Outsider Art

 

 

Camera movements can also be motion captured so that a virtual camera in the scene will pan, tilt or dolly around the stage driven by a camera operator while the actor is performing. At the same time, the motion capture system can capture the camera and props as well as the actor's performance. This allows the computer-generated characters, images and sets to have the same perspective as the video images from the camera. A computer processes the data and displays the movements of the actor, providing the desired camera positions in terms of objects in the set. 

 

Dutch huge portraits

 

 

IN THE PICTURE, OUT OF THE PICTURE, ADDED TO THE PICTURE? The large-scale group portraits are impressive examples of painting technique. They have been carefully composed to convey what the sitters wanted to show to the world. And what they didn’t want to show has been excluded. Moreover, there is no trace in these striking images of people without money or power. Who were these individuals? And what was their relationship to the men and women in the group portraits? Through various interventions by modern creators, we give them a face – and try to tell their story too. Surrounded by the huge group portraits in the grand hall, DUTCH MASTERS RE-VISITED This  temporary intervention, shows 13 portraits of prominent Dutch people of colour taking on the role of historical Dutch citizens of colour who, based on historical research, are known to have lived in the Netherlands in the 17th and 18th century.

Sluices

 

 

Mise-en-scène  is the stage design and arrangement of actors in scenes for a theatre or film production, both in visual arts through storyboarding, visual theme, and cinematography, and in narrative storytelling through direction. The term is also commonly used to refer to single scenes that are representative of a film. Mise-en-scène has been called film criticism's "grand undefined term".

Blood Rider

 

 

This production by Jon Kasbe/The New Yorkeris an example of an audiovisual narrative in which the filmmaker was embedded with the hospital to cover this story. Through its immersive approach, the viewer gets to know, not only motorcyclist Joseph, but also the mother he is trying to save: Deborah. A blood-shortage crisis and standstill traffic most hours of the day in Nigeria means that it can take over 24 hours to transport blood to patients in critical need. Joseph, one of the city’s motorcycle ‘blood riders’ can deliver blood to hospitals in under an hour. For mothers in labor, like Deborah, this is often the difference between life and death. Blood Rider is a tribute to the delivery people who work tirelessly to make a vital impact. 

 

Naarden city

 

 

Filters Filters, such as diffusion filters or color effect filters, are also widely used to enhance mood or dramatic effects. Most photographic filters are made up of two pieces of optical glass glued together with some form of image or light manipulation material between the glass. In the case of color filters, there is often a translucent color medium pressed between two planes of optical glass. Color filters work by blocking out certain color wavelengths of light from reaching the film. With color film, this works very intuitively wherein a blue filter will cut down on the passage of red, orange, and yellow light and create a blue tint on the film

 

Green A'dam

 

 

In filmmaking, the cinematographer or director of photography (DP or DoP) is sometimes called lighting cameraman or first cameraman. The DP may operate the camera themselves, or enlist the aid of a camera operator or second cameraman to operate it or set the controls. The first assistant cameraman (1st AC), also known as a focus puller, is responsible for maintenance of the camera, such as clearing dirt from the film gate and adjusting the follow focus. A second assistant cameraman (2nd AC), also known as a clapper loader, might be employed to load film, slate scenes, or maintain the camera report (a log of scenes, takes, rolls, photographic filters used, and other production data)

 

Robot camera's

 

Robot animals Fascinating images that fit with the adage that applies to nature documentaries: 'more and more beautiful'. Sanderson, who also worked on the successful Dutch nature documentary De Nieuwe Wildernis, is a bit nervous about this urge. ,,Spy in the Wild has an interesting concept and it's very special that you get so close, but I find it more amusing than really educational. I prefer camouflaged cameras, so that animals really don't notice that they are being filmed. Then you see much more realistic behavior. 

 

IJ riverside

 

 

A master shot is a film recording of an entire dramatized scene, start to finish, from a camera angle that keeps all the players in view. It is often a long shot and can sometimes perform a double function as an establishing shot. Usually, the master shot is the first shot checked off during the shooting of a scene. It is the foundation of what is called camera coverage, other shots that reveal different aspects of the action, groupings of two or three of the actors at crucial moments, close-ups of individuals, insert shots of various props, and so on. Historically, the master shot was the most important shot of any given scene. All shots in a given scene were somehow related to what was happening in the master shot. That is one reason for some of the films from the 1930s and the 1940s to be considered "stagey" by today's standards. By the 1960s and the 1970s, the style of film shooting and editing shifted to include radical angles that conveyed more subjectivity and intimacy within the scenes. Today, the master shot is still a key element of film production, but scenes are not built around the master shot in the same way that they were when professional filmmaking was in its infancy. 

Vive le Cinema

 

 

 The filmmakers — Lucrecia Martel (South America), Leopold Emmen (Europe), Lemohang Jeremiah Mosese (Africa), Carlos Reygadas (North America) and Jia Zhang-ke (Asia) — were each invited to make a work for the exhibition that exploits the three-dimensional gallery space rather than the two-dimensional cinema screen. For some of them, it was the first time they had created a cinematographic installation that explores the boundaries of their work and of the art of film in general. 

 

Frysland

 

 

Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after shooting or recording individual program segments. Traditional (analogue) post-production has mostly been replaced by video editing software that operates on a non-linear editing (NLE) system.

Bilbao

 

 

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.

 

Waterland in Friesland

 

 

A master shot is a film recording of an entire dramatized scene, start to finish, from a camera angle that keeps all the players in view. It is often a long shot and can sometimes perform a double function as an establishing shot. Usually, the master shot is the first shot checked off during the shooting of a scene. It is the foundation of what is called camera coverage, other shots that reveal different aspects of the action, groupings of two or three of the actors at crucial moments, close-ups of individuals, insert shots of various props, and so on. 

 

Holiday oh Holiday

 

 

A high-angle shot is a cinematic technique where the camera looks down on the subject from a high angle and the point of focus often gets "swallowed up". High-angle shots can make the subject seem vulnerable or powerless when applied with the correct mood, setting, and effects. In film, they can make the scene more dramatic. If there is a person at high elevation who is talking to someone below them, this shot is often used. 

 

Cranberries

 

 

A great variety of films are shown at cinemas, ranging from animated films to blockbusters to documentaries. The smallest movie theaters have a single viewing room with a single screen. In the 2010s, most movie theaters had multiple screens. The largest theater complexes, which are called multiplexes—a concept developed in Canada in the 1950s — have up to thirty screens. The audience members often sit on padded seats, which in most theaters are set on a sloped floor, with the highest part at the rear of the theater. Movie theaters often sell soft drinks, popcorn, and candy, and some theaters sell hot fast food. In some jurisdictions, movie theaters can be licensed to sell alcoholic drinks. 

 

 

Frysian slideshow

 

 

A camera obscura is a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole. "Camera obscura" can also refer to analogous constructions such as a box or tent in which an exterior image is projected inside. Camera obscuras with a lens in the opening have been used since the second half of the 16th century and became popular as aids for drawing and painting. The concept was developed further into the photographic camera in the first half of the 19th century, when camera obscura boxes were used to expose light-sensitive materials to the projected image.

THE Dutch Dam

 

 

Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice—that is not part of the narrative (non-diegetic)—is used in a radio, television production, filmmaking, theatre, or other presentations. The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. Asynchronous, however, is also used in cinema. It is usually prerecorded and placed over the top of a film or video and commonly used in documentaries or news reports to explain information. 

1525

 

 

Installation art can be either temporary or permanent. Installation artworks have been constructed in exhibition spaces such as museums and galleries, as well as public and private spaces. The genre incorporates a broad range of everyday and natural materials, which are often chosen for their "evocative" qualities, as well as new media such as video, sound, performance, immersive virtual reality and the internet. Many installations are site-specific in that they are designed to exist only in the space for which they were created, appealing to qualities evident in a three-dimensional immersive medium. 

 

Bolsward

 

 

 

Back in the 1960s, only a small proportion of people acquired colorization techniques. Today, things are different. There are many colorization tools are available. Even if you have never learned any photo editing skills, you can still colorize a photo with image colorizers, such as web apps, plugins, and software. However, it is a bit tricky to colorize black and white pictures if you still do this manually. The good news is that artificial intelligence has made things easier. Even for those who never downloaded Photoshop, AI image colorizer can help you do it with just one click. By integrating AI with photo colorization, these image colorizers can help us colorize old black and white photos without any hassle.

 

Makkum

 

 

Tilting is a cinematographic technique in which the camera stays in a fixed position but rotates up/down in a vertical plane. Tilting the camera results in a motion similar to someone raising or lowering their head to look up or down. It is distinguished from panning in which the camera is horizontally pivoted left or right. Pan and tilt can be used simultaneously. In some situations the lens itself may be tilted with respect to the fixed camera body in order to generate greater depth of focus

Harlingen

 

 

The Steadicam is a body harness and stabilization arm that connects to the camera, supporting the camera while isolating it from the operator's body movements. After the Steadicam patent expired in the early 1990s, many other companies began manufacturing their concept of the personal camera stabilizer. This invention is much more common throughout the cinematic world today. From feature-length films to the evening news, more and more networks have begun to use a personal camera stabilizer.