The French Postman

For the next 33 years, he collected stones along his postal route. Sometimes just one or two, and other times, wheelbarrows full of them. Having left school at age 13, and with no training in architecture or art, 43 year old Postman Cheval began to build his palace with cement, wire and stones, working at night by an oil lamp.

The palace shows a mix of inspirations, including the Bible, Neuschwanstein, Hindu sanctuaries, Meliès, a cave, and a sandcastle. It also includes a shrine for his wheelbarrow. Cheval wanted to be buried in his palace, and when French authorities forbade it, he built his own magnificent vault in the local cemetery at the age of 80. Inscribed in the palace walls is Cheval's message to the world:

"I was not a builder, I had never handled a mason's trowel, I was not a sculptor. The chisel was unknown to me; not to mention architecture, a field of which I remained totally ignorant... Everything you can see, passer-by, is the work of one peasant, who, out of a dream, created the queen of the world..."

First footage of the Netherlands.

The camera people when filming filmed the reality.

For the spectators - in a time when even in a newspaper no picture could be found - it's a thrill. Among the now 35 mm preserved films are the oldest of the Netherlands documentary material. So we now know how in 1898 the mills of the Zaan turned and when it was cozy on the beach in front of the Kurhaus in Scheveningen and the Dam in Amsterdam.

 

 

Image: mixkit

Touching Van Gogh

Interactive video.
It's a motion picture that is interactive, but in most cases it's a video game with loads of filmed footage.
An interactive movie uses full-motion video to tell the story, it can be combined with images and photo's of course, but the base should be video/film footage.
An interactive story develops differently depending on the interaction of the audience, meaning that the viewer has to make choices in the storyline and that way the viewer chooses which videoclip will be shown.

Wrong choices will lead to a bad ending of the story, while correct choices will have the story continue until it is eventually completed.

 

 

Selfiecam

The appeal of selfies comes from how easy they are to create and share, and the control they give self-photographers over how they present themselves. Many selfies are intended to present a flattering image of the person, especially to friends whom the photographer expects to be supportive. However, a 2013 study of Facebook users found that posting photos of oneself correlates with lower levels of social support from and intimacy with Facebook friends (except for those marked as Close Friends).

The lead author of the study suggests that "those who frequently post photographs on Facebook risk damaging real-life relationships." The photo messaging application Snapchat is also largely used to send selfies. Some users of Snapchat choose to send intentionally-unattractive selfies to their friends for comedic purposes.

 

Moving Rembrandt's painting

Rembrandt Harmensz van Rijn was born in Leiden, the son of a miller. After finishing Latin School, his parents enrolled him at Leiden University. Rembrandt soon dropped out and became an apprentice painter under Jacob van Swanenburch in Leiden, and later Pieter Lastman in Amsterdam. Back in Leiden, he set up as an independent artist together with Jan Lievens. At this time, Rembrandt mainly painted biblical scenes in a precise style and with vibrant colours.

In 1631, he moved to Amsterdam where he received numerous commissions for portraits. His many pupils included Ferdinand Bol, Govert Flinck and Carel Fabritius. In this period, Rembrandt develop a more powerful chiaroscuro, a looser brush and a greater sense of drama. He focused more on historical scenes, and made numerous etchings and drawings.

French church

Cinema of France refers to the film industry based in France. The French cinema comprises the art of film and creative movies made within the nation of France or by French filmmakers abroad.

France is the birthplace of cinema and was responsible for many of its early significant contributions.
Several important cinematic movements, including the Nouvelle Vague, began in the country. 

It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.

Carillonist

In medieval times, swinging bells were first used as a way of notifying people of fires, storms, wars, and other events. A ringing of bells from the lowest note to the highest note indicated that an attack had taken place. The use of bells in a musical fashion originated in the 16th century in the Low Countries. The first carillon was in Flanders, where a "fool" performed music on the bells of Oudenaarde Town Hall in 1510 by making use of a baton keyboard. The word "carillon" is from the French quadrillon, meaning four bells. Bell towers were often used to alert the city of the time of day, and just before the strike of the hour bell a few higher tones were struck to gain the attention of the city-folk.

 

Bouqueria Barcelona

Focal length and diaphragm aperture affect the depth of field of a scene — that is, how much the background, mid-ground and foreground will be rendered in "acceptable focus" (only one exact plane of the image is in precise focus) on the film or video target. Depth of field (not to be confused with depth of focus) is determined by the aperture size and the focal distance. A large or deep depth of field is generated with a very small iris aperture and focusing on a point in the distance, whereas a shallow depth of field will be achieved with a large (open) iris aperture and focusing closer to the lens.

 

Teachers birthday

Most cameras can also be handheld, that is held in the hands of the camera operator who moves from one position to another while filming the action. Personal stabilizing platforms came into being in the late 1970s through the invention of Garrett Brown, which became known as the Steadicam. The Steadicam is a body harness and stabilization arm that connects to the camera, supporting the camera while isolating it from the operator's body movements. After the Steadicam patent expired in the early 1990s, many other companies began manufacturing their concept of the personal camera stabilizer.

 

Video-art

Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.

Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression.

One of the key differences between video art and theatrical cinema is that video art does not necessarily rely on many of the conventions that define theatrical cinema. Video art may not employ the use of actors, may contain no dialogue, may have no discernible narrative or plot, or adhere to any of the other conventions that generally define motion pictures as entertainment. This distinction also distinguishes video art from cinema's subcategories such as avant garde cinema, short films, or experimental film.