Charlie Chaplin - The Lion Cage

Charlie Chaplin was an actor and filmmaker committed to his craft--a perfectionist, in short. When directing City Lights (1931), Chaplin demanded as many as 342 takes of a fairly straightforward three-minute scene. That's what it took to get it right.

Above, we find an earlier example of the filmmaker's attention to detail ... and his appetite for risk. In the 1928 film, The Circus, Chaplin took more than 200 takes to complete the Lion's Cage scene shown above. Many of those takes, the official Charlie Chaplin website reminds us, took place inside the lion's cage itself. As the scene unfolds, the tension builds and Chaplin puts in a performance that helped him secure his first Academy Award.

An introduction to the Desmet Collection

Jean Desmet was a pioneering film distributor and theatre owner in the Netherlands.
The Desmet Collection consists of films, posters, stills and company documents, mainly from the period 1907-1916.
The film collection contains over 900 films of all genres; from France, Italy, USA, Germany and more...
Since 2011, Desmet Collection held at the EYE Filmmuseum has been inscribed on the UNESCO Memory of the World Register.

The sound of politicians

An interview is a conversation where questions are asked and answers are given.[1] In common parlance, the word "interview" refers to a one-on-one conversation between an interviewer and an interviewee. The interviewer asks questions to which the interviewee responds, usually so information may be transferred from interviewee to interviewer (and any other audience of the interview). Sometimes, information can be transferred in both directions. It is a communication, unlike a speech, which produces a one-way flow of information.

the real meaning is that for sure what you say may be important, but the way you say it can really make a difference.

Funfair in Volendam

In combination with other aspects, theatrical costumes can help actors portray characters' age, gender role, profession, social class, personality, and even information about the historical period/era, geographic location and time of day, as well as the season or weather of the theatrical performance. Often, stylized theatrical costumes can exaggerate some aspect of a character; for example Harlequin and Pantaloon in the traditional commedia dell'arte.

Usually, in costume, historical accuracy is combined with a certain vision. The character that the costumer is dressing is also an important aspect, and a lot of the time the attitudes of the character is not exactly in line with the time period. For example, they may be more bright and colorful, or they may be more dull. A movie or stage production which emphasize the use of correct clothes and settings for a specific time period is called a costume drama.

Stage clothes often follow the evolving fashion but in a more extravagant way.[clarification needed] Clothes worn by popular performers can often spark new fashions by themselves, as fans of performers want to look like their idols.

 

New Wave

To make a film all you need is a girl and a gun.” Jean-Luc Godard’s oft-quoted line might have come from the mouth of any tough-talking, American movie director from Hollywood’s classic era. The fact that it was spoken by a 29-year-old Franco-Swiss intellectual from Paris says much about the cross-cultural pollination that was so crucial to birth of the New Wave and to what is often considered its flagship film: À bout de souffle. Indeed the film’s simple story resembles a classic American film noir, such as those made by Monogram Studios, to whom the film is dedicated. But Godard approached the story in ways that departed radically from past genre archetypes. His years as a critic, his immersion in both high and low culture, his philosophical explorations, all impacted on his debut feature film. As he said in an interview, the film was the result of “a decade’s worth of making movies in my head.” The fact that he was relatively inexperienced and had little knowledge of the practical aspects of filmmaking proved unimportant. What he did have were an accumulation of original ideas, which he applied fearlessly to the aesthetic and technical elements of the film. The results were nothing less than a cinematic revolution.

Glorious Delft

The term historical period drama (also historical drama, period drama, costume drama, and period piece) refers to a work set in a past time period, usually used in the context of film and television. It is an informal crossover term that can apply to several genres and is often heard in the context of historical fiction and romances, adventure films, and swashbucklers. A period piece may be set in a vague or general era such as the Middle Ages or a specific period such as the Roaring Twenties. A religious work can qualify as period drama but not as historical drama.

 

North Eifel

Over time, the cyan, magenta and yellow dyes that form the image in color 16 mm film inevitably fade. The rate of deterioration depends on storage conditions and the film type. In the case of Kodachrome amateur and documentary films and Technicolor IB (imbibition process) color prints, the dyes are so stable and the deterioration so slow that even prints now over 70 years old typically show no obvious problems.

Unfortunately, dyes in the far more common Eastmancolor print film and similar products from other manufacturers are notoriously unstable. Prior to the introduction of a longer-lasting "low fade" type in 1979, Eastmancolor prints routinely suffered from easily seen color shift and fading within ten years. The dyes degrade at different rates, with magenta being the longest-lasting, eventually resulting in a pale reddish image with little if any other color discernible.

Retiro the Park of Madrid

Non-destructive editing is a form of audio, video, or image editing in which the original content is not modified in the course of editing; instead the edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video or a directed acyclic graph for still images is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited.

Overlook Delft

A low-budget film or low-budget movie is a motion picture shot with little to no funding from a major film studio or private investor. Many independent films are made on low budgets, but films made on the mainstream circuit with inexperienced or unknown filmmakers can also have low budgets. Many young or first time filmmakers shoot low-budget films to prove their talent before doing bigger productions. Many low-budget films that do not gain some form of attention or acclaim are never released in theatres and are often sent straight to retail because of its lack of marketability, look, story, or premise. There is no precise number to define a low budget production, and it is relative to both genre and country. What might be a low-budget film in one country may be a big budget in another. Modern-day young filmmakers rely on film festivals for pre promotion. They use this to gain acclaim and attention for their films, which often leads to a limited release in theatres. Film that acquire a cult following may be given a wide release. Low-budget films can be either professional productions or amateur. They are either shot using professional or consumer equipment. 

Trailer Prooi (Prey)

In Dick Maas' new thriller, a bloodthirsty lion appears in Amsterdam ... After the discovery of a horribly butchered peasant family just outside Amsterdam, the police call in the help of Artis vet Lizzy. She immediately sees what the bloody mutilations must have caused: a strong, aggressive lion. Nobody believes her and only after a bloodbath in the Vondelpark do the authorities agree with her plan to deploy the British hunter Jack. Lizzy’s friend Dave has his reservations about Jack and Lizzy's amorous past. But he also has to admit that Jack is their best chance to prevent more bloodshed in the streets of Amsterdam. The hunt is open ...

Turku in motion

Slow motion is ubiquitous in modern filmmaking. It is used by a diverse range of directors to achieve diverse effects. Some classic subjects of slow-motion

Athletic activities of all kinds, to demonstrate skill and style.

Natural phenomena, such as a drop of water hitting a glass.
Slow motion can also be used for artistic effect, to create a romantic or suspenseful aura or to stress a moment in time

Fantasia de Valencia

The name "film" originates from the fact that photographic film (also called film stock) has historically been the medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including picture, picture show, moving picture, photoplay, and flick. The most common term in the United States is movie, while in Europe film is preferred. Common terms for the field in general include the big screen, the silver screen, the movies, and cinema; the last of these is commonly used, as an overarching term, in scholarly texts and critical essays. In early years, the word sheet was sometimes used instead of screen.

 

Karlovy Vary

An eyeline match is a film editing technique associated with the continuity editing system. It is based on the premise that an audience will want to see what the character on-screen is seeing. An eyeline match begins with a character looking at something off-screen, followed by a cut of another object or person: for example, a shot showing a man looking off-screen is followed by a shot of a television. Given the audience's initial interest in the man's gaze, it is generally inferred on the basis of the second shot that the man in the first was looking at the television, even though the man is never seen looking at the television within the same shot.

Eyeline match also refers to the practice of setting off-camera eyelines for single shots of characters within a scene such that, when these shots are cut together, each of the characters appear to be looking at the correct character, without any confusion.

Making of Rembrandt ('41)

In cinema, a making-of, also known as behind-the-scenes, the set or on the set is a documentary film that features the production of a film or television program. This is often referred to as the EPK (electronic press kit) video, due to its main usage as a promotional tool, either concurrent with theatrical release or as a bonus feature for the film's DVD or Blu-ray release.

Feature length documentaries on the making of other films has become a film genre in its own right. The making-of film may ultimately be more important than the film itself.

Bergen op Zoom North Brabant

Early in the transition to digital cinematography, the inability of digital video cameras to easily achieve shallow depth of field, due to their small image sensors, was initially an issue of frustration for film makers trying to emulate the look of 35mm film. Optical adapters were devised which accomplished this by mounting a larger format lens which projected its image, at the size of the larger format, on a ground glass screen preserving the depth of field. The adapter and lens then mounted on the small format video camera which in turn focused on the ground glass screen. 

The north of Amsterdam

Filters, such as diffusion filters or color effect filters, are also widely used to enhance mood or dramatic effects. Most photographic filters are made up of two pieces of optical glass glued together with some form of image or light manipulation material between the glass. In the case of color filters, there is often a translucent color medium pressed between two planes of optical glass. Color filters work by blocking out certain color wavelengths of light from reaching the film. With color film, this works very intuitively wherein a blue filter will cut down on the passage of red, orange, and yellow light and create a blue tint on the film. In black-and-white photography, color filters are used somewhat counter intuitively; for instance a yellow filter, which cuts down on blue wavelengths of light, can be used to darken a daylight sky (by eliminating blue light from hitting the film, thus greatly underexposing the mostly blue sky) while not biasing most human flesh tone.

Qatar 2022 - The first ethically neutral World Cup.

A parody also called a spoof, send-up, take-off, lampoon, caricature, or joke is a work created to imitate, make fun of, or comment on an original work—its subject, author, style, or some other target—by means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, "parody ... is imitation, not always at the expense of the parodied text." Another critic, Simon Dentith, defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice. Parody may be found in art or culture, including literature, animation, gaming, and film.

Cologne: the Dom

If you’re reading this, there’s a good chance you’ve seen the German Expressionist classic The Cabinet of Dr. Caligari. As soon as Robert Weine’s 1920 film came out, it was described as essential. Or as one reviewer wrote, “so-called cultured people who fail to see it are neglecting their education.” There are dozens more German films to which that sentence might apply. Films from the country’s explosive Weimar moment—which also produced Metropolis, Nosferatu, M, Faust, etc.—to those of the New German Cinema movement of the 1960s and 70s, which gave the world such enfants terribles as Wim Wenders, Margarethe von Trotta, Werner Herzog, and Rainer Maria Fassbinder. The furiously prolific Fassbinder died in 1982 at 37, but the former three directors have continued to make internationally-known films into the 21st century.

Laurel & Hardy

Laurel and Hardy were a motion picture comedy team whose official filmography consists of 106 films released from 1921 and 1951. Together they appeared in 34 silent shorts,A 45 sound shorts, and 27 full-length sound feature films.B In addition to these,

Stan Laurel (1890–1965) and Oliver Hardy (1892–1957) were established as film comedians prior to their teaming, with Laurel appearing in over 50 silent films and Hardy in over 250.

Although they first worked together in the film The Lucky Dog (1921), this was a chance pairing and it was not until 1926 when both separately signed contracts with the Hal Roach film studio that they appeared in movie shorts together. Laurel and Hardy officially became a team the following year, in their eleventh silent short film The Second Hundred Years (1927).The pair remained with the Roach studio until 1940. Between 1941 and 1945 they appeared in eight features and one short for 20th Century Fox and Metro-Goldwyn-Mayer

For their contributions to cinema Laurel and Hardy have been awarded separate stars on the Hollywood Walk of Fame.

Medley

In music, a medley is a piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumental. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre.

A medley is the most common form of overture for musical theater productions.

Break Free

What are ASMR Videos? For a trend so wildly popular, you probably haven’t heard of it. ASMR stands for Autonomous Sensory Meridian Response, and it’s a strange recent phenomenon. We all find certain sounds mentally and physically stimulating—some things send a shiver down our spines, create a sensation in the back of our heads. ASMR is a type of sensory stimulus that helps you to relax! In fact, there’s an entire section of Youtube videos and sound creation that is meant to help people feel good.

People who use ASMR describe it as a tingling sensation in their head, neck, or another area of the body in response to a sensory stimulus. There's not a ton of research on it yet, but people are going nuts for ASMR videos all the same. Check out these facts, and some neat videos, we were able to find on the subject of ASMR!

 

Cologne City

The cinematographer selects the camera, film stock, lenses, filters, etc., to realize the scene in accordance with the intentions of the director. Relations between the cinematographer and director vary; in some instances the director will allow the cinematographer complete independence; in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is not common once the director and cinematographer have become comfortable with each other; the director will typically convey to the cinematographer what is wanted from a scene visually, and allow the cinematographer latitude in achieving that effect.

Offer for Fun

If the position of a body is not changing with respect to a given frame of reference (reference point), the body is said to be at rest, motionless, immobile, stationary, or to have constant (time-invariant) position with reference to its surroundings. An object's motion cannot change unless it is acted upon by a force, as described. Momentum is a quantity which is used for measuring the motion of an object. An object's momentum is directly related to the object's mass and velocity, and the total momentum of all objects in an isolated system (one not affected by external forces) does not change with time, as described by the law of conservation of momentum.

As there is no absolute frame of reference, absolute motion cannot be determined. Thus, everything in the universe can be considered to be moving.

Happy 'sHertogenbosch

Mood is generally created through several different things. Setting, which provides the physical location of the story, is used in order to create a background in which the story takes place. Different settings can affect the mood of a story differently, and usually supports or conflicts with the other content of the story in some way. For example, the desert may be a setting for a cowboy story, and may generate a mood of solitude, desolation, and struggle, among other possible associations. The attitude of the narrator is another element that helps generate mood. As the viewer is dependent on the narrator's perspective of the story, they see the story through their lenses, feeling the way the narrator feels about what happens or what is being described. Embedded in the attitude of a narrator are the feelings and emotions which make it up. A similar element that goes into generating mood is diction, that is, the choice and style of words the the storyteller uses. Diction conveys a sensibility as well as portrays the content of a story in specific colors, thus affecting the way the viewer feels about

it.

Western Cologne

A point of view shot (also known as POV shot, first-person shot or a subjective camera) is a short film scene that shows what a character (the subject) is looking at (represented through the camera). It is usually established by being positioned between a shot of a character looking at something, and a shot showing the character's reaction (see shot reverse shot). The technique of POV is one of the foundations of film editing.

Scheepvaerthuis: Amsterdam

The Shipping House (Dutch: Scheepvaarthuis) is a building on the western tip of the Waalseiland near Amsterdam harbour that is one of the top 100 Dutch heritage sites and generally regarded as the first true example of the Amsterdam School, a style characterised by "expressive dynamism, lavish ornamentation and colourful embellishments". It is situated on the Prins Hendrikkade and was erected on the spot where Cornelis Houtman's first trip to the East Indies had begun in 1595. The first part was built 1913 - 1916 (during World War I); the second part was built 1926 -1928. Originally, it was the headquarters of six leading Amsterdam shipping companies

10 drawings for projection

William Kentridge - 10 Drawings for Projection
William Kentridge (Johannesburg, 1955) studied political science and African Studies. Kentridge is known for its special animation films, charcoal drawings and installations made up of film, sound, music and sculptural objects. In 2015, the artist donated 10 Drawings for Projection (1989-2011) to the Eye film museum. These ten short animation films made his international breakthrough. The films show the eventful history of South Africa. They give a wide view of Kentridge's oeuvre and a glimpse into life in South Africa after the abolition of apartheid.

De Blauwe Schuit

De Blauwe Schuit was a medieval company that expressed itself in irony and reversal. Sometimes the name is written as 'Blauwe Schuyt'.

De Blauwe Schuit was a cart ship (carrus navalis), which was therefore propelled by the city on wheels. On board were subjects who had changed their superiors: princes, kings and gentlemen. The barge was driven through the city in procession.
Another party of the reversal of everything is carnival. In many places a Blue Barge will ride along in the parade.

Den Bosch spring 2009

Widescreen images are images that are displayed within a set of aspect ratios (relationship of image width to height) that is used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1.37:1 Academy aspect ratio provided by 35mm film.

For television, the original screen ratio for broadcasts was in fullscreen 4:3 (1.33:1). Largely between the 1990s and early 2000s, at varying paces in different nations, 16:9 (1.78:1) widescreen TV displays came into increasingly common use. They are typically used in conjunction with high-definition television (HDTV) receivers, or Standard-Definition (SD) DVD players and other digital television sources.

With computer displays, aspect ratios wider than 4:3 are also referred to as widescreen. Widescreen computer displays were previously of 16:10 aspect ratio, but now are usually 16:9.

Birth of carnival floats

The parade float got its name because the first floats were decorated barges that were towed along canals with ropes held by parade marchers on the shore. Floats were occasionally propelled from within by concealed oarsmen, but the practice was abandoned because of the high incidence of drowning when the lightweight and unstable frames capsized. Strikingly, among the first uses of grounded floats — towed by horses — was a ceremony in memory of recently drowned parade oarsmen. Today, parade floats are traditionally pulled by motor vehicles or are powered themselves.

Ursula & Gedeon

The Basilica church of St. Ursula . It is built upon the ancient ruins of a Roman cemetery, where the 11,000 virgins associated with the legend of Saint Ursula are said to have been buried. The church has an impressive reliquary created from the bones of the former occupants of the cemetery. It is one of the twelve Romanesque churches of Cologne.

St. Gereon has a highly irregular plan, the nave being covered by a decagonal oval dome, 21.0 m long and 16.9 m wide, completed in 1227 on the remains of Roman walls, which are still visible. It is the largest dome built in the West between the erection of the Hagia Sophia in the 6th century and the Duomo of Florence in the 15th century.

Mediapark Köln

Combined with the Internet and personal computing, digital media has caused disruptive innovation in publishing, journalism, public relations, entertainment, education, commerce and politics. Digital media has also posed new challenges to copyright and intellectual property laws, fostering an open content movement in which content creators voluntarily give up some or all of their legal rights to their work. The ubiquity of digital media and its effects on society suggest that we are at the start of a new era in industrial history, called the Information Age, perhaps leading to a paperless society in which all media are produced and consumed on computers. However, challenges to a digital transition remain, including outdated copyright laws, censorship, the digital divide, and the spectre of a digital dark age, in which older media becomes inaccessible to new or upgraded information systems. Digital media has a significant, wide-ranging and complex impact on society and culture.

Charlemagnes church

An essential element of historical fiction is that it is set in the past and pays attention to the manners, social conditions and other details of the period depicted. Authors also frequently choose to explore notable historical figures in these settings, allowing readers to better understand how these individuals might have responded to their environments. Some subgenres such as alternate history and historical fantasy insert speculative or ahistorical elements into a novel.

Works of historical fiction are sometimes criticised for lack of authenticity because of readerly or genre expectations for accurate period details. This tension between historical authenticity, or historicity, and fiction frequently becomes a point of comment for readers and popular critics, while scholarly criticism frequently goes beyond this commentary, investigating the genre for its other thematic and critical interests.

At Work at that Time

Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence so as to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach.

Cologne pictures

In film editing, video editing and post production, screen direction is the direction that actors or objects appear to be moving on the screen from the point of view of the camera or audience. A rule of film editing and film grammar is that movement from one edited shot to another must maintain the consistency of screen direction in order to avoid audience confusion.

"Camera left" or "frame left" indicates movement towards the left side of the screen, while "camera right" or "frame right" refers to movement towards the right side of the screen. "Foreground" refers to the apparent space close to the camera (and thus to the audience), and "background" refers to the apparent space in the distance away from the camera and the audience.

 

Tour de Cologne

An edit decision list or EDL is used in the post-production process of film editing and video editing. The list contains an ordered list of reel and timecode data representing where each video clip can be obtained in order to conform the final cut.

EDLs are created by offline editing systems, or can be paper documents constructed by hand such as shot logging. These days, linear video editing systems have been superseded by non-linear editing (NLE) systems which can output EDLs electronically to allow autoconform on an online editing system – the recreation of an edited programme from the original sources (usually video tapes) and the editing decisions in the EDL.

They are also often used in the digital video editing world, so rather than referring to reels they can refer to sequences of images stored on disk.

Bad Aachen

Before the camera stabilizing system, a director had two choices for moving (or "tracking") shots:

The camera could be mounted on a dolly, a wheeled mount that rolls on tracks or leveled boards. This procedure is time consuming to set up, and it is impractical in many situations.
The camera operator could simply hold the camera. This manual grip allows speed and flexibility, but even the most skilled operator cannot entirely prevent shaking. Hand-held camera footage has traditionally been considered suitable mostly for documentaries, news, reportage, live action, unrehearsable footage, or the evocation of authentic immediacy or cinéma vérité during dramatic sequences

.

Carnival Mood

In Germany's mainly Catholic cities along the Rhine, Carnival is something altogether different. Here it's so bound up with the yearly routine that it’s commonly referred to as 'the fifth season'.
The celebration of Carnival is deeply rooted in Catholicism and connected to the observance of Lent with some of its traditions dating back to the Middle Ages.
But many of the Carnival traditions observed here today only go back to the days of the Prussian occupation of the Rhine region in the early 19th century.
Carnival along the Rhine is a time of year for people to let loose and have fun. They'll be drinking and partying until they have to sober up 40 days before Easter.

Mayor of Mokum

The title is sometimes translated as burgomaster, to emphasize the appointed, rather than elected, nature of the office. The appointment procedure was brought for discussion in the early 2000s (decade), as some of the political parties represented in parliament regarded the procedure as undemocratic. Generally, mayors in the Netherlands are selected from the established political parties. Alternatives proposed were direct election of the mayor by the people or appointment by the city council (gemeenteraad). A constitutional change to allow for this failed to pass the Senate in March 2005, but succeeded in 2018.

Carnival in the past

Montage theory, in its rudimentary form, asserts that a series of connected images allows for complex ideas to be extracted from a sequence and, when strung together, constitute the entirety of a film's ideological and intellectual power. In other words, the editing of shots rather than the content of the shot alone constitutes the force of a film. Many directors still believe that montage is what defines cinema against other specific media.

Hollywood in Holland

Amsterdamned is a 1988 Dutch horror film directed and written by Dick Maas, and stars Huub Stapel, Monique van de Ven, and Serge-Henri Valcke. The plot revolves around a serial killer who uses the famed canals of the Dutch capital to murder random people, one of which involves a detective's girlfriend linked to the murders.

Bike Baker Advertisement

Gold Hill, Shaftesbury At almost any time of day, Gold Hill is a magnet for photographers, visitors and locals wanting to enjoy or capture the beauty of Gold Hill and the views across Dorset beyond. The ancient cobbled street runs beside the Grade I listed walls of the ancient Shaftesbury Abbey, built by King Alfred the Great. At the top of Gold Hill, along with The Gold Hill Museum and Garden, is the Town Hall and the 14th century St Peter's Church. It was built in the latter part of the 15th century and is the oldest church in Shaftesbury. To many, Gold Hill is still known as ‘Hovis Hill’ due to the TV advert. To commemorate its famous association, a giant Hovis loaf can be found in front of the Town Hall.

Grizzli Bear

In motion picture film production, cinematography and video production, a reaction shot is a shot which cuts away from the main scene in order to show the reaction of a character to it, a basic unit of film grammar.

The assumption behind the logic of the reaction shot is that the emotional reaction of the actor being depicted will either advance the story, reveal character traits of the character in the reaction shot, or emphasize character traits of another character that were displayed in the action or dialog present in the preceding shot. A completely unemotional reaction may also be important if it provides information to the audience or is unexpected in the context of the scene.

Carnavalesque

Collage made from photographs, or parts of photographs, is called photomontage. Photomontage is the process (and result) of making a composite photograph by cutting and joining a number of other photographs. The composite picture was sometimes photographed so that the final image is converted back into a seamless photographic print. The same method is accomplished today using image-editing software. The technique is referred to by professionals as compositing.

Coral Reef RIP

A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wild animals, plants, or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.

 

Carnival Light

The setup of stage lighting is tailored for each scene of each production. Dimmers, colored filters, reflectors, lenses, motorized or manually aimed lamps, and different kinds of flood and spot lights are among the tools used by a stage lighting designer to produce the desired effects. A set of lighting cues are prepared so that the lighting operator can control the lights in step with the performance; complex theatre lighting systems use computer control of lighting instruments.

Motion picture and television production use many of the same tools and methods of stage lighting. Especially in the early days of these industries, very high light levels were required and heat produced by lighting equipment presented substantial challenges. Modern cameras require less light, and modern light sources emit less heat.

Amateur film in the 30-ties

Two of the most interesting yet unknown amateur filmmakers of the Thirties are Harry Wright and his younger brother, Samuel Bolling. The Wrights were born in Bedford, Virginia, toward the end of the 19th Century. When their father died, Harry, the eldest, got a job as a traveling buyer of scrap metal for the Joseph Iron and Equipment Co., and was sent by the company to Mexico in 1900. He was so successful that he asked his brother Bolling to join him in 1902. Five years later, they started their own foundry, the famous “La Consolidada S.A.” (Consolidated Iron and Equipment Co.), making both of them millionaires during the early part of the 20th Century.
The two brothers were close; they shared an interest in travel, filmmaking and golf but had very different temperaments. Bolling was an astute businessman, disciplined and austere. He managed La Consolidada and his large family with an iron fist

Dramatizing documentaries

On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film. Sometimes, auteurist film directors edit their own films.

Nature of New Zealand

A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation, or a special event, and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The vast majority of amateur film formats lacked audio, shooting silent film.