The Rijksmuseum online

Money shots in journalism are shots that grab and hold viewers' attention. They can include images of a person in an unusual, noteworthy, tragic, embarrassing, or incriminating situation, or news footage of a notable event, such as an earthquake, tornado, or explosion.

A money shot is typically a shot that would be difficult to set up or anticipate in advance. Because such shots are frequently fortuitous,
amateur footage is disproportionately represented among money shots: a shot of a tsunami rolling into a city is a rare and newsworthy money shot whether it was recorded by a professional crew or simply by an amateur who happened to be on the scene with a camera. In television news broadcasts, money shots are often repeated again and again in order to retain viewer attention.

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Cloud film-making

In a recent blog post – Stop Making Docs - Brian Newman argued that the era of the short doc has arrived. With the web, shareable media, mobile exhibition, he argues, the longer and feature length documentaires that dominate festivals are no longer where it’s at, if the aim is to reach an audience and make an impact.

His alternative, “Make me a really interesting website, that happens to have

maybe 20 minutes total of video. In 3 minute segments. Let me trade it, use it, share it, on my phone. Let it actually have an impact instead of just stroking your and your funder’s egos. Let it be interesting and aware of today’s realities. Let it be useful. Let it never play a film festival. Ever.”

 

 

A free lunch

Following in the successful footsteps of actions by the Slow Food Youth Network in Berlin (SchnippelDisko) and France (DiscoSoupe), today’s Damn Food Waste/Disco Soep event at the Museumplein Amsterdam is a first for the Netherlands. Volunteers met at the Amsterdam Food Bank yesterday to wash, peel, and chop more than a thousand pounds of the “unwanted” vegetables collected. Today, huge pots of soup and curry are being dished up for free to thousands of people in the prominent city square from 12 pm – 6 pm, with DJs to entertain the crowds.

Of the annual 4.4 billion euros of food wasted in the Netherlands, more than half is thrown away by Dutch consumers – around 110 lbs per person. This is equivalent to around 100,000 garbage truck loads of good edible food going to waste, much of it having travelled long distances.

Winter in Segovia

The old city is spectacularly situated atop a long, narrow promontory. It contains a wealth of monuments, including the cathedral, a famous ancient Roman aqueduct, the Alcazar, and various churches built in the Romanesque style including San Esteban, San Martin, and San Millan. The old city is a UNESCO World Heritage Site.The Alc?zar, or castle-palace, is perched at the tip of the promontory and towering over the countryside below. It was built but the Moors in the 12th century. During the Middle Ages, the Alcazar of Segovia was the favourite residence of kings of Castile, and almost each king added new parts to the building, transforming the original fortress into a courtier residence and prolonging the construction of the castle till 16th century, when King Philip II added the conical spires and the slate roofs.The church of Vera Cruz, beyond the Alcazar and the city walls was founded by the Knights Templar. It is built in the circular style, a common design of the Templar, in recognition of the Temple Mount in Jerusalem.The aqueduct that stands at the entrance of the historic section of Segovia was built at the end of 1st to early 2nd century AD by the Romans during their occupation of the Iberian Peninsula. The aqueduct has become a symbol of the city. It was

originally constructed in order to bring water from the Frio River to the city about 18km away, which required it to stretch from the Sierra de Guadarrama to the walls of the old town. Its main part consists of 166 arches, supported by 120 pillars, which cover a distance of 1km (0.6mi). It is made of 20,400 large, rough-hewn granite blocks, joined without mortar or clamps. Its maximum height of 28.1m (100.53ft) is found at the plaza of Azoguejo. A raised section of stonework in the center once had an inscription. Today only the holes for the bronze letters survive.The Cathedral of Segovia stands in the city's central plaza. Constructed by architect Juan Gil de Hontanon in the late Gothic style between 1522 and 1577, it is widely considered Europe's last great Gothic cathedral.Owing to these famous monuments, Segovia is a very popular tourist destination, especially as a day-trip from Madrid.

 

 

Belevedere

Belvedere in Italian literally means fair view.It is used as a generic architectural term but it has been used to name buildingsor places like * The Belvedere a small garden casino near the Vatican Palace, Rome, * The Belvedere fort in Florence, Italy * Belvedere (palace) in Vienna * Belvedere Palace in Warsaw, Poland * Belvedere House and Gardens in Ireland * Belvedere Plantation near Richmond, Virginia * Belvedere Park & Belvedere Towers; in New Delhi, India * Claremont Belvedere; a stately home in Surrey, England. * Belvedere (Potsdam), Germany * Belvedere College, Dublin Ireland * Belvedere, California * Belvedere, South Carolina * Belvedere Park, Georgia * Belvedere, London and Belvedere railway station * Tunis Belvedere * The Belvedere Club in Charlevoix, Michigan Anyone knows where this video was taken??

Roadmovie in Spain

Road movieIn general, road movies are a cinematic genre in which the action takes places during a road journey or a vehicle-based film like Mad Max 2: The Road Warrior. Notable examples include Easy Rider, Thelma & Louise, Although the genre has its roots in earlier tales of epic journeys, such as Homer's Odyssey and Joseph Conrad's Heart of Darkness, road films are uniquely

post-WWII, reflecting the boom of America's postwar automobility and youth culture. Despite the fact that road movies existed in the Depression era, the genre only became self-aware as a genre in the 1960s with "Easy Rider" and "Bonnie and Clyde." For this reason, road movies offer a great pop cultural history of America's shifting relationship to the road, cars, and other technologies, especially as various rebel groups--hippies, blacks, gays and lesbians, women, asian americans--remap the American road story.Like their antecedents, the road movie tends towards an episodic structure. In each episode, there is a challenge to be met, although not all of them will be met successfully. In most episodes, a piece of the plot is revealed - knowledge or allies are gained, and so on.Road movies traditionally end in one of four ways:* having met with triumph at their ultimate destination, the protagonist/s return home, wiser for their experiences.* at the end of the journey, the protagonist/s find a new home at their destination.* the journey continues endlessly. In such cases, the last shot of the film is almost always the driver's point of view of a lonely highway at night.* having realised that, as a result of their journey, they can never go home, the protagonists either choose death or are killed.

 

En plein air

The title of the "Norman Switzerland", was given in 1932 by Mr Gourdeau, Minister of Tourism In the feudal era, castles and mostly manors were built in its area. About ten still exist and a few of them are in good condition. More recently, the Orne and its banks have changed, and this has had strong repercussions nowadays. In the eighteenth century, our ancestors did not really care about tourism, but the fords, mills and fisheries built at that time are an heritage which a lot of country can envy. Who could imagine its surroundings in the Moulin du Vey (Mill of the Vey) and its barrage, without its little bridges made with local stone, and its famous bridge crossing the Orne, fitting so well into the countryside. Nowadays, tourism develops itself in a peaceful environment, with the Orne's winding meanders, swelled with many streams.

Museum minute

A video mashup is the combination of multiple sources of videos which usually have no relation with each other, other than a derivative work, often lampooning its component sources or another text. Many mashup videos are humorous movie trailer parodies, a later genre of mashups gaining much popularity. To the extent that mashups are 'transformative' of original content, they may find protection from copyright claims under the "fair use" doctrine of U.S. copyright law.

Human Rights testimonial

WITNESS empowers human rights defenders to use video to fight injustice, and to transform personal stories of abuse into powerful tools that can pressure those in power or with power to act. By bringing often unseen images and seldom heard stories to the attention of key decision makers, the media, and the public–WITNESS catalyzes grassroots activism, political engagement, and lasting change. We bridge the worlds of human rights, media and technology by incorporating cutting-edge innovations into traditional approaches to advocacy. WITNESS’ unique contribution to the human rights community is to serve as global authority on best practices in the use of video for human rights purposes and a frontline resource for training and expertise
The Training section of our website is designed to help anyone interested in using video advocacy in their campaigns. All materials are downloadable and sharable. In our Tip Sheets section you will find tools for assessing if video is right for your campaign as well as practical how-to guides to help you make the most of video for human rights change.

Eyewitness

Witness that will bring about change in policies, law or people's behavior. And we define "video advocacy" as using visual media as a targeted tool that will engage people to create change. Video advocacy is not about using video primarily for publicity or as an educational or training tool. It requires setting specific objectives, identifying target audiences, and developing a strategic plan for production and distribution to ensure the video has impact as a specific tactic within a broader strategy.

Anyone can use video advocacy, from non-governmental organizations (NGOs) to individual activists. Video is a democratic tool. However, video advocacy is a time- and labor-intensive process that requires significant commitment of human and other resources. And, as with all methodologies, it has advantages and limitations.