Modern art understanding

 

 

The word art derives from the Latin "ars" (stem art-), which, although literally defined means "skill method" or "technique", also conveys a connotation of beauty. During the Middle Ages the word artist already existed in some countries such as Italy, but the meaning was something resembling craftsman, while the word artisan was still unknown. An artist was someone able to do a work better than others, so the skilled excellency was underlined, rather than the activity field. In this period, some "artisanal" products (such as textiles) were much more precious and expensive than paintings or sculptures. The first division into major and minor arts dates back at least to the works of Leon Battista Alberti (1404–1472): De re aedificatoria, De statua, De pictura, which focused on the importance of the intellectual skills of the artist rather than the manual skills (even if in other forms of art there was a project behind). With the academies in Europe (second half of 16th century) the gap between fine and applied arts was definitely set. Many contemporary definitions of "artist" and "art" are highly contingent on culture, resisting aesthetic prescription, in much the same way that the features constituting beauty and the beautiful cannot be standardized easily without moving into kitsch. 

 

16 mm film and TV

 

 

The term ENG was created as television news departments moved from film-based news gathering to electronic field production technology in the 1970s. Since film requires chemical processing before it can be viewed and edited, it generally took at least an hour from the time the film arrived back at the television station or network news department until it was ready to be broadcast.[2] Film editing was done by hand on what was known as "color reversal" film, usually Kodak Ektachrome, meaning there were no negatives. Color reversal film had replaced black-and-white film as television itself evolved from black-and-white to color broadcasting. Filmo cameras were most commonly used for silent filming, while Auricon cameras were used for filming with synchronized sound. Since editing required cutting the film into segments and then splicing them together, a common problem was film breaking during the newscast. News stories were often transferred to bulky 2-inch videotape for distribution and playback, which made the content cumbersome to access. Film remained important in daily news operations until the late 1960s, when news outlets adopted portable professional video cameras, portable recorders, wireless microphones and joined those with various microwave- and satellite truck-linked delivery systems. By the mid-1980s, film had all but disappeared from use in television journalism.

Bad trip

 

Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of Dracula (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produced worldwide, varying in content and style between regions. Horror is particularly prominent in the cinema of Japan, Korea, Italy and Thailand, among other countries. Despite being the subject of social and legal controversy due to their subject matter, some horror films and franchises have seen major commercial success, influenced society and spawned several popular culture icons. 

 

Dutch fishery

 

 

Videography is the process of capturing moving images on electronic media (e.g., videotape, direct to disk recording, or solid state storage) and even streaming media. The term includes methods of video production and post-production. It used to be considered the video equivalent of cinematography (moving images recorded on film stock), but the advent of digital video recording in the late 20th century blurred the distinction between the two, as in both methods the intermediary mechanism became the same. Nowadays, any video work could be called videography, whereas commercial motion picture production would be called cinematography. 

 

Colonial history

 

 

Colonialism has existed since ancient times. In the modern period, the concept is most strongly associated with the European and Japanese empires, starting in the 15th century and extending to the mid-1900s. At first, conquest followed policies of mercantilism, aiming to strengthen the home-country economy, so agreements usually restricted the colony to trading only with the metropole (mother country). The impacts of colonisation are immense and pervasive Various effects, both immediate and protracted, include the spread of virulent diseases, unequal social relations, detribalization, exploitation, enslavement, medical advances, the creation of new institutions, abolitionism, improved infrastructure, and technological progress. Colonial practices also spur the spread of conquerers' languages, literature and cultural institutions, while endangering or obliterating those of native peoples. The native cultures of the colonised peoples can also have a powerful influence on the imperial country.

 

Slavery commemoration

 

Martial arts films are a subgenre of action films that feature martial arts combat between characters. These combats are usually the films' primary appeal and entertainment value, and often are a method of storytelling and character expression and development. Martial arts are frequently featured in training scenes and other sequences in addition to fights. Martial arts films commonly include hand-to-hand combat along with other types of action, such as stuntwork, chases, and gunfights.[1][2][3] Sub-genres of martial arts films include kung fu films, wuxia, karate films, and martial arts action comedy films, while related genres include gun fu, jidaigeki and samurai films. 

 

 

 

Broek in Waterland

 

 

A point of view shot (also known as POV shot, first-person shot or subjective camera) is a film scene—usually a short one—that is shot as if through the eyes of a character (the subject). The camera shows what the subject's eyes would see. It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The POV technique is one of the foundations of film editing.

Dageraad architecture

 

Museum De Dageraad Behind the wave-shaped facade of the famous working-class housing complex De Dageraad, you will find information about the art and architecture of the Amsterdam School. At the beginning of the last century, H.P. Berlage designed the now famous Plan Zuid. He introduced a new way of urban planning, in which there was room for wide streets, atmospheric squares and green parks. The characteristic architecture of the many Amsterdam School artists still adorns the street plan. The expressionistic facades and beautiful ornaments are recognizable throughout the neighborhood.

Residential complex De Dageraad is the Amsterdam School in its purest form. Architects Michel de Klerk and Piet Kramer were commissioned to design all facets of the streetscape. 

 

Edam village

 

 

A basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots may look like a jump cut, which could jar the audience and take them out of the story by causing them to focus on the film technique rather than the narrative itself

 

Amstelveen

 

 

Bridging shot A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling calendar pages, railroad wheels, newspaper headlines and seasonal changes. Bridge shots are also used to avoid jump cuts when inserting a pick-up.

 

Mad Nest

 

 

Mad Nest is the second Parisian film by Tajiri. It is a collage-like film in which Tajiri uses different techniques and image material. A large part of the film consists of images that were created by drawing or scratching directly on the film material; these were techniques that were increasingly popular within the pre-war avant-garde.Tajiri contrasts these animation techniques with live action images: his own home movie-like recordings and found footage images. He also manipulates this footage, by colouring it, showing it in reverse or upside down, or by playing it backwards.

Willemstad (NB)

 

 

Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach. When discussed in reference to classical Hollywood cinema, it may also be referred to as classical continuity. 

 

The Foley-artist (2)

 

 

What is now called Foley originated as adding sounds to live broadcasts of radio drama from radio studios around the world in the early 1920s. Phonograph recordings of the era were not of sufficient quality or flexibility to faithfully reproduce most sound effects on cue, so a sound effects person had to create all sounds for radio plays live. Jack Donovan Foley[4] started working with Universal Studios in 1914 during the silent movie era.

Agricultural colonies: "pauper paradise"

 

These cultural landscapes demonstrate an innovative, highly influential 19th-century model of pauper relief and of settler colonialism, which today is known as an agricultural domestic colony. The property encompasses Colonies of Benevolence in three component parts: Frederiksoord-Wilhelminaoord and Veenhuizen in the Netherlands. Together they bear witness to a 19th century experiment in social reform, an effort to alleviate urban poverty by establishing agricultural colonies in remote locations. Established in 1818, Frederiksoord (the Netherlands) is the earliest of these Colonies and home to the original headquarters of the Society of Benevolence, an association which aimed to reduce poverty at the national level. The other component parts were constructed between 1820 and 1823. In Frederiksoord-Wilhelminaoord, small farms along planted avenues were built for families and this Colony was referred to as ‘free’. In Veenhuizen large dormitory structures and larger centralized farms along planted avenues were built for orphans, beggars and vagrants that worked under the supervision of guards. This colony was called ‘unfree’. Each component part has a distinctive spatial character, connected to the target group for which it was built, and a specific organization of the work, with either family farms or institutions with working farms for groups of individuals. At their peak in the mid-19th century, over 11,000 people lived in such Colonies in the Netherlands.

Dance show

 

 

Dance has become a popular form of content across many social media platforms, including TikTok. During 2020, TikTok dances offered the opportunity for isolated individuals to interact and connect with one another through a virtual format. Since its debut in 2017, the app has also attracted a small but growing audience of professional dancers in their early 20s to 30s. While the majority of this demographic is more accustomed to performing onstage, this app introduced a new means to generate professional exposure. 

 

 

Handmade cheese

 

 

Open Archief is a multifaceted, collaborative research project that explores the beauty and innovation that can be inspired by making archival material accessible to artists for creative reuse. Brought forward by three Dutch heritage institutions: Het Nieuwe Instituut, Sound & Vision, and the International Institute of Social History

Graphic design in film

 

 

In recent years, the role of graphic design in film has become more established, with more and more directors recognising the importance visual artists play in bringing their visions to life. That said, graphic design in film still remains, for some reason, an underrated and unpopular career path. But why is that? Is it too competitive? Too reliant on connections? Impossible to find a way in?  To be honest, creating graphic design in film or television is a thankless one. It’s great for producers and directors to have graphic designers around because sourcing and using real products from actual brands would be a logistical nightmare (not to mention expensive), but if a designer is doing his/her job well, the average viewer won’t be able to tell that a job was done at all, or that it was done several times over

 

Hypocrites

 

Organizations sometimes seek publicity by staging newsworthy events that attract media coverage. They can be in the form of groundbreakings, world record attempts, dedications, press conferences, or organized protests. By staging and managing these types of events, the organizations attempt to gain some form of control over what is reported in the media. Successful publicity stunts have news value, offer photo, video, and sound bite opportunities, and are arranged primarily for media coverage.

 

Cut peat

 

 

In 19th-century Europe, "Naturalism" or the "Naturalist school" was somewhat artificially erected as a term representing a breakaway sub-movement of realism, that attempted (not wholly successfully) to distinguish itself from its parent by its avoidance of politics and social issues, and liked to proclaim a quasi-scientific basis, playing on the sense of "naturalist" as a student of natural history, as the biological sciences were then generally known. 

 

Flying Dutch Woman

 

The most common sports subgenres depicted in movies are sports drama and sports comedy. Both categories typically employ playground settings, match, game creatures and other elements commonly associated with biological stories.

Sports films tend to feature a more richly developed sport world, and may also be more player-oriented or thematically complex. Often, they feature a hero of adventure origins and a clear distinction between loss and victory set against each other in a play time struggle.

Thematically, the story is often one of "our team" versus "their team"; their team will always try to win, and our team will show the world that they deserve recognition or redemption; the story does not always have to involve a team. The story could also be about an individual athlete or the story could focus on an individual playing on a team.