Worldpress in Amsterdam

 

It all began in 1955 when a group of Dutch photographers organized an international contest (“World Press Photo”) to expose their work to a global audience. For six decades, the World Press Photo Foundation has been working from its home in Amsterdam as an independent, nonprofit organization. In that time, the world has changed continuously, and new developments in the media and technology have transformed journalism and storytelling. Our mission has expanded, and we draw on our experience to guide visual journalists, storytellers, and audiences around the world through this challenging and exciting landscape. Our purpose is to connect the world to the stories that matter. 

 

Knights from Rusia

 

The Romanovs' love affair with the Middle ages Czars and knights, ladies, courtly love and tournaments. And a splendid medieval art collection. The perfect ingredients of this unique exhibition, from the Hermitage collection. We bring more than 250 objects to the Netherlands. Experience the Middle Ages through the eyes of the Russian Tsars

Arsenaal: Naarden

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In the visual arts, style is a "...distinctive manner which permits the grouping of works into related categories" or "...any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". It refers to the visual appearance of a work of art that relates it to other works by the same artist or one from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been the art historian's principal mode of classifying works of art. By style he selects and shapes the history of art". 

 

Openair museum Arnhem

 

 

Light is necessary to create an image exposure on a frame of film or on a digital target (CCD, etc.). The art of lighting for cinematography goes far beyond basic exposure, however, into the essence of visual storytelling. Lighting contributes considerably to the emotional response an audience has watching a motion picture. The increased usage of filters can greatly impact the final image and affect the lighting.

Amstel river 2

 

 

A flashback (sometimes called an analepsis) is an interjected scene that takes the narrative back in time from the current point in the story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. 

 

Outsider Art

 

 

Camera movements can also be motion captured so that a virtual camera in the scene will pan, tilt or dolly around the stage driven by a camera operator while the actor is performing. At the same time, the motion capture system can capture the camera and props as well as the actor's performance. This allows the computer-generated characters, images and sets to have the same perspective as the video images from the camera. A computer processes the data and displays the movements of the actor, providing the desired camera positions in terms of objects in the set. 

 

Dutch huge portraits

 

 

IN THE PICTURE, OUT OF THE PICTURE, ADDED TO THE PICTURE? The large-scale group portraits are impressive examples of painting technique. They have been carefully composed to convey what the sitters wanted to show to the world. And what they didn’t want to show has been excluded. Moreover, there is no trace in these striking images of people without money or power. Who were these individuals? And what was their relationship to the men and women in the group portraits? Through various interventions by modern creators, we give them a face – and try to tell their story too. Surrounded by the huge group portraits in the grand hall, DUTCH MASTERS RE-VISITED This  temporary intervention, shows 13 portraits of prominent Dutch people of colour taking on the role of historical Dutch citizens of colour who, based on historical research, are known to have lived in the Netherlands in the 17th and 18th century.

Sluices

 

 

Mise-en-scène  is the stage design and arrangement of actors in scenes for a theatre or film production, both in visual arts through storyboarding, visual theme, and cinematography, and in narrative storytelling through direction. The term is also commonly used to refer to single scenes that are representative of a film. Mise-en-scène has been called film criticism's "grand undefined term".

Blood Rider

 

 

This production by Jon Kasbe/The New Yorkeris an example of an audiovisual narrative in which the filmmaker was embedded with the hospital to cover this story. Through its immersive approach, the viewer gets to know, not only motorcyclist Joseph, but also the mother he is trying to save: Deborah. A blood-shortage crisis and standstill traffic most hours of the day in Nigeria means that it can take over 24 hours to transport blood to patients in critical need. Joseph, one of the city’s motorcycle ‘blood riders’ can deliver blood to hospitals in under an hour. For mothers in labor, like Deborah, this is often the difference between life and death. Blood Rider is a tribute to the delivery people who work tirelessly to make a vital impact. 

 

Naarden city

 

 

Filters Filters, such as diffusion filters or color effect filters, are also widely used to enhance mood or dramatic effects. Most photographic filters are made up of two pieces of optical glass glued together with some form of image or light manipulation material between the glass. In the case of color filters, there is often a translucent color medium pressed between two planes of optical glass. Color filters work by blocking out certain color wavelengths of light from reaching the film. With color film, this works very intuitively wherein a blue filter will cut down on the passage of red, orange, and yellow light and create a blue tint on the film

 

Green A'dam

 

 

In filmmaking, the cinematographer or director of photography (DP or DoP) is sometimes called lighting cameraman or first cameraman. The DP may operate the camera themselves, or enlist the aid of a camera operator or second cameraman to operate it or set the controls. The first assistant cameraman (1st AC), also known as a focus puller, is responsible for maintenance of the camera, such as clearing dirt from the film gate and adjusting the follow focus. A second assistant cameraman (2nd AC), also known as a clapper loader, might be employed to load film, slate scenes, or maintain the camera report (a log of scenes, takes, rolls, photographic filters used, and other production data)

 

Robot camera's

 

Robot animals Fascinating images that fit with the adage that applies to nature documentaries: 'more and more beautiful'. Sanderson, who also worked on the successful Dutch nature documentary De Nieuwe Wildernis, is a bit nervous about this urge. ,,Spy in the Wild has an interesting concept and it's very special that you get so close, but I find it more amusing than really educational. I prefer camouflaged cameras, so that animals really don't notice that they are being filmed. Then you see much more realistic behavior. 

 

IJ riverside

 

 

A master shot is a film recording of an entire dramatized scene, start to finish, from a camera angle that keeps all the players in view. It is often a long shot and can sometimes perform a double function as an establishing shot. Usually, the master shot is the first shot checked off during the shooting of a scene. It is the foundation of what is called camera coverage, other shots that reveal different aspects of the action, groupings of two or three of the actors at crucial moments, close-ups of individuals, insert shots of various props, and so on. Historically, the master shot was the most important shot of any given scene. All shots in a given scene were somehow related to what was happening in the master shot. That is one reason for some of the films from the 1930s and the 1940s to be considered "stagey" by today's standards. By the 1960s and the 1970s, the style of film shooting and editing shifted to include radical angles that conveyed more subjectivity and intimacy within the scenes. Today, the master shot is still a key element of film production, but scenes are not built around the master shot in the same way that they were when professional filmmaking was in its infancy. 

Vive le Cinema

 

 

 The filmmakers — Lucrecia Martel (South America), Leopold Emmen (Europe), Lemohang Jeremiah Mosese (Africa), Carlos Reygadas (North America) and Jia Zhang-ke (Asia) — were each invited to make a work for the exhibition that exploits the three-dimensional gallery space rather than the two-dimensional cinema screen. For some of them, it was the first time they had created a cinematographic installation that explores the boundaries of their work and of the art of film in general. 

 

Frysland

 

 

Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after shooting or recording individual program segments. Traditional (analogue) post-production has mostly been replaced by video editing software that operates on a non-linear editing (NLE) system.

Bilbao

 

 

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.

 

Waterland in Friesland

 

 

A master shot is a film recording of an entire dramatized scene, start to finish, from a camera angle that keeps all the players in view. It is often a long shot and can sometimes perform a double function as an establishing shot. Usually, the master shot is the first shot checked off during the shooting of a scene. It is the foundation of what is called camera coverage, other shots that reveal different aspects of the action, groupings of two or three of the actors at crucial moments, close-ups of individuals, insert shots of various props, and so on. 

 

Holiday oh Holiday

 

 

A high-angle shot is a cinematic technique where the camera looks down on the subject from a high angle and the point of focus often gets "swallowed up". High-angle shots can make the subject seem vulnerable or powerless when applied with the correct mood, setting, and effects. In film, they can make the scene more dramatic. If there is a person at high elevation who is talking to someone below them, this shot is often used. 

 

Cranberries

 

 

A great variety of films are shown at cinemas, ranging from animated films to blockbusters to documentaries. The smallest movie theaters have a single viewing room with a single screen. In the 2010s, most movie theaters had multiple screens. The largest theater complexes, which are called multiplexes—a concept developed in Canada in the 1950s — have up to thirty screens. The audience members often sit on padded seats, which in most theaters are set on a sloped floor, with the highest part at the rear of the theater. Movie theaters often sell soft drinks, popcorn, and candy, and some theaters sell hot fast food. In some jurisdictions, movie theaters can be licensed to sell alcoholic drinks. 

 

 

Frysian slideshow

 

 

A camera obscura is a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole. "Camera obscura" can also refer to analogous constructions such as a box or tent in which an exterior image is projected inside. Camera obscuras with a lens in the opening have been used since the second half of the 16th century and became popular as aids for drawing and painting. The concept was developed further into the photographic camera in the first half of the 19th century, when camera obscura boxes were used to expose light-sensitive materials to the projected image.