23 okt 2015

Saarland




Viewing content online inevitably works differently from TV or the cinema. Arguably, the online viewer is more interested in control and instantaneity – we want to choose what we view, when and how we view it and often, how much we view.

s, I think, only parameters – For me these have to do with finding the essentials of your story – what are you saying and what do you need, in terms of scenes, characters and location, to tell this story?

The trick is to find the essence of your story and the most dramatic, high-impact moment(s). It’s a great exercise in limitations and getting the most story out of the elements before you.




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