Wildlive-filming making of

Wildlive-filming making

A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat. Such programs are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema
Television documentaries started on BBC television, with the long-running series
During the late 1970s and early 1980s several other television companies round the world set up their own specialised natural history departments,
Wildlife and natural history films have boomed in popularity and have become one of modern society's most important sources of information about the natural world. Yet they have been largely ignored by film and television critics and scholars.

In recent years most programming has become prohibitively expensive and are funded by a set of co- producers, usually a broadcaster (such as Animal Planet, National Geographic or NHK, Japan) from one or several countries, a production company and sometimes a distributor which then has the rights to sell the show into more territories than the original broadcaster.
Two recent examples of co-productions that were filmed by the BBC are The Blue Planet and Planet Earth, the latter being the first series of its kind to be made entirely in high-definition format.
Production companies are increasingly exploiting the filmed material, by making DVDs for home viewing or educational purposes, or selling library footage to advertisers, museum exhibitors and other documentary producers.

Knitting of Goats

Computer-generated imagery (CGI) is the application of computer graphics to create or contribute to images in art, printed media, video games, films, television programs, commercials, simulators and simulation generally. The visual scenes may be dynamic or static, and may be 2D, though the term "CGI" is most commonly used to refer to 3D computer graphics used for creating scenes or special effects in films and television.

The term computer animation refers to dynamic CGI rendered as a movie. The term virtual world refers to agent-based, interactive environments.

Computer graphics software is used to make computer-generated imagery for movies, etc. Recent availability of CGI software and increased computer speeds have allowed individual artists and small companies to produce professional-grade films, games, and fine art from their home computers. This has brought about an internet subculture with its own set of global celebrities, clichés, and technical vocabulary.

 

Happy Games

Sports movies have been made since the era of silent films, such as the 1915 film The Champion starring Charlie Chaplin. Films in this genre can range from serious (Raging Bull) to silly (Horse Feathers). A classic theme for sports films is the triumph of an individual or team who prevail despite the difficulties. Men often identify with sports films in ways they wouldn't with other genres, such as spy films.

Tom Thump

A film storyboard is essentially a large comic of the film or some section of the film produced beforehand to help film directors, cinematographers and television commercial advertising clients visualize the scenes and find potential problems before they occur. Often storyboards include arrows or instructions that indicate movement.

In creating a motion picture with any degree of fidelity to a script, a storyboard provides a visual layout of events as they are to be seen through the camera lens. And in the case of interactive media, it is the layout and sequence in which the user or viewer sees the content or information. In the storyboarding process, most technical details involved in crafting a film or interactive media project can be efficiently described either in picture, or in additional text.

 

Patricianhouse

Museum Willet-Holthuysen is a museum in Amsterdam, the Netherlands, on the Herengracht canal. It is the only fully furnished canalside patrician house in Amsterdam that is open to the public. The museum has a large collection of silverware, plates, and books from the Dutch Golden Age. It also has a substantial collection of art.

The house was built for Jacob Hop, mayor of Amsterdam, around 1685. He was not the last mayor to own the house. In 1739 the outside was redesigned to look as it does today, in the highly fashionable Louis XIV style. The last private owner, Mrs. Willet-Holthuysen, bequeathed the entire house to the city of Amsterdam on condition that it became a museum in 1895. The curator named in that year was Frans Coenen Jr., a writer, composer, and art critic. It has been a museum ever since

 

Birthplace of cinema

The collection of Jean Desmet (1875-1956) is held by EYE Film Institute Netherlands (formerly the Filmmuseum) since 1957. The vast collection contains, among many other items, masterpieces by D.W. Griffith and Louis Feuillade, films with Asta Nielsen and Lyda Borelli, and productions from the film companies Pathé, Gaumont and Edison. The film-historical significance of the Jean Desmet Collection is acknowledged worldwide. A large number of the films in the collection from the Netherlands’ first professional distributor are unique copies (the only preserved copy in the world). Among the more than 900 films from 1907-1916 are masterpieces that had not been seen for decades. These discoveries have cleared up a number of misconceptions, and the film-historical appreciation for historical genres such as Italian diva films, German melodramas and French comedies has been changed once and for all.

Early Cinema

The history of film (known variously as film, motion pictures or movies) began in the late 1880s with the invention of the first movie camera.

Motion pictures were initially exhibited as a carnival novelty and developed to one of the most important tools of communication and entertainment, and mass media in the 20th century and into the 21st century. Most films before 1930 were silent. Motion picture films have substantially affected the arts, technology, and politics.[citation needed]
The movie theatre was considered a cheaper, simpler way to provide entertainment to the masses. Movies became the most popular visual art form of the late Victorian age. It was simpler because of the fact that before the cinema people would have to travel long distances to see major dioramas or amusement parks. With the advent of the cinema this changed. During the first decade of the cinema's existence, inventors worked to improve the machines for making and showing films.

3 D film

A 3D is a motion picture that enhances the illusion of depth perception. Derived from stereoscopic photography, a regular motion picture camera system is used to record the images as seen from two perspectives (or computer-generated imagery generates the two perspectives in post-production), and special projection hardware and/or eyewear are used to provide the illusion of depth when viewing the film. 3D films are not limited to feature film theatrical releases; television broadcasts and direct-to-video films have also incorporated similar methods, especially since 3D television and Blu-ray 3D.


3D films have existed in some form since 1915, but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized format for all segments of the entertainment business. Nonetheless, 3D films were prominently featured in the 1950s in American cinema, and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end theaters and Disney themed-venues. 3D films became more and more successful throughout the 2000s, culminating in the unprecedented success of 3D presentations of Avatar in December 2009 and January 2010.

 

Green House

House is uptempo music for dancing, although by modern dance-music standards it is mid-tempo, generally ranging between 118 and 135 bpm. Tempos tended to be slower in the early years of house.

The common element of house is a prominent kick drum on every beat usually generated by a drum machine or sampler. The kick drum sound is augmented by various kick fills and extended dropouts. The drum track is filled out with hi-hat cymbal-patterns that nearly always include a hi-hat on quaver off-beats between each kick, and a snare drum or clap sound on beats two and four of every bar. This pattern derives from the so-called "four-on-the-floor" dance drumbeats of the 1960s which impacted on 1980s house music via the 1970s disco drummers.

Electronically generated sounds and samples of recordings from genres such as jazz, blues, disco, funk, soul and synth pop are often added to the foundation of the drum beat and synth bass line. House songs may also include disco, soul, or gospel vocals and additional percussion such as tambourine. Many house mixes also include repeating, short, syncopated, staccato chord-loops that are usually composed of 5-7 chords in a 4-beat measure.

 

The sound of cinema

A cinema organ is a pipe organ originally designed specifically for imitation of an orchestra.
Theatre organs took the place of the orchestra when installed in a cinema (movie theatre) during the heyday of silent films. Most theatre organs were modelled after the style originally devised by Robert Hope-Jones, which he called a "unit orchestra".

Such instruments were typically built to provide the greatest possible variety of timbres with the fewest possible pipes, and often had pianos and other percussion instruments built in, as well as a variety of sound effects such as a siren.

Theatre organs are usually identified by their distinctive horseshoe-shaped consoles, which are frequently painted white with gold trim. An original example is the 3/13 Barton from Ann Arbor's historic Michigan Theatre. The organ was installed in 1927 and is currently played daily before most film screenings. There were over 7,000 such organs installed in American theatres from 1915 to 1933, but fewer than 40 original instruments remain in their original theatres.