Biebrich Schloss Wiesbaden

Historical fiction is a literary genre in which the plot takes place in a setting located in the past. Historical fiction can be an ambiguous term: frequently it is used as a synonym for describing the historical novel; however, the term can be applied to works in other narrative formats, such as those in the performing and visual arts like theatre, opera, cinema, television, comics, and graphic novels.



An essential element of historical fiction is that it is set in the past and pays attention to the manners, social conditions and other details of the period depicted.] Authors also frequently choose to explore notable historical figures in these settings, allowing readers to better understand how these individuals might have responded to their environments. Some sub-genres, such as alternate history or historical fantasy, insert speculative or a historical elements into a novel.



Works of historical fiction are sometimes criticized for lack of authenticity because of generic expectations for accurate period details. This tension between historical authenticity, or historicity, and fiction frequently becomes a point of comment for readers and popular critics, while scholarly criticism frequently goes beyond this commentary, investigating the genre for its other thematic and critical interests.

Bubbles and Baths

Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing (montage is French for "assembly" or "editing").

Although Soviet filmmakers in the 1920s disagreed about how exactly to view montage, Sergei Eisenstein marked a note of accord in "A Dialectic Approach to Film Form" when he noted that montage is "the nerve of cinema", and that "to determine the nature of montage is to solve the specific problem of cinema". Its influence is far reaching commercially, academically, and politically. Alfred Hitchcock cites editing (and montage indirectly) as the lynchpin of worthwhile filmmaking. In fact, montage is demonstrated in the majority of narrative fiction film available today.

 

Stadtrundfahrt Wiesbaden

A false ending has two contexts; in literature it is a narrative device where the plot seems to be heading to its conclusion, but in reality, there's still more to the story. In a musical composition, it is a complete stop of the song for one or more seconds before continuing.
The presence of a false ending can be anticipated through a number of ways. The medium itself might betray that it isn't the true ending (i.e. it's only halfway into a book or a song, a film's listed running time hasn't fully elapsed, only half the world has been explored in a video game, etc.), making only stories with indeterminate running length or a multi-story structure able to pull this off effectively. Another indicator is the feeling that too much of the story is incomplete when the false ending comes, making it feel like there has to be more.

Russian church Wiesbaden

The Russian Orthodox Church in Wiesbaden was built from 1847 to 1855 by Duke Adolf of Nassau on the occasion of the early death of his wife, the 19-year-old Russian princess Elizabeth Mikhailovna, Grand Duchess of Russia and Duchess of Nassau (1826-1845). This was the daughter of Michael Romanov (1798-1849), the younger brother of Tsar Alexander I (reigned 1801-1825) and Nicholas I (reigned 1826-1855). Adolf and the princess married in 1844, but the following year, she died in childbirth, as did their newborn daughter. He grieved so profoundly that he decided to build a church around her grave. He obtained the money for this church, with the blessing of Tsar Nicholas, from her dowry.
Simultaneously with the construction of the church were built a small rectory and a Russian cemetery, located about 100 meters northeast of the church.
The church was used by the already-existing Russian Orthodox community, mainly Russian guests, for whom Wiesbaden was a popular resort in the 19th century.

Andernach

Motion picture images are presented to an audience at a constant speed. In the theater it is 24 frames per second, in NTSC (US) Television it is 30 frames per second (29.97 to be exact), in PAL (Europe) television it is 25 frames per second. This speed of presentation does not vary.

However, by varying the speed at which the image is captured, various effects can be created knowing that the faster or slower recorded image will be played at a constant speed.

For instance, time-lapse photography is created by exposing an image at an extremely slow rate. If a cinematographer sets a camera to expose one frame every minute for four hours, and then that footage is projected at 24 frames per second, a four-hour event will take 10 seconds to present, and one can present the events of a whole day (24 hours) in just one minute.

Eltville in Rheingau

Imagine how our knowledge would be enriched if we had original movies of home life in the 1700s or 1850s, whatever the circumstance of the subjects! In a hundred years, and even today, your home movies will contain unique and precious documentation of a way of life – from the cut of fashionable clothing to the eroding contours of a beach. The mere backgrounds in your films may be of historical interest, even if the main subject is out of focus or making a silly face. And home movies can offer a real-world comparison to the fictionalized versions of our history conveyed through popular films and television programs.

 

 

Rudesheim am Rhein

Rüdesheim lies at the foot of the Niederwald on the Rhine's right (east) bank on the southern approach to the Lorelei. The town belongs to the Frankfurt Rhine Main Region and is one of Germany's biggest tourist attractions. Only Cologne Cathedral draws more tourists from other countries. Making the town worth visiting is, not only the wine or even the Old Town itself, but also the picturesque Rheingau landscape together with the romantic Rhine.

Kochbrunnen in Wiesbaden

Kochbrunnen

The Kochbrunnen fountain on Kranzplatz is not only the symbol of Wiesbaden, but also a place often frequented by the health-conscious. It is Wiesbaden's most famous thermal spring, because this prolific spring emits thermal water said to have a whole series of health benefits.

Funny enough we do have in Europa a sustainably amount of so called Spa-towns. Several german english and french examples can be found on this site.

the source

French impressionism

Experimental film, experimental cinema or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms and alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.

Abel Gance was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage.

In 1920, Gance developed his next project, La Roue, while recuperating in Nice from Spanish flu, and its progress was deeply affected by the knowledge that his companion Ida Danis was dying of tuberculosis; furthermore, his leading man and friend Séverin-Mars was also seriously ill (and died soon after completion of the film). Nevertheless, Gance brought an unprecedented level of energy and imagination to the technical realisation of his story, set firstly against the dark and grimy background of locomotives and railway yards, and then among the snow-covered landscapes of the Alps. He employed elaborate editing techniques and innovative use of rapid cutting which made the film highly influential among other contemporary directors. The finished film was originally in 32 reels and ran for nearly nine hours, but it was subsequently edited down for distribution and it is these shorter versions which have survived

Fish and more

Post-production
Here the video/film is assembled by the video/film editor. The shot film material is edited. The production sound (dialogue) is also edited; music tracks and songs are composed and recorded if a film is sought to have a score; sound effects are designed and recorded. Any computer-graphic visual effects are digitally added. Finally, all sound elements are mixed into "stems", which are then married to picture, and the film is fully completed .