Amsterdam film by antonwithagen.
Costi Ioniță known mononymously as Costi (born 14 January 1978), is a Romanian singer, songwriter and record producer, regarded as one of the most celebrated ethnic Romanian vocalist of muzică orientală (manele).
In the late 2000s Costi Ioniţă extended his act in the Balkans and Middle East, achieving success in Turkey and Saudi Arabia with the song Ca la Amsterdam ("Like in Amsterdam"), a tune included in the 2010 compilation issued by Café del Mar.
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Blip.tv until 2013 was an open video network that hoststed and distributed web-based TV shows and videoblogs created by independent producers and production teams around the world.
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http://www.ted.com
Erik Johansson creates realistic photos of impossible scenes -- capturing ideas, not moments. In this witty how-to, the Photoshop wizard describes the principles he uses to make these fantastical scenarios come to life, while keeping them visually plausible.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes
Once a film concludes principal photography, it is said to have wrapped, and a wrap party may be organized to celebrate. During post-production, it may become clear that certain shots or sequences are missing or incomplete and are required to complete the film, or that a certain scene is not playing as expected, or even that a particular actor's performance has not turned out as desired, or an actor being completely replaced with another due to the former's inflammatory social media presence being revealed. In these circumstances, additional material may have to be shot. If the material has already been shot once, or is substantial, the process is referred to as a re-shoot, but if the material is new and relatively minor, it is often referred to as a pick-up.
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A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wild animals, plants, or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.
Lord of the Rings' director Peter Jackson has brought the First World War to life in a documentary using rare original footage that has been colourised and transformed with modern production techniques.
Mr Jackson restored a 100-hours of footage from the Imperial War Museum's archive for They Shall Not Grow Old, bringing, in the director's own words, "the human experience of the war" to the big screen in vivid colour.
Old and damaged film was immaculately restored and slowed down to a normal speed bringing clarity to the war only previously seen by the infantrymen who saw it first hand.
While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants.
Experimental filmmakers generally begin as amateurs, and some used experimental films as a springboard into commercial film making or transitioned into academic positions. The aim of experimental filmmaking is usually to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films.
An historical site about roman catholiscme in the province of North Brabant, the Netherlands,
keywords: Incense... Holywater...Sausage Rolls which are typical objects in this culture at the time.
Complete interactive : churches, convent, holyplaces, popes, pictures, etc. etc
Though the expense involved in making films almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable film making equipment, and expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve
Bavaria Film in Munich, Germany is one of Europe's largest film production companies, with some 30 subsidiaries.
The studios were founded in 1919, when Munich-raised film producer Peter Ostermayr converted the private film company he had started in 1907, Münchener Lichtspielkunst GmbH, to the public company Münchener Lichtspielkunst AG (Emelka), and acquired a large area (ca. 356.000 m²) for the studios in Geiselgasteig, a district of Munich's southern suburb Grünwald. The company was a direct competitor to UFA, which had started in Berlin in 1917, and quickly absorbed several other film industry companies in the region. In 1930 investor Wilhelm Kraus and a consortium of banks bought a major shareholding in the company, and on 21 September 1932 the group took control of the company and renamed it Bavaria Film AG. In 1938 the Bavaria Film was nationalised but privatised again in 1956.
We find ourselves, still early in the 21st century, in an unprecedented era in the history of photography. The consumers of the developed world have, of course, had access to cameras of their own for decades and decades, but now almost each and every one of us walks around with a camera in our pocket. When a particular landscape, building, animal, human being, or other sight strikes our fancy, we capture it without a moment's hesitation — and, often, without having given a moment's thought to the technological and artistic history of the discipline we are, if for little more than an instant, practicing.
