A Talk with Hitchcock, the great director demonstrates one of the most fundamental tools at a filmmaker's disposal: the Kuleshov effect.
He eventually concluded that the essence of cinema is montage, that a film story is best told by cutting between discrete pieces of film. His student Sergei Eisenstein saw the basic structure as a collision between shot A ("thesis") and shot B ("antithesis") to create a completely new idea ("synthesis") in the mind of the viewer.
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