Schindlers list

Why was this film shot in black and white?

Primarily for reasons of authenticity, realism, and also to make it feel like a historic documentation, since it is a true story. Spielberg himself has given this explanation as well, further motivating this artistic choice with the fact that almost all real documentation of the Holocaust he has seen has always been in black and white. To enhance the documentary feeling, the movie was primarily shot with handheld cameras, and contains no crane shots. Director of photography Janusz Kaminski has further added that black and white contributes to the agelessness of the movie, something the makers strove very hard for. For symbolic reasons, the little girl in the red coat, the tribute at Schindler's grave, and the beginning (the flames from the candles) are the only bits of color in the movie and it makes things stand out a little bit more.

Germany vs France

Political cinema in the narrow sense of the term is a cinema which portrays current or historical events or social conditions in a partisan way in order to inform or to agitate the spectator.[citation needed] Political cinema exists in different forms such as documentaries, feature films, or even animated and experimental films

Digital Escape-room

An escape room is a physical adventure game in which players solve a series of puzzles using clues, hints and strategy to complete the objectives at hand. Players are given a set time limit to unveil the secret plot which is hidden within the rooms.
English novelist E. M. Forster described plot as the cause-and-effect relationship between events in a story. According to Forster, "The king died, and then the queen died, is a story, while The king died, and then the queen died of grief, is a plot."

Paper film

As its name implied the film was made of paper (which was a stable material, unlike cellulose nitrate film), on which images were offset printed. The film had a width of 28mm which, thanks to being perforated in the middle, resulted in roughly the same picture area as with 35mm film. It was projected, not with transmitted (diascopic), but with reflected (episcopic) light. Thus film width, perforation, and illumination system all meant that only film made for this contraption could be projected. Even if REFCY projectors were “not that expensive toys” (Sugimoto[1990], 256), this would seem to have been a disadvantage.

South Pole Expedition

Roald Engelbregt Gravning Amundsen was a Norwegian explorer of polar regions. He led the Antarctic expedition of 1910–12 which was the first to reach the South Pole, on 14 December 1911. In 1926, he was the first expedition leader for the air expedition to the North Pole.

Amundsen is recognized as the first person, without dispute, as having reached both poles He is also known as having the first expedition to traverse the Northwest Passage (1903–06) in the Arctic.

In June 1928, while taking part in a rescue mission for the airship Italia, the plane he was in disappeared. Amundsen was a key expedition leader during the Heroic Age of Antarctic Exploration, in the class of Douglas Mawson, Robert Falcon Scott, and Ernest Shackleton.

 

Composition

 

In the visual arts, composition is the placement or arrangement of visual elements or ingredients in a work of art, as distinct from the subject. It can also be thought of as the organization of the elements of art according to the principles of art.

Guernica 80 years ago

The German bombers appeared in the skies over Guernica in the late afternoon of April 26, 1937 and immediately transformed the sleepy Spanish market town into an everlasting symbol of the atrocity of war. Unbeknownst to the residents of Guernica, they had been slated by their attackers to become guinea pigs in an experiment designed to determine just what it would take to bomb a city into oblivion. Spain was embroiled in a convulsive civil war that had begun in July 1936 when the right-wing Nationalists led by General Francisco Franco sought to overthrow Spain's left-wing Republican government. It did not take long before this bloody internal Spanish quarrel attracted the participation of forces beyond its borders - creating a lineup of opponents that foreshadowed the partnerships that would battle each other in World War II. Fascist Germany and Italy supported Franco while the Soviet Union backed the Republicans.

Krakau Poland

The history of cinema in Poland is almost as long as history of cinematography, and it has universal achievements, even though Polish movies tend to be less commercially available than movies from several other European nations.

After World War II, the communist government built an auteur based national cinema, trained hundreds of new directors and empowered them to make films. Filmmakers like Roman Polanski, Krzysztof Kieślowski, Agnieszka Holland, Andrzej Wajda, Andrzej Żuławski, Andrzej Munk, and Jerzy Skolimowski impacted the development of Polish filmmaking. In more recent years, the industry has been producer-led with finance being the key to a film being made, and with a large number of independent filmmakers of all genres, Polish productions tend to be more inspired by American film.

Human Rights

Human rights are moral principles or norms, which describe certain standards of human behaviour, and are regularly protected as legal rights in municipal and international law. They are commonly understood as inalienable fundamental rights "to which a person is inherently entitled simply because she or he is a human being," and which are "inherent in all human beings" regardless of their nation, location, language, religion, ethnic origin or any other status. They are applicable everywhere and at every time in the sense of being universal, and they are egalitarian in the sense of being the same for everyone.

The right to freedom of expression is recognised as a human right under Article 19 of the Universal Declaration of Human Rights and recognised in international human rights law in the International Covenant on Civil and Political Rights (ICCPR). Article 19 of the ICCPR states that "everyone shall have the right to hold opinions without interference" and "everyone shall have the right to freedom of expression; this right shall include freedom to seek, receive and impart information and ideas of all kinds, regardless of frontiers, either orally, in writing or in print, in the form of art, or through any other media of his choice".

En plein aire 2

Making movies is an art. For some time, the Art movies were considered the best form of art. But later filmmaking was transformed into a business. Commercialism overtook the Art films.

Today’s filmmakers do not make movies that promote Art; they rather make them for profit. They argue that they make what the audience likes. The standards of success have changed with time. I believe that the viewers are not that dumb. It is the production houses and the mindsets involved in the movie making business that is corrupting the consumers with commercialism. Moreover, the mafia that rules the cinema industry dictates the type of movies they want to exhibit. The audience does not count in this equation.