national or international première, it is possible to have two premières for the same work in the same country—for example, the play The Maids by the French dramatist Jean Genet received its British première (which also happened to be its world première) in 1952, in a production given in the French language. Four years later, it was staged again, this time in English, which was its English-language première in Britain.

 

New Life

 

 

In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point, without the use of dialogue or music. The term often refers to a process, applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, the segregations between recordings of dialogue, music, and sound effects can be quite distinct, and it is important to understand that in such contexts, dialogue, and music recordings are never referred to as sound effects, though the processes applied to them, such as reverberation or flanging, often are. Necessary incidental units of sound, footsteps, keys, a polishing sound, are created in the foley studio.

Ancient pictures of Middelburg

The Photo Filter adjustment mimics the technique of placing a colored filter in front of the camera lens to adjust the color balance and color temperature of the light transmitted through the lens and exposing the film. Photo Filter also lets you choose a color preset to apply a hue adjustment to an image. If you want to apply a custom color adjustment, the Photo Filter adjustment lets you specify a color.
So, summarily, sepia has both form and function. Sure it’s a button in your fav photo editor. But at its core, it is 130 year-old creative toning process with roots as both an artistic ‘color’ statement and an enhancer of the archival qualities of a printed photo to help a printed image deteriorate more slowly.

 

Around the peperbox

Although camera movements are often implemented to add excitement to shots, their best use is when new information is revealed. At the beginning level, budding filmmakers sometimes tilt and pan without the proper motivation. Camera movements can be distracting and even annoying when overused or used without a reason. Don’t use a camera movement to show that you can. Use it when you know you need it.

WAD : Sea or Land?

Teaser WAD; Overleven op de grens van water en land. from Ruben Smit Productions on Vimeo.

A film that portrays the ecosystem like never before; from very small organisms at the bottom of the food chain like diatoms and shellfish to the peregrine falcon and the gray seal at the top of the food chain.
A film that shows the special aesthetic aspects of the area. A film that shows how incredibly dynamic and grand the area is.
A film that shows once and for all how valuable this UNESCO World Heritage is. In the autumn of 2018 in the cinema to see.

Curious? Read more at wadfilm.nl

Abbey of Middelburg

Learning to make films is very easy. Learning what to make films about is very hard. What you've really got to do is focus on learning as much about life, and about various aspects of it first. Then learn just the techniques of making a movie because that stuff you can pick up pretty quickly. But having a really good understanding of history, literature, psychology, sciences -- are very, very important to actually being able to make movies.
— George Lucas

Middelburg pins

Motion graphics are pieces of digital footage or animation which create the illusion of motion or rotation, and are usually combined with audio for use in multimedia projects. Motion graphics are usually displayed via electronic media technology, but may also be displayed via manual powered technology (e.g. thaumatrope, phenakistoscope, stroboscope, zoetrope, praxinoscope, flip book). The term distinguishes still graphics from those with a transforming appearance over time, without over-specifying the form.[1] While any form of experimental or abstract animation can be called motion graphics, the term typically more explicitly refers to the commercial application of animation and effects to video, film, TV, and interactive applications.