Dutch Art Gallery of honour

The Gallery of Honour is an extended corridor directed towards a clear focal point: the Night Watch Gallery. On view in the side alcoves are masterpieces by the great artists of the seventeenth century. Framing the alcoves are cast iron beams inscribed with the names of the famous painters of the age. Semi-circular wall sections above display the coats of arms of the eleven provinces of the Netherlands and their respective capital cities.

Micropia : unique virus museum

The only museum of microbes, in the centre of Amsterdam.

You can’t see them, but they’re here.
They are on you. In you. And you’ve got more than a hundred thousand billion of them.
They’re with you when you eat, when you breathe, when you kiss.
They are everywhere. On your hands. And in your belly.
And they meddle in everything.
They shape your world:
what you smell, and what you taste;
whether you get sick, or get better.
They can save us or destroy us.
Microbes: the smallest and most powerful organisms on our planet.

Ants in close up

Close-ups are used in many ways and for many reasons. They are often employed as cutaways from a more distant shot to show detail, such as characters' emotions, or some intricate activity with their hands.
Close-ups are used for distinguishing main characters. Major characters are often given a close-up when they are introduced as a way of indicating their importance.
Close-up shots do not show the subject in the broad context of its surroundings. If overused, they may leave viewers uncertain as to what they are seeing. Close-ups are rarely done with wide-angle lenses, because perspective causes objects in the center of the picture to be unnaturally enlarged. This may convey a sense of confusion, intoxication, or other unusual mental state.

Polygoon: dutch filmmaking

"Where they are not, nothing is happening" was the motto of the cameramen of Polygoon who traveled through the Dutch country to capture news and local culture. There was a lot of competition at that time of other companies like Profilti and Haghefilm. Contracts for sport events, cameramen trying to cheat each other or fighting, aggressive sales methods and vague acquisitions were common.

After World War II the Polygoon-journal had its glorydays; 400 different cinemas weekly showed Neêrlands Nieuws and Wereldnieuws. In 1946 editor Philip Bloemendal (1918–1999) started as commentator; his particular voice became synonymous with Polygoon. Because of the emergence of the television in the late 1950s Netherlands, the Polygoon journals lost attention, but it lasted until 1987 when it finally ended.

Cameramen employed by Polygoon had orders to fill their reels, no matter what. If not for news, then with the local celebrity or even shots of famous buildings or locations. Because of this Polygoon now is an archive of Stock footage available for other productions. 

 

A Republic at North Sea

Montage is the technique by which separate pieces of film are selected, edited, and then pieced together to make a new section of film. A scene could show a man going into battle, with flashbacks to his youth and to his home-life and with added special effects, placed into the film after filming is complete. As these were all filmed separately, and perhaps with different actors, the final version is called a montage. Directors developed a theory of montage, beginning with Eisenstein and the complex juxtaposition of images in his film Battleship Potemkin. Incorporation of musical and visual counterpoint, and scene development through mise en scene, editing, and effects has led to more complex techniques comparable to those used in opera and ballet.

Set ablaze music

Film narrative does not have the luxury of having a textual narrator that guides its audience towards a formative narrative; nor does it have the ability to allow its audience to visually manifest the contents of its narrative in a unique fashion like literature does. Instead, film narratives utilize visual and auditory devices in substitution for a narrative subject; these devices include cinematography, editing, sound design (both diegetic and non-diegetic sound), as well as the arrangement and decisions on how and where the subjects are located onscreen—known as mise-en-scène. 

 

Women from New West

Outdoor exhibition

In this exhibition the public gets to know groups of women from Amsterdam New West. From residents who have been living here for forty years to the youth, looking for a place in their city district. From cooks to female farmers, from ballerinas to football players. Each group tells its own story, together they tell the story of the Women of New West. The exhibition consists of photo portraits with text and sound made by photographers Willemieke Kars and Saskia Aukema and journalist Warda El-Kaddouri.

Children games world wide

 Alÿs films in cities and villages, but also in places dominated by conflict and tension – such as Afghanistan or a Yazidi refugee camp in Iraq. Alÿs captures everything with a humane eye and mild amazement. The games often echo the rituals, symbols, customs and insights of each particular society he looks at through his lens.
The artist follows the children patiently, moving with their movements, but he never gets involved in their games. Surrounding noises are audible: birds, crickets, the wind, the laugher and screams of children. We see the harsh conditions in which the children sometimes live. We are drawn into an extended moment in their lives. Despite the sometimes wretched conditions of war and poverty, the overarching mood among the children is bright and cheerful, even optimistic.

Middle Ages: Carnival

 

Medieval fasting was a serious business and there were many rules to be followed. Generally, a fast day meant that no meat could be eaten. During Lent the prohibition was expanded to include eggs, cream, butter and milk. This is not the hardship it sounds, since few had access to or could afford to eat meat every day.

Czar Peterstreet

 
Dubbing, mixing, or re-recording is a post-production process used in filmmaking and video production in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack.

Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry.