Following the demise of the studio system and the loss of the sound director, part of this role was delegated to the post-production supervisor, supervising sound editor, sound designer or production sound mixer - each role allegedly having less influence, responsibility and scope than the former SD. Where no DA is hired - as is the case when making films in the West - there has been some debate on the most appropriate role to head the sound department; a supervising sound editor is seen as a technical manager.
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