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Waterproof digital cameras are digital cameras that can make pictures underwater. Before developing waterproof digital cameras we were able to buy waterproof housings for digital cameras, but they cost almost as the digital cameras and it was very expensive. If You have waterproof digital camera You will be able to walk next to the water and feel relaxed, because You will never again be worried about what would happened if Your camera fell in the water. A lot of waterproof digital cameras are shockproof and resistant on low temperatures, one of them is Canon PowerShot D10, one of the first underwater digital cameras.

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A freeze frame shot is used when one shot is printed in a single frame several times, in order to make an interesting illusion of a still photograph.

"Freeze frame" is also a drama medium term used in which, during a live performance, the actors/actresses will freeze at a particular, pre-meditated time, to enhance a particular scene, or to show an important moment in the play/production[like a celebration]. The image can then be further enhanced by spoken word, in which each character tells their personal thoughts regarding the situation, giving the audience further insight into the meaning, plot or hidden story of the play/production/scene.

 

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Film production occurs in three stages:


Pre-production—Preparations are made for the shoot, in which cast and film crew are hired, locations are selected, and sets are built. This is also the stage in which the ideas for the film are created, rights to books/plays are bought, etc.




 Production—The raw elements for the finished film are recorded.



Post-Production—The film is edited; production sound is separately edited, music tracks recorded, if a film is sought to have a score; sound effects are designed and recorded; all sound elements are mixed into "stems" then the stems are mixed then married to picture and the film is fully completed

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21st century work mostly uses digital cinematography and has no film stocks but the cameras themselves can be adjusted in ways that go far beyond the abilities of one particular film stock. They can provide varying degrees of color sensitivity, image contrast, light sensitivity and so on. One camera can achieve all the various looks of different emulsions, although it is heavily argued as to which method ofcapturing an image is the "best" method. Digital image adjustments (ISO, contrast etc.) are executed by estimating the same adjustments that would take place if actual film were in use, and are thus vulnerable to the cameras sensor designers perceptions of various film stocks and image adjustment parameters 

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